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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
7/4/84
Feel Like A Stranger
9:41
Friend Of The Devil ->
8:35
C C Rider
9:50
Cumberland Blues ->
6:14
Beat It On Down The Line
3:32
Row Jimmy
11:09
Hell In A Bucket ->
7:06
Don't Ease Me In
3:17
Help On The Way ->
4:02
Slipknot! ->
6:07
Franklin's Tower ->
9:52
Far From Me
4:49
Estimated Prophet ->
12:37
He's Gone ->
13:42
Drums ->
9:15
Space ->
8:11
Truckin' ->
7:17
Wharf Rat ->
9:12
Around And Around ->
3:41
Good Lovin'
8:39
U.S. Blues
4:41
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:29
SBD
Rating:
9.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-04.sbd.miller.93858.sbeok.flac16
Source:
SBD -> Master Cassette
Lineage:
Master Cassette -> Cassette -> Dat (48k) -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesPatch Info: Sennheiser 421 -> Master Cassette -> Dat -> CD (shnid=14194) supplies: Far From Me (0:00 - 0:15) Space (4:39 - 7:22) Notes: -- Set 2 is seamless -- This is a remastering of my previous seed (shnid=27761) -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:45:28
SBD
Rating:
2.00 / 1 rating
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1984-07-04.158014.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-SEP-2022 - Trader Little Helper - Tagged 07-SEP-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Tony Suraci; Eugene D'alessandro
2:44:30
SBD
Rating:
8.00 / 5 ratings
Taper:
Tony Suraci; Eugene D'alessandro
Transferrer:
Tony Suraci
SHNID:
gd1984-07-04.nak304.suraci.dalessandro.78958.sbeok.flac16
Source:
Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet
Lineage:
Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac
Taper Notes:
View Notes#tape flip after Estimated and Drums.
Transferrer: Jay Ashley
2:46:02
SBDREMASTER
Rating:
10.00 / 4 ratings
Transferrer:
Jay Ashley
SHNID:
gd1984-07-04.sbd.miller.bertha.27862.sbeok.shnf
Source:
Bertha Remaster of the Master Cassette/Cassette source
Lineage:
SBD>>MC>>CASS>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on January 19, 2005. Completion Time:14.74h. There is a slight tape fhutter in the original source that did not get noted in the original text file. There was obviously tape machine problems as the flutter and tape speed issues can be heard throughout the show. -3db pure sample noise reduction was used prior to the Bertha process to make the tape hiss a bit less noticeable. Enjoy!
Source 5 of 16
2:45:58
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd84-07-04.sbd.miller.27761.sbeok.shnf
Source:
SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass
Lineage:
Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
Taper Notes:
View NotesSBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163414.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163413.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:42:25
Rating:
8.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.141153.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!) - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:42:25
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.140014.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!)
Taper: RB
2:23:08
Taper:
RB
Transferrer:
RB
SHNID:
gd1984-07-04.176545.AKG.460B.rb.flac24912
Source:
Mics: AKG 460B w/ ck1 capsules *HOMEMADE 48V phantom power (ADD TO ALL THESE PCM SHOWS)* Recorder: Sony PCM-F1 Digital Audio Processor w/Sony SL2000 Beta video recorder 2 channel digital recorder Master Sony L-750 Beta Tape played back on SAME GEAR (not exact machines/calibrated) analog out > Naim NAC 52 Preamplifier > Recorded to Nagra 7 (24b 192khz) Location: Left side 1st row overhang Sony Sound Forge just to track.
Taper Notes:
View NotesJuly 4th 1984. One of my favorite days of the year. Always live music on this day right? :) Not a fan of this place. I got close up left side in the balcony. You were kissing the PA there. Of course I would never do that today! Its a bit mono, boxy sounding but its all there and dynamics. This concludes the 5 PCM Dead shows archived. Have fun..RB
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:45:29
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1984-07-04.158020.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-SEP-2022 - Trader Little Helper - Tagged 07-SEP-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Executive Crew - Tom Pinney, Sean Murtha
2:46:29
Taper:
Executive Crew - Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-04.150315.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes& Brent scat sings at 4:07 + two cuts as decks flipped in front of this one //* quick cut in middle as tape flips, maybe missed 7 seconds ++ cut at end as decks flipped in front of this one
Taper: Executive Crew - Tom Pinney, Sean Murtha
2:46:31
Taper:
Executive Crew - Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-04.150314.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes& Brent scat sings at 4:07 + two cuts as decks flipped in front of this one //* quick cut in middle as tape flips, maybe missed 7 seconds ++ cut at end as decks flipped in front of this one
Taper: Da Weez
2:40:16
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-07-04.109942.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes** Tape flip patch source: Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet ----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Ted Carpenter
2:43:25
Rating:
7.00 / 2 ratings
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1984-07-04.senn421.carpenter.andrewf.87341.sbeok.flac16
Source:
Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB
Lineage:
MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - ShnID-14194 provides several patches, as follows... - Feel Like a Stranger (all of it), 0:00 > 8:37. - Friend of the Devil, 0:00 > 0:11. - Row Jimmy, 9:23 > 9:50, and 10:27 > 11:01. - Bucket, 0:00 > 0:03. - Don't Ease Me In (all of it), 0:00 > 3:28. - He's Gone, 6:10 > 6:18, and 8:28 > 8:31. - Around & Around, 3:16 > 3:54. - Good Lovin' (all of it), 0:00 > 7:38. - U.S. Blues (all of it), 0:00 > 5:07. - Second set disc break is seamless. - Soundforge used to adjust levels, make fades, and add patches. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 16 of 16
2:41:33
Rating:
9.06 / 17 ratings
SHNID:
gd84-07-04.senn421.braverman.14194.sbeok.shnf
Source:
AUD: MC (Sennheiser 421)> DAT> CD> SHN
Taper Notes:
View NotesAUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman