RELISTENTOTHE Grateful Dead
Re
1984
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1984
12/28/84
Touch of Grey
6:55
Greatest Story Ever Told
4:22
Dire Wolf
3:37
Tons of Steel
5:35
Down in the Bottom/I Ain't Superstitious
6:35
Dupree's Diamond Blues
6:46
Me & My Uncle
2:59
Mexicali Blues
4:46
West LA Fadeaway
7:31
Might as Well
4:42
China Cat Sunflower
7:53
I Know You Rider
5:44
Looks Like Rain
9:30
He's Gone
12:16
Spoonful
6:10
drums
8:07
space
9:17
The Other One
4:32
Wharf Rat
9:42
Sugar Magnolia
8:12
encore break
1:04
Day Tripper (encore)
3:28
FIN
View on archive.org
Sources
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:15:53
SBD
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151176.beyerm88.holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD)
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:15:53
SBD
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151175.beyerm88.holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD)
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Michael Hessberg
2:19:44
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.167626.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the opening notes of "Touch Of Grey" (0:15 total), a 0:41 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Michael Hessberg
2:19:44
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.167625.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the opening notes of "Touch Of Grey" (0:15 total), a 0:41 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Chris Hecht
1:27:07
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.148398.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the BCE folks responsible for the shnid132495 Schoeps CMC4 MK41 source which supplies a 3:34 patch in "Drums > Space" - Other One space included in "The Other One" - Missing 1st Set - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
1:27:07
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.148397.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the BCE folks responsible for the shnid132495 Schoeps CMC4 MK41 source which supplies a 3:34 patch in "Drums > Space" - Other One space included in "The Other One" - Missing 1st Set - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Robert Bryant patched out of Oade Brothers
2:20:15
Rating:
6.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-28.140169.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: Robert Bryant patched out of Oade Brothers
2:20:15
Rating:
6.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-28.140168.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:19:43
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151178.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4" square pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:19:43
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151177.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4" square pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Oade Brothers
2:18:58
Taper:
Oade Brothers
Transferrer:
Dan McDonald
SHNID:
gd1984-12-28.132495.schoeps.Oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
Taper Notes:
View NotesThe Wav files for Set II were corrupt and unreadable/unplayable. Set I was at 16bits, 44.1kHz. After listening to parts of Set I it was clear there was something wrong with it also. I read Set II into the DC8.5 Forensics software, and rewrote the header so that it was listed as 16 bits/48kHz. It then played and sounded right. I read in Set I and changed its header so that it was also at 48kHz and the problems were resolved. Both sets were converted to 44.1kHz using triple precision algorithms, no dithering After that, the only processing was a little bit of editing (fade in at the beginning of the show) and some equalization to counter the pre-emphasis and roll the bass off slightly below 100 hz to cut down on the boominess. Mastering by Dan McDonald Feb. 2015
Taper: Mike Kutik
2:23:06
Rating:
9.33 / 3 ratings
Taper:
Mike Kutik
Transferrer:
Mike Kutik
SHNID:
gd1984-12-28.senn441.kutik.106103.flac16
Source:
Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
Taper Notes:
View Notescrossfades applied for pauses and tape flips please do not judge the PA mix and the room by the first 3 or 4 songs Dan Healy is a mad genius. This fileset, and all other 16/44.1 filesets I plan to upload in my first run through my masters is sourced from a 24/88.2 transfer and is "seamless" AND tailored for CD burning. The fade tracks, ( in2gd84-12-28s2t03fade and out1gd84-12-28s2t04fade ) are labeled to indicate their "position" for CDR burning and to stay out of the way for seamless play from HD or ( gulp ) conversion to mp3. At least I think you don't need the fades for mp3 - I'm just guessing. A parallel 24/96 transfer also was archived. Enjoy this folks, I did. More to follow...