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Bands
Grateful Dead
Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
Sources
Taper: Jim Vita
2:32:07
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-11.168003.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 8:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Jim Vita
2:32:07
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-11.168002.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 8:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Mike Guy
2:30:04
Taper:
Mike Guy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-11.143632.nak.blend.guy.miller.clugston.flac2496
Source:
Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Mike Guy
2:30:04
Rating:
8.00 / 1 rating
Taper:
Mike Guy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-11.143631.nak.blend.guy.miller.clugston.flac1648
Source:
Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Kenn Renninger & Jim Kline
2:33:34
Taper:
Kenn Renninger & Jim Kline
Transferrer:
DSD Transfer By Nikky Carbonetta Edited & Mastered By Joe Noel March 16, 2026
SHNID:
gd1984-10-11.175710.nak.cm300.Renninger.Kline.Carbonetta.noel.flac2496
Source:
Nakamichi Cm300 + Cp-1 Cardioid Capsule > Sony Tc-d5m > Master Cassette
Lineage:
Master Cassette > Nakamichi Cr7a > Korg Mr2000 @ 1bit > Korg Audiogate > Dff 24 > dBpoweramp > Adobe Audition > Flac 2496
Taper Notes:
View NotesNotes; - all tape pauses were x-faded - Checksum & tags created in xACT. Thanks to; - Kenn Renninger & Jim Kline for taping the show - Nikky Carbonetta for DSD transfer - Ted Mattes for organizing this project - Jim Vita (RIP) for the patch source
Taper: Recorded, Transferred & Mastered by Anon
2:35:24
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited w/ addl Mastering (Adobe Audition) by Joe Noel October 29, 2022
SHNID:
gd1984-10-11.165102.fob.nak100.photoleon.flac2448
Source:
(FOB) Nakamichi 100 Shotguns > Sony TC-D5m > Master Cassette (TDK MA90s, Dolby B On)
Lineage:
Master Cassette > Nakamichi CR7A (no dolby, azimuth adjusted) > Korg MR2000 (1 bit 5.6 Mhz) > AudioGate > dbx software decode > dolby b software decode > WAV24/48
Taper Notes:
View NotesThanks to; - Anon, while hiding out away from the Bay Area, for sharing this master cassette & transfer. - Greg Holtz & Tony Bolton for the patch source Notes; - tape pauses & flip (s1) were cross faded
Taper: billydee
2:30:28
Rating:
8.00 / 1 rating
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1984-10-11.141028.FOB.Neumann.billydee.Sellers.Noel.t-flac1644
Source:
billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info - Source #132793 (Oade remaster) suplies; - s1t02; 0:00 - 0:06 - s2t07; 0:06 - 0:27 Notes: - Crossfades applied to tapes pauses. - s1t02, levels restored in right channel. - When the band goes off the beaten path in set 2, its the golden road. - Sing us a song Brent, woo woo, woo woo. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: billydee
2:30:28
Taper:
billydee
Transferrer:
Larry Sellers & the Philly Crew; Joe Noel
SHNID:
gd1984-10-11.139116.FOB.Neumann.billydee.Sellers.Noel.t-flac24
Source:
billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Crossfades applied to tapes pauses. - s1t02, levels restored in right channel. - When the band goes off the beaten path in set 2, its the golden road. - Sing us a song Brent, woo woo, woo woo.
Taper: Doug Lamarre
2:21:15
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-11.137265.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:21:15
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-11.137264.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
Transferrer: Remaster by Dave Usborne
2:32:00
REMASTER
Rating:
7.33 / 3 ratings
Transferrer:
Remaster by Dave Usborne
SHNID:
gd1984-10-11.132793.fob-schoeps.oade.BCE.flac16
Source:
Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5
Taper: Steve Hill
2:29:12
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-11.132352.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs.Another excellent share from the Hill collection of master audience recordings and the Grateful Dead's Fall 1984 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Steve Hill
2:29:12
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-11.132351.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs.Another excellent share from the Hill collection of master audience recordings and the Grateful Dead's Fall 1984 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: chasingwilma
2:27:17
Rating:
8.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-10-11.124355.chasingwilma.flac24
Source:
lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:30:38
Rating:
10.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-10-11.nak300.morris.113965.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper Notes:
View NotesNotes: - Drums spliced at 0:12, 6:49, & 7:51 via Soundforge 9.0. - Recorded by Bob Morris -- thanks to Sam for help. - Transfer (Oct 2009) & 2496 conversion / edits (Jan 2011) by Bob Morris.
Taper: Da Weez
2:24:58
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-11.110034.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Bob Morris
2:29:50
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-10-11.nak300.morris.crazyfingers.106646.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Greg Holtz and Tony Bolton
2:30:21
Rating:
9.00 / 8 ratings
Taper:
Greg Holtz and Tony Bolton
Transferrer:
JAZ
SHNID:
gd1984-10-11.fob.nak100.holtz-bolton.jaz.100420.flac16
Source:
FOB: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks
Lineage:
MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8
Taper: Steve Rolfe
2:31:16
Rating:
10.00 / 2 ratings
Taper:
Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1984-10-11.nak700.rolfe.minches.99190.flac16
Source:
2 Nak 700s> Sony TC-D5
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View NotesThis is the 16 bit/44.1 kHz version. Thanks to Joe B. Jones for pitch correction.
Taper: Andrew F.
2:30:51
Rating:
9.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1984-10-11.fob.senn441.andrewf.94404.sbeok.flac16
Source:
FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Same recording as ShnID-5304, but hugely upgraded. - Patch from ShnID-33825, GSET 0:00 > 0:08. - Patches from ShnID-17411, Set2 Tuning 2:01 > 2:08, PITB 13:47 > 14:00. - Disc break is seamless.
Taper: Tony Suraci
2:20:58
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-10-11.beyerm88.suraci.sbeok.77916.flac16
Source:
Beyer M88's>Sony D5
Lineage:
Sony D5Pro>Lunatec V3>SD722
Taper Notes:
View Notes*thanks to Eugene for the mics. Notes: This is the 16Bit version. 24Bit is archived on DVDA.
Taper: Derek McCabe
2:20:28
Taper:
Derek McCabe
Transferrer:
Chris Ladner
SHNID:
gd1984-10-11.beyerm160.mccabe.ladner.33825.sbeok.flac16
Source:
FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes)
Lineage:
MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8)
Taper Notes:
View Notes- Tape heads were cleaned and demagged prior to transfering each set. - Tape bias tuned to +1. - Recorded to 24 bit/96 KHz WAV with Wavelab 5.0 on P4 1.8 GHz PC with no other apps running/background processes minimized. - All editing/mastering was done on the 24/96 files prior to rendering to 16 bit. - Gapless stereo 24 bit/96 KHz DVD-A rendering was also generated with Discwelder Chrome. - Waves XNoise Noise reduction: 10 second segment of nonmusical tape noise was "learned" as a noise mask and subtracted at a threshold of 2 dB and 50%. This resulted in a > 10 dB drop in noise level without coloration. - Waves L3 Multimaximizer with "Warm" IDR setting, threshold of -4.0 dB, ceiling of -0.1 dB, type I dither, ultra shaping rendered to 16/44.1 KHz. - Crossfades smoothed gaps between tape pauses between songs and flips. - Drums is truncated and crossfaded into Space as one track.
Source 23 of 25
2:28:04
Rating:
9.14 / 15 ratings
SHNID:
gd84-10-11.oade.sacks.17411.sbeok.shnf
Source:
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
Taper Notes:
View NotesSource: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor
Taper: Oade Brothers
2:28:03
Rating:
9.50 / 4 ratings
Taper:
Oade Brothers
Transferrer:
Darrin Sacks
SHNID:
gd1984-10-11.schoeps.oade.sacks.8794.sbefail.shnf
Source:
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
Lineage:
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)
Taper Notes:
View NotesThanks to JJ for the DAT DAT>CDR x-fer by darrin ([email protected]). Seeded to etree 4/2002 Enjoy!
Source 25 of 25
2:30:44
Rating:
8.00 / 1 rating
Source:
AUD>CM>DAT>CDR