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Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1984
12/28/84
Tuning
2:07
Touch Of Grey ->
6:56
Greatest Story Ever Told
5:07
Dire Wolf
3:53
Tons Of Steel
6:08
Down In The Bottom -> I Ain't Superstitious
6:41
Dupree's Diamond Blues
6:51
Me and My Uncle ->
3:02
Mexicali Blues
4:45
West L.A. Fadeaway ->
7:39
Might As Well
4:40
Tuning
0:12
China Cat Sunflower ->
7:24
I Know You Rider
6:04
Looks Like Rain
9:36
He's Gone ->
12:59
Spoonful ->
5:44
Drums ->
8:23
Space ->
9:34
The Other One ->
4:34
Wharf Rat ->
9:45
Sugar Magnolia
9:59
Day Tripper
3:26
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:25:41
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1984-12-28.142611.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to Robert Bryant and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- The patch source was remastered to better match the soundboard
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:15:53
SBD
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151176.beyerm88.holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD)
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:15:53
SBD
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151175.beyerm88.holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD)
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Jim Vita
2:18:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.169190.nak304.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 shotgun capsules > Jim Vita's 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 4:16 patch in "Drums > Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Jim Vita
2:18:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.169189.nak304.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 shotgun capsules > Jim Vita's 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 4:16 patch in "Drums > Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Michael Hessberg
2:19:44
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.167626.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the opening notes of "Touch Of Grey" (0:15 total), a 0:41 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Michael Hessberg
2:19:44
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.167625.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the opening notes of "Touch Of Grey" (0:15 total), a 0:41 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Mark Severson
2:26:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.152228.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Mark Severson
2:26:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.152227.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Chris Hecht
1:27:07
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.148398.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the BCE folks responsible for the shnid132495 Schoeps CMC4 MK41 source which supplies a 3:34 patch in "Drums > Space" - Other One space included in "The Other One" - Missing 1st Set - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
1:27:07
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.148397.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the BCE folks responsible for the shnid132495 Schoeps CMC4 MK41 source which supplies a 3:34 patch in "Drums > Space" - Other One space included in "The Other One" - Missing 1st Set - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Robert Bryant patched out of Oade Brothers
2:20:15
Rating:
6.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-28.140169.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: Robert Bryant patched out of Oade Brothers
2:20:15
Rating:
6.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-28.140168.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: mossa
2:19:31
Taper:
mossa
Transferrer:
mossa
SHNID:
gd1984-12-28.167387.naks.mossa.flac1644
Source:
mossa -: NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi)
Lineage:
master tapes -> Sony TDC5-M -> Fostex DAT (standalone) -> CD -> EAC -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-04 (16-44)
Taper Notes:
View Notes- this comes from an CD copy I made around 2000 - the master seems to be lost
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:19:43
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151178.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4" square pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:19:43
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151177.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4" square pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Oade Brothers
2:18:58
Taper:
Oade Brothers
Transferrer:
Dan McDonald
SHNID:
gd1984-12-28.132495.schoeps.Oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
Taper Notes:
View NotesThe Wav files for Set II were corrupt and unreadable/unplayable. Set I was at 16bits, 44.1kHz. After listening to parts of Set I it was clear there was something wrong with it also. I read Set II into the DC8.5 Forensics software, and rewrote the header so that it was listed as 16 bits/48kHz. It then played and sounded right. I read in Set I and changed its header so that it was also at 48kHz and the problems were resolved. Both sets were converted to 44.1kHz using triple precision algorithms, no dithering After that, the only processing was a little bit of editing (fade in at the beginning of the show) and some equalization to counter the pre-emphasis and roll the bass off slightly below 100 hz to cut down on the boominess. Mastering by Dan McDonald Feb. 2015
Taper: Mike Darby
2:19:23
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-12-28.Senn421.Darby.118250.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge thanks out to Mr. Darby for recording and sharing his source for this show! As always ENJOY!
Taper: Mike Darby
2:19:23
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-12-28.Senn421.Darby.118249.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge thanks out to Mr. Darby for recording and sharing his source for this show! As always ENJOY!
Taper: Mike Kutik
2:23:06
Rating:
9.33 / 3 ratings
Taper:
Mike Kutik
Transferrer:
Mike Kutik
SHNID:
gd1984-12-28.senn441.kutik.106103.flac16
Source:
Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
Taper Notes:
View Notescrossfades applied for pauses and tape flips please do not judge the PA mix and the room by the first 3 or 4 songs Dan Healy is a mad genius. This fileset, and all other 16/44.1 filesets I plan to upload in my first run through my masters is sourced from a 24/88.2 transfer and is "seamless" AND tailored for CD burning. The fade tracks, ( in2gd84-12-28s2t03fade and out1gd84-12-28s2t04fade ) are labeled to indicate their "position" for CDR burning and to stay out of the way for seamless play from HD or ( gulp ) conversion to mp3. At least I think you don't need the fades for mp3 - I'm just guessing. A parallel 24/96 transfer also was archived. Enjoy this folks, I did. More to follow...
Taper: Greg Holtz and Tony Bolton
2:17:49
Rating:
8.00 / 1 rating
Taper:
Greg Holtz and Tony Bolton
Transferrer:
JAZ
SHNID:
gd1984-12-28.nak100.holtz-bolton.jaz.105002.flac16
Source:
Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M
Lineage:
Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
Taper: Adam
2:25:29
Taper:
Adam
Transferrer:
Alex Ford
SHNID:
gd1984-12-28.senn421.adam.80953.sbeok.flac16
Source:
Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam
Lineage:
MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16
Taper Notes:
View NotesFirst "Day Tripper" and first "Tons Of Steel"
Source 23 of 23
2:19:18
Rating:
8.00 / 14 ratings
Source:
Audience cassette > ? > DAT > CDR > SHN
Taper Notes:
View NotesAudience cassette > ? > DAT > CDR > SHN