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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
10/18/84
Feel Like A Stranger
9:14
Candyman
6:29
Little Red Rooster
8:40
Big Railroad Blues
5:51
Cassidy
6:24
Althea
8:53
Hell In A Bucket
6:20
Dancing In The Street
7:33
Touch Of Grey
6:28
Playing In The Band >
8:23
Uncle John's Band >
10:43
Playing Jam
1:33
China Doll
7:56
Drums
5:31
Space
6:05
Playin’ in the Band
3:48
Throwing Stones
8:32
Not Fade Away
8:51
It's All Over Now, Baby Blue
7:21
FIN
View on archive.org
Sources
Taper: Rob Eaton DAT
2:14:35
SBD
Rating:
8.00 / 2 ratings
Taper:
Rob Eaton DAT
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 12, 2024
SHNID:
gd1984-10-18.167171.sbd.patched.miller.flac1648
Source:
SBD > Cassette Master > Reel > DAT (48k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/48k
Taper Notes:
View NotesNotes: -- This is a patched remaster of shnid=137213 -- Thanks to Rob Eaton for the Dat -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:14:07
SBD
Rating:
7.60 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-10-18.137213.sbd.miller.flac1648
Source:
SBD -> Cassette Master > Reel > Dat (48k)
Lineage:
Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dat -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Brian Miksis February 1, 2025 [email protected]
2:14:55
SBD
Transferrer:
Brian Miksis February 1, 2025 [email protected]
SHNID:
gd1984-10-18.170019.sbd.patched.miller.miksis.flac1648
Source:
Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View NotesNotes: -Thanks to Charlie Miller and Rob Eaton for the soundboard source -several tape dropouts in the first minute or so in Feel Like A Stranger were repaired -various clicks removed throughout -Thanks to Frank Streeter, Rob Eaton and Matt Smith for the Audience source (shnid=142353) which supplies a tape flip patch in Althea (5:01 - 5:26) -Thanks to D5scott for the Audience source (shnid=110052) which supplies a tape flip patch in Uncle John's Band (9:19-9:43)
Source 4 of 23
2:17:48
SBD
SHNID:
gd1984-10-18.168966.mtx.miksis.miller.d5.scott.flac1648
Source:
SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16 Created by Brian Miksis October 18, 2024
Taper Notes:
View NotesNotes: -Honoring the 40th Anniversary of this show and the night that changed my life forever with the only complete version of this show -Thanks to David Minches for guidance -Thanks to Charlie Miller and Rob Eaton for the soundboard source -Thanks to D5scott for Audience source #1 which supplies main matrix audio plus tape flip patch in soundboard for Althea (5:00-5:31) and Uncle John's Band (9:17-9:39) -Thanks to Joe D'Amico (aka "joebeacon") for Audience source #2 which supplies matrix audio for Drums (3:33-end of track) -several tape dropouts in the soundboard source of the first minute or so in Feel Like A Stranger were repaired and various clicks from both sources removed -Bobby's guitar had RF distortion on stage during his solo in Little Red Rooster -Playing In The Band tease at the end of Uncle John's Band
Taper: The Oade Brothers
2:14:52
SBD
Taper:
The Oade Brothers
Transferrer:
Doug Oade
SHNID:
gd1984-10-18.128497.schoeps.oade.BCE.flac16
Source:
Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014
Taper Notes:
View NotesSet I transferred at 16/44.1; Set 2 transferred at 16/48. Set I speed was off; used a curvilinear change to get it to match the average of three other sources. In addition to the speed change, set 1 was modified by paragraphic and spectral filter equalization to increase presence. Tracking and very light editing (fade-ins and fade-outs as necessary). Set II had no speed issues and was not changed except for tracking and very slight editing (fade-ins and fade-outs) as necessary, and conversion to 44.1kHz to maintain consistency between the two sets. Patches: Last few minutes of Althea and first few minutes of Hell in a Bucket had irreparable static and echo/feedback noise. These and the crowd between them patched with SHNID 91464. Approximately 2 minutes of space was also patched with SHNID 91464. Thanks to Doug Oade & Jim Wise for making this beautiful recording available. metadata added BCE Collaboration [email protected]
Taper: Jim Vita
2:16:29
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-18.167179.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Jim Vita
2:16:29
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-18.167178.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Frank Streeter and Rob Eaton
2:17:25
Rating:
8.00 / 1 rating
Taper:
Frank Streeter and Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1984-10-18.142514.neumann.mr.miller.flac1644
Source:
Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels)
Lineage:
Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24
Taper Notes:
View NotesNotes: -- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total) -- Recorded with a rented deck and Rob Eaton's mics in the soundbooth -- The patch source was also pitch corrected -- Thanks to Frank Streeter for sending us his reels -- Thanks to Scott Clugston for his help 'behind the scenes' -- This file set is 16 bit at 44.1
Taper: Frank Streeter and Rob Eaton
2:17:25
Taper:
Frank Streeter and Rob Eaton
Transferrer:
Matt Smith and Charlie Miller
SHNID:
gd1984-10-18.142353.km86.flac2496
Source:
Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller
Taper Notes:
View NotesNotes: -- Set 1 is 15ips and Set 2 is 7.5ips (7 reels total) -- Recorded with a rented deck and Rob Eaton's mics in the soundbooth -- The patch source was also pitch corrected -- Thanks to Frank Streeter for sending us his reels -- Thanks to Scott Clugston for his help 'behind the scenes'
Taper: Rick Pauline
2:15:58
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-10-18.senn421.pauline.miller.91464.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesPatch Info: (FOB) 3 Nakamichi 700 -> Cassette Master -> CD (shnid=28290) supplies: Drums (4:04 - end of track) Notes: -- Disc change is seamless -- Recorded By Rick Pauline
Source 11 of 23
2:13:16
REMASTER
Rating:
8.86 / 14 ratings
SHNID:
gd84-10-18.nak.miller.17273.sbeok.shnf
Source:
(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
Taper Notes:
View Notes(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
2:17:05
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-18.149998.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + missed start # PA distortion- later diagnosed to be Garcia's pickups miswired NOTES: Set1-Jerry flubs lyrics, second verse Althea, audience cheers
Taper: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
2:17:05
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-10-18.149997.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: ** This is a 16 bit fileset ** + missed start # PA distortion- later diagnosed to be Garcia's pickups miswired
Taper: Steve Hill
2:14:15
Rating:
2.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-18.132239.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper: Steve Hill
2:14:16
Rating:
6.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-18.132238.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Stan Roberts
2:14:11
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1984-10-18.120142.aud.roberts.flac16
Source:
Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts
Taper: Bob Morris
2:15:05
Rating:
8.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-10-18.nak300.morris.113970.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:15:03
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-18.110052.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Bob Morris
2:15:05
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-10-18.nak300.morris.crazyfingers.106651.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90);Recorded from Floor Section 7, Row Y, Seat 4
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Joe D'Amico
2:15:36
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1984-10-18.nak300.damico.87016.sbeok.flac16
Source:
nak 300 mics > sony d5
Lineage:
nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend
Taper Notes:
View Notesi recorded this from the floor section 7 row r seat 9
Taper: Tony Suraci
2:11:46
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-10-18.beyerm88.suraci.78116.flac16
Source:
FOB/Beyer M88's>Sony D5
Lineage:
Sony D5Pro>Lunatec V3>SD722
Taper Notes:
View Notes*thanks again to Eugene for the mics. Notes: This is the 16bit version. 24bit is archived on DVDA. The last 2 minutes or so of drums is missing. Encore on Disc one. This was my last night of taping on this tour. I attended Syracuse 10/20/84 but did not tape.
Taper: Doug Mow
2:14:50
Rating:
8.00 / 1 rating
Taper:
Doug Mow
Transferrer:
Doug Mow and Alex Ford
SHNID:
gd1984-10-18.nak700.mow.ford.28290.sbeok.flac16
Source:
3 Nak CM700 > Sony TC-D5M > Maxell MX tape
Lineage:
Lineage: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View NotesMic Location: Row N, DFC Configuration: DIN
Taper: Unknown
2:11:10
Transferrer:
Mike Lai
SHNID:
gd1984-10-18.002342.aud.fried-lai.shnf
Source:
Actual lineage is FOB (probably) Senn 441s (probably) > TC-D5M (definitely) > MC (1x XLIIS 90; 1x MR 90)
Taper Notes:
View Notes any info send to [email protected] thanks to dr bruce fried for lending me the masters. transferred and edited by mike lai.