Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
Sources
Taper: Doug Oade
1:34:15
SBD
Rating:
9.50 / 4 ratings
Taper:
Doug Oade
Transferrer:
Dave Usborne
SHNID:
gd1984-10-06.127557.set2.schoeps.oade.BCE.flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
Taper Notes:
View NotesMastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64 Tracks cut in Audacity 2.0.5 Flac files created in Traders Little Helper *Patches: gd1984-10-06.124157.chasingwiilma.flac24 ---End of Goin' Down The Road Feelin' Bad @ 1:24:33:21 ---One More Saturday Night ---Keep Your Day Job metadata added To maintain the full sonic integrity of this recording, files remain at a sample rate of 48 kHz. Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: Jim Vita
2:33:12
Rating:
10.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-06.167957.beyer.m160.vita.miller.clugston.fixed.167675.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space" - Pitch corrected - "China Doll" fixed, embedded meta data fixed Mastered by Scott Clugston July 2024
Taper: Jim Vita
2:33:12
Rating:
10.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-06.167956.beyer.m160.vita.miller.clugston.fixed.167675.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space" - Pitch corrected - "China Doll" fixed, embedded meta data fixed Mastered by Scott Clugston July 2024
Taper: Jim Vita
2:33:15
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-06.167675.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Jim Vita
2:33:15
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-06.167674.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022
2:34:18
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022
SHNID:
gd1984-10-06.158248.FOB.NAK100-SG.Anon-Noel.t-flac2448
Source:
(FOB) Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: approx. 40' from stage, mics spaced 4' apart on two Shure s15 stands (up high)
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon while hiding out away from the Bay Area for sharing this master cassette & transfer. - Thanks to Doug Oade, Jim Wise & Dave Usborne for the patch source - Tape flips & pauses were cross faded.
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022
2:34:18
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022
SHNID:
gd1984-10-06.158247.FOB.NAK100-SG.Anon-Noel.t-flac16
Source:
(FOB) Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: approx. 40' from stage, mics spaced 4' apart on two Shure s15 stands (up high)
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - Tape flips & pauses were cross faded. - raw files dithered using dBpoweramp Thanks to; - Anon, while hiding out away from the Bay Area, for sharing this master cassette & transfer. - Doug Oade, Jim Wise & Dave Usborne for the patch source
Taper: Steve Hill
2:30:34
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-06.132557.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses between first set songs.Another excellent share from the Hill collection of Master Audience recordings and the Grateful Dead's 1984 Fall Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:30:34
Rating:
7.00 / 2 ratings
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-06.132556.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses between first set songs.Another excellent share from the Hill collection of Master Audience recordings and the Grateful Dead's 1984 Fall Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!
Taper: chasingwilma
2:29:51
Rating:
6.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-10-06.124157.chasingwiilma.flac24
Source:
lineage: (2) audio technica atm11/ (2) nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Greg Holtz and Tony Bolton
2:24:40
Rating:
10.00 / 1 rating
Taper:
Greg Holtz and Tony Bolton
Transferrer:
Greg Holtz
SHNID:
gd1984-10-06.aud.Holtz-Bolton.Nak100s.112860.flac16
Source:
Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC;
Lineage:
MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8
Taper: Greg Holtz
2:24:40
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1984-10-06.aud.Holtz.Nak100s.112831.flac2496
Source:
Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC;
Lineage:
MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
Taper: Da Weez
2:30:46
Rating:
9.50 / 4 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-06.109985.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Greg Holtz
2:27:06
Rating:
7.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
Greg Holtz and JAZ
SHNID:
gd1984-10-06.fob.nak100.holtz.jaz.92383.flac16
Source:
Nakamichi CM100s CP4caps, FOB-> D-6
Taper: Joe D'Amico
2:29:24
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1984-10-06.nak300.damico.91173.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Joe D'Amico
2:29:24
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1984-10-06.nak300.damico.87015.sbeok.flac16
Source:
nak 300 mics > sony d5
Lineage:
nak dragon tape deck into creative extigy sound card into pc -flac frontend
Taper Notes:
View Notesthis was the first dead show i recorded by myself and with my own equipment.
Taper: Tony Suraci
2:30:04
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-10-06.beyerm88.suraci.77750.flac16
Source:
FOB/Beyer M88's>Sony D5M(XLIIS)
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud. 2.0>16bit>Cdwav>flac
Taper Notes:
View Notes*thanks to Eugene D. for loaning me the mics. I also ran his D5 and had quite a few patchers this show. Notes: This is the 16 Bit version. 24 Bit is archived on DVDA. China Doll was recorded on side B of first set cassette, hence the cut at the beginning. Thanks!
Source 18 of 21
2:41:58
Lineage:
MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs
Taper Notes:
View NotesThis is a re-record of shnid 32898 Changes were the azimuth adjustment of the SD 4050 and the use of Audacity for noise reduction and normalization.
Source 19 of 21
2:44:30
Source 20 of 21
2:30:57
Rating:
8.27 / 22 ratings
SHNID:
gd84-10-06.nak.grace-cole.15573.sbeok.shnf
Source:
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
Taper Notes:
View NotesFOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
Source 21 of 21
2:31:44
Rating:
9.20 / 12 ratings
SHNID:
gd84-10-06.aud.unk.3160.sbeok.shnf
Taper Notes:
View NotesAUD?; no other info available