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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
4/17/84
01 Tuning
0:53
02 Jack Straw
6:05
03 Dire Wolf
4:47
04 New Minglewood Blues
8:28
05 Row Jimmy
10:01
06 My Brother Esau
5:18
07 Ramble On Rose
7:27
08 Looks Like Rain
7:50
09 Deal
9:04
10 Take A Step Back
0:41
11 Help On The Way
3:59
12 Slipknot!
8:49
13 Franklin's Tower
12:59
14 Man Smart Women Smarter
9:42
15 Eyes Of The World
10:50
16 Drums
9:54
17 Space
12:01
18 Black Peter
8:43
19 Throwing Stones
8:46
20 Not Fade Away
7:49
21 Encore Break
1:44
22 Touch Of Grey
7:54
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:43:44
SBD
Rating:
9.50 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-17.137250.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony R500) > Tascam DA-3000 >Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Rob Eaton
2:45:30
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-17.164733.neumann.u87.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Neumann U87 mics (split 30' apart) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies 2:54 and 3:17 patches in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:45:30
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-17.164732.neumann.u87.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Neumann U87 mics (split 30' apart) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies 2:54 and 3:17 patches in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Doug Lamarre
2:36:11
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-17.154530.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton for the Neumann U87 source which supplies some crowd and first few notes of "Jack Straw" (0:12 total), as well as a 7:53 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Doug Lamarre
2:36:11
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-17.154529.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton for the Neumann U87 source which supplies some crowd and first few notes of "Jack Straw" (0:12 total), as well as a 7:53 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Ray Ackerman
2:39:08
Taper:
Ray Ackerman
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1984-04-17.145264.nak.senn..blend.ackerman.miller.noel.t-flac1644
Source:
Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6
Lineage:
Transfer info; Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel: WAV > Audacity > FLAC 24/96 April 29, 2018 This file set is 16 bit @ 44.1 Patch info - shnid 90543 (Neumann U87) supplies - s1t06; 07:10 - end - s1t07; start - 00:08 - s2t08; 01:04 - 01:21 - s2t12; 06:36 - 07:18 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rob Eaton for suppling the patch source - Grateful for Jerry Garcia's interpretation of Slipknot! - tapes pauses cross faded
Taper: Ray Ackerman
2:39:08
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-17.141837.NAK.Blend.Ackerman.Miller.Noel.t-flac2496
Source:
Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info - shnid 90543 (Neumann U87) supplies - s1t06; 07:10 - end - s1t07; start - 00:08 - s2t08; 01:04 - 01:21 - s2t12; 06:36 - 07:18 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rob Eaton for suppling the patch source - Grateful for Jerry Garcia's interpretation of Slipknot! - tapes pauses cross faded
Taper: Oade, Robert Bryant
2:38:47
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-17.139330.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Smoothed several between song transitions. Some are rather abrupt -- Tape flip in "Drums" smoothed and is transparent Transfer by Charlie Miller Mastered by Scott Clugston September 13, 2017
Taper: Oade, Robert Bryant
2:38:47
Rating:
10.00 / 2 ratings
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-17.139329.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Smoothed several between song transitions, some are rather abrupt -- Tape flip in "Drums" smoothed and is transparent Transfer by Charlie Miller Mastered by Scott Clugston September 13, 2017
Taper: Rob Eaton
2:41:03
Rating:
9.33 / 7 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-17.neumann-u87.eaton.miller.90543.sbeok.flac16
Source:
(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 441 -> Cassette Master -> Dat -> Samplitude -> CD supplies: Drums (0:05 - end of track) -- Set 2 is seamless -- Recorded By Rob Eaton
Source 11 of 33
2:41:21
SHNID:
gd1984-04-17.173413.mtx.seamons.ht179.flac1644
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 17, 2025
Taper Notes:
View NotesNotes: Ray Ackerman pretty much saved this matrix project. We tried mixing several other AUD sources as tests (before ultimately using Ray's tape), and they all had a subtle but pretty frequent slurry effect in the high end cymbals that was greatly accentuated when mixing. The matrix wasn't sounding crispy with these AUD sources. It appears something funky was going on with the acoustics and affecting the audience recordings - except for Ray's tape for some reason. We couldn't detect the faint "slurry effect" in his tape, and sure enough there was no high end friction when matrixing his source with the SBD. Very interesting. We were about to shelve this project after testing the first "incompatible" AUDs, but then Ray messaged us that same day out of the blue and mentioned that while his recording sounded "pretty darn good," Rob Eaton's U87 source was the one to pick (dewey72 suggested the Gordon Sharpless tape as well as an option). This prompted us to take a closer look at Ray's source anyhow, and we were surprised to discover that it didn't have the weird high end issues. While not our top choice sound-wise, we ended up really liking the subtle but significant effect it was having on the matrix - yet another example of a "lesser quality" AUD being more complementary and nicer when mixing. Thanks again, Ray! A very loud sound effect burst was reduced at the beginning of Ramble On Rose. Gordon Sharpless's Neumann U-87 source, #86942, transfer by David Minches (8/26/07), was used for the 2:52 SBD patch in Franklin's Tower. It also patches a 17-second cut in Ackerman's AUD towards the end of Eyes Of The World. A hiccup glitch in the SBD source during Drums was repaired. A 5-second cut in Space is now patched. Shortly after a patch edit (or two?) in a brief section during the NFA outro in Ackerman's AUD source (not noted in text file it appears) - with some unusual shiftiness that we were still able to stretch and shift back into alignment - there was also a 6-second cut in Ackerman's AUD that was patched with Sharpless's source at higher volume and with longer fades. This provided some more up-close NFA chants here at the end of the song as an interesting change in aural perspective. Light EQ was used for the SBD source only as needed. Most of set 2 had no EQ.
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:37:59
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-17.149495.beyerm201.holbrook.flac2448
Source:
MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip * Beer Barrell Polka tuning
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:37:59
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-17.149494.beyerm201.holbrook.flac1644
Source:
MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip * Beer Barrell Polka tuning
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:37:28
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-17.149173.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip * Beer Barrell Polka tuning ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:37:28
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-17.149172.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip * Beer Barrell Polka tuning ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: david barfield and david lane
2:27:19
Taper:
david barfield and david lane
Transferrer:
david barfield
SHNID:
gd1984-04-17.145332.nak300.barfield.lane.t-flac16
Source:
ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades)
Taper: david barfield + david lane
2:27:20
Taper:
david barfield + david lane
Transferrer:
david barfield
SHNID:
gd1984-04-17.140463.ma90.flac2496
Source:
source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades) > xact (tags, ffp, md5); recorded: david barfield + david lane; transfer-seeded: barfield
Taper: Steve Hill
2:37:28
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-17.133028.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Drums Patch Info - Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, the rest used from shnid # 127261 in 24/48.Shnid # 123129 used for the first minute or so of Space in 24/96. * Comments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses/blank spots between first set songs,one short 5 second loss of music in "Eyes Of The World" near the end of song.All of "Drums" patched with and the first minute or so of "Space" patched, may be some overlapping or a short section missing.All and all an excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:37:28
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-17.133027.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Drums Patch Info - Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, the rest used from shnid # 127261 in 24/48.Shnid # 123129 used for the first minute or so of Space in 24/96. * Comments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses/blank spots between first set songs,one short 5 second loss of music in "Eyes Of The World" near the end of song.All of "Drums" patched with and the first minute or so of "Space" patched, may be some overlapping or a short section missing.All and all an excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!
Taper: Tim Friend and Joe Morrone
2:39:59
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1984-04-17.nak300.friend-morrone.127261.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2014
Taper Notes:
View NotesNote: A few patches in this one... ID-32709 LLR 0:00 > 0:09, ID-113881 Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, and Touch 0:00 > 0:16. CDR Burning: D1= s1t01 > s1t09, D2= s2t01 > s2t06, D3= s2t07 > s2t11.
Taper: Tim Friend and Joe Morrone
2:39:59
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1984-04-17.nak300.friend-morrone.127260.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2014
Taper Notes:
View NotesNote: A few patches in this one... ID-32709 LLR 0:00 > 0:09, ID-113881 Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, and Touch 0:00 > 0:16.
Taper: chasingwilma
2:35:01
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-17.123129.chasingwilma.flac24
Source:
source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:35:54
Rating:
10.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-04-17.nak300.morris.113881.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:34:29
Rating:
9.33 / 3 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-17.109346.beyer-senn.daweez.D5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Bob Morris
2:35:48
Taper:
Bob Morris
SHNID:
gd1984-04-17.aud.morris.107548.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
Transferrer: JTJames
2:38:46
Rating:
9.00 / 5 ratings
Transferrer:
JTJames
SHNID:
gd1984-04-17.fob.at-nak300.jtjames.96460.flac16
Source:
ATII/Nak 300 FOB > ?
Lineage:
?>CDR>EAC>SHN > ? > FLAC
Taper Notes:
View NotesNo further lineage info available other than aud>?>CDR>EAC>SHN by [email protected] There were numerous cuts in the tape (between every song in the first set, plus tape flips in the second). These were crossfaded or, in a few cases, audience noise was flown in from another part of the show to replace the missing time where a smooth crossfade could not be accomplished due to lack of adequate material. The entire show was hard limited to 7 dB. No further alterations such as EQ or NR were made. There are a couple places, particularly in Drums wher ethe mics were overloaded by a large amount of bass from the PA. There are also a couple digital flaws (a buzz, kind of a lightsaber type sound) that could not be removed.
Taper: Gordon Sharpless
2:35:25
Taper:
Gordon Sharpless
Transferrer:
David Minches
SHNID:
gd1984-04-17.neumannu87.sharpless.minches.86942.sbeok.flac16
Source:
Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5
Lineage:
Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC
Taper: Mark McCue
2:40:01
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1984-04-17.fob.mccue.ford.79670.sbeok.flac16
Source:
(FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s
Lineage:
MAC>Nakamichi CD2 [azimuth adjusted]>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav >Traders Little Helper>FLAC16
Taper Notes:
View Notes- d1t07 My Brother Esau dropout patched , d2t06 Eyes Of The World tape flip joined, d3t06 Touch Of Grey added (missing from recording) - d1t08 Ramble On Rose (tape garbled at very end) - all patches were taken from shn id# 79556 - http://db.etree.org/shn/79556 - sector boundary errors fixed & verified with Trader's Little Helper
Source 29 of 33
2:39:12
Source:
FOB: Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR > EAC (no errors) > CDWAV > TLH > FLAC16
Taper Notes:
View NotesThis could very well be a different transfer of shnid=8460
Taper: Bill Koucky
2:36:41
Taper:
Bill Koucky
SHNID:
gd1984-04-17.senn441.koucky.ladner.32708.sbeok.flac16
Source:
FOB Sennheiser 441 > Sony D5 > MAC > Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC > WAV > Wavelab > Waves L3 > WAV > FLAC
Source 31 of 33
2:28:38
Source:
2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN
Taper Notes:
View Notes- Between tune crowd edited out from master - Drumz edited out from master
Source 32 of 33
2:39:24
Rating:
8.22 / 18 ratings
SHNID:
gd84-04-17.nak.james.8460.sbeok.shnf
Source:
FOB Nak 300>?>CDR
Taper Notes:
View NotesFOB Nak 300>?>CDR; Seeded to etree by JT James
Taper: Tom Strizak
2:09:00
Taper:
Tom Strizak
Transferrer:
Tom Strizak
SHNID:
gd1984-04-17.177211.senn.421.strizak.flac2448
Source:
Tom Strizak Master Audience Cassettes (2-Maxell-MX90’s / Dolby OFF). Sony TC-D5M stereo recorder patched 3nd in line *Special Thanks to Ed Schenk TC-D5M recorder. Microphones: (2) Senn. 421’s at 6’ height. Location: Approx. 65’ from stage at L of center audience FOB.
Lineage:
Analog Master Cassette’s > playback on Nakamichi CR-1A > Behringer XR-18 audio mixer > Reaper v7.61 *DAW (for final audio editing and mastering to 24/48 FLAC > Audacity *DAW (for track labeling into file set = 1 stereo file for each song). (*DAW = Digital Audio Workstation)
Taper Notes:
View Notes Notes: Jack Straw clips in. Some balance and record level issues throughout, did my best to clean it up (was 3rd tape deck in line). LLR clips in, and there’s also a cut at the flip. Eyes is cut early on, also ends short and Black Peter clips in. Fwd slash / = indicates where problems are. MISSING Drums> Space.