RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
4/14/84
Feel Like A Stranger
8:37
They Love Each Other
6:49
C.C. Rider
8:50
Brown Eyed Women
4:54
My Brother Esau
5:26
Tennessee Jed
7:27
Let It Grow
12:53
Touch Of Grey
7:44
Playin' In The Band ->
8:07
Terrapin Station ->
12:46
I Don't Need Love ->
5:13
Drums ->
8:50
Space ->
7:53
Morning Dew ->
11:44
Throwing Stones ->
8:44
One More Saturday Night
4:23
It's All Over Now, Baby Blue
6:55
FIN
View on archive.org
Sources
Taper: Paul Scotton and Joani Walker
2:17:15
SBD
Rating:
7.50 / 6 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-04-14.sbd.walker.scotton.miller.105836.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Dolby B/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Playin' Jam after Terrapin Station -- One More Saturday Night tease after Morning Dew -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:19:24
SBD
Rating:
8.00 / 2 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-14.sbd.walker-smiller.32501.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the cassettes. -- There is a discontinuity ~4 seconds into Tennessee Jed.
Taper: Bill Koucky
2:17:17
SBD
Rating:
8.00 / 2 ratings
Taper:
Bill Koucky
SHNID:
gd1984-04-14.senn441.koucky.ladner.34901.sbeok.flac16
Source:
SBD FOB Sennheiser 441s > Sony D5 > Maxell MX90 MAC > cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5 (recorded as 24 bit / 96 kHz WAV) > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)
Taper Notes:
View NotesSecond public performance of the Brent rarity "Don't Need Love". Taper gets hassled at the beginning of the first set to lower mic stands (NOT!). First set flip spliced at end of d1t06/beginning of "Tennesee Jed" snagged from recently seeded shotgun audience masters. Pauses between tracks during the first set smoothed with crossfades.
Taper: Rob Eaton
2:25:26
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-14.164499.neumann.u87.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Bill Koucky and the folks responsible for the Sennheiser 441 source which supplies some crowd and the first notes of "Tennessee Jed" (0:06 total), as well as a 0:27 patch in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:25:26
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-14.164498.neumann.u87.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Bill Koucky and the folks responsible for the Sennheiser 441 source which supplies some crowd and the first notes of "Tennessee Jed" (0:06 total), as well as a 0:27 patch in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Doug Lamarre
2:18:15
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-14.154428.fob.senn441.lamarre.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:1 patch in "Truckin'" as well as a 10:02 patch in Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston June 2021
Taper: Doug Lamarre
2:18:16
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-14.154427.fob.senn441.lamarre.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:1 patch in "Truckin'" as well as a 10:02 patch in Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston June 2021
Taper: Oade, Robert Bryant
2:21:19
Rating:
10.00 / 1 rating
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-04-14.139328.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Dropout in "Playin' in the Band" @ 1:51 smoothed and is virtually transparent -- Tape flip in "Space" smoothed and is transparent Transfer by Charlie Miller Mastered by Scott Clugston September 12, 2017
Taper: Oade, Bryant, Rick Castwirk
2:21:15
Taper:
Oade, Bryant, Rick Castwirk
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-14.139327.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Dropout in "Playin' in the Band" @ 1:51 smoothed and is virtually transparent -- Tape flip in "Space" smoothed and is transparent Transfer by Charlie Miller Mastered by Scott Clugston September 12, 2017
Taper: Rob Eaton
2:24:17
Rating:
8.40 / 10 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-14.neumann-u87.eaton.miller.90595.sbeok.flac16
Source:
(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Recorded By Rob Eaton -- One More Saturday Night Tease before Throwing Stones
Taper: Bill Koucky
2:22:07
Rating:
10.00 / 1 rating
Taper:
Bill Koucky
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-14.148458.fob.senn.441.koucky.miller.clugston.flac2496
Source:
Bill Koucky's Master (FOB) Audience Cassettes ; Sennheiser 441 mics > Sony D5 (Maxell MX90)(2nd deck in line, in the pit)
Lineage:
Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Koucky for the master recording and the fresh transfer (June 2019) - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies the transition and first few notes of "Tennessee Jed" (0:10 total) - Thanks to Steve Adelman for the Sennheiser 441 source which supplies a 2:13 patch in "Drums" - One More Saturday Night tease before "Throwing Stones" - Pitch corrected - from Bill "IMO this is my best GD capture of a top 5 attended show, this what a Grateful Dead Show sounded like" Mastered by SCott Clugston December 2019
Taper: Bill Koucky
2:22:07
Rating:
8.00 / 1 rating
Taper:
Bill Koucky
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-14.148457.fob.senn.441.koucky.miller.clugston.flac1648
Source:
Bill Koucky's Master (FOB) Audience Cassettes ; Sennheiser 441 mics > Sony D5 (Maxell MX90)(2nd deck in line, in the pit)
Lineage:
Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Koucky for the master recording and the fresh transfer (June 2019) - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies the transition and first few notes of "Tennessee Jed" (0:10 total) - Thanks to Steve Adelman for the Sennheiser 441 source which supplies a 2:13 patch in "Drums" - One More Saturday Night tease before "Throwing Stones" - Pitch corrected - from Bill "IMO this is my best GD capture of a top 5 attended show, this what a Grateful Dead Show sounded like" Mastered by SCott Clugston December 2019
Taper: Tom Strizak
2:16:39
Taper:
Tom Strizak
Transferrer:
Tom Strizak
SHNID:
gd1984-04-14.176745.beyer.3ch.strizak.vita.flac2448
Source:
Master Audience Cassettes (2-TDK-MA90’s / Dolby OFF). Sony TC-D5M stereo recorder patched 2nd in line *Special Thanks to Jim Vita (RIP) TC-D5M recorder. Microphones: (2) Beyer M160 mics with (1) Beyer M88 center blend mic. Location: Approx. 40’ from stage at center of audience FOB.
Lineage:
Analog Master Cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48K WAV > Reaper v7.61 *DAW (for final audio editing and mastering (-14LUFS) > Audacity *DAW (for track labeling and conversion from 24bit/48K single WAV file to FLAC 24bit/48K multiple file set = 1 stereo file for each song track. TOTAL tracks = 17) (*DAW = Digital Audio Workstation)
Taper Notes:
View NotesNotes: There’s a tape flip after Essau/missed a few seconds of beginning of Tennessee Jed and it is very slowly faded in. Otherwise, smooth listening and very nice quality audio throughout. ***CAUTION: There are some very strong Bass and Drums peaks on this recording. (Pitch set at 1.073x)
Source 14 of 26
2:18:31
Rating:
10.00 / 1 rating
SHNID:
gd1984-04-14.161418.mtx.seamons.ht155.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 25, 2022
Taper Notes:
View NotesNotes: 16-second cut in Tennessee Jed and 5-second cut in Morning Dew now patched in the SBD source. 7 seconds missing from the AUD source during Space. Occasional SBD hot level distortion, but still a pretty good sound.
Taper: Ted Carpenter
2:19:39
Taper:
Ted Carpenter
Transferrer:
Ted Carpenter
SHNID:
gd1984-04-14.157542.aud.carpenter.flac2448
Taper Notes:
View NotesPatch Sources: Identifier: gd1984-04-14.154427.fob.senn441.lamarre.miller.clugston.flac1648 Special Thanks to lamarre, miller, clugston for helping to complete these sets. set 1 Swapped channels to correct Left / Right stereo. Added intro to Tennessee Jed from 00:00 to 00:16 intro to Tennessee Jed 00:00 to 00:16 decreased gain by 3 db. slight timber change during patch. set 2 Swapped channels to correct Left / Right stereo. decreased specific drum beats by 1.5 db due to clipping 4 specific peaks. Patch end of drums for tape flip from 09:05 to 09:21. decreased gain by 2 db. patch almost unnoticeable, slight timber chan
Taper: Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)
2:18:19
Taper:
Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-14.149491.beyerm201.holbrook.flac2448
Source:
MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes+ 1s cut at about 25 second mark of track # Playing tease at end just before transition into "Don't Need Love" Recording Information: First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums.
Taper: Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)
2:18:19
Taper:
Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-14.149490.beyerm201.holbrook.flac1644
Source:
MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes+ 1s cut at about 25 second mark of track # Playing tease at end just before transition into "Don't Need Love" Recording Information: First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums.
Taper: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
2:17:57
Taper:
Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-14.149112.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# Playing tease at end just before transition into "Don't Need Love" Recording Information: 1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. This will sound BEST through headphones; through a stereo you may choose to increase bass slightly. 2] First set tape was stopped between every song break; we must have been trying to conserve tape. Second set same method until after drums.
Taper: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
2:17:56
Taper:
Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-14.149111.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# Playing tease at end just before transition into "Don't Need Love" Recording Information: 1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. This will sound BEST through headphones; through a stereo you may choose to increase bass slightly. 2] First set tape was stopped between every song break; we must have been trying to conserve tape. Second set same method until after drums.
Source 20 of 26
2:27:36
SHNID:
gd1984-04-14.126040.sennheiser_441.scarletdog.flac16
Source:
Master: 2 Sennhesier 441s and Sony TC-D5m Cassette Master; 2nd deck in line after another D5;
Lineage:
Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
Taper: chasingwilma
2:16:53
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-14.123023.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:20:30
Rating:
10.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-14.109331.beyer-senn.daweez.D5scott.flac16
Source:
source: 2 Beyer M160's & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Mark McCue & unknown
2:22:57
Rating:
10.00 / 2 ratings
SHNID:
gd1984-04-14.senn421.mccue.ford.79652.sbeok.flac16
Source:
(FOB) Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s (MAC); MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > TLH > FLAC
Taper Notes:
View Notes- files encoded at level 6. Correct sector boundaries verified with Trader's Little Helper - patches: d1t06 My Brother Esau 4:58-5:00 / d1t07 Tennessee Jed 00:00-00:28 & 07:31-08:03 d2t05 Drums 08:17-8:36 - all patches from shn id #32501 - http://db.etree.org/shninfo_detail.php?shnid=32501 - alll edits performed with Cool Edit Pro 2.0
Source 24 of 26
2:32:03
SHNID:
gd1984-04-14.aud.bandrofcheck.34555.sbeok.shnf
Taper Notes:
View NotesThis recording was done to capture as much as possible. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed.
Source 25 of 26
2:08:24
Rating:
9.00 / 2 ratings
Source:
3 Nak 701s > MX-100(modified) > D5
Lineage:
D5 > D10 > SHN
Taper Notes:
View NotesEdited out a few minutes of Space. This transfer was done in '88 when DAT tapes were costing $25 a piece and my friends and I had to order them from Japan.
Source 26 of 26
2:15:53
Rating:
9.11 / 9 ratings
SHNID:
gd84-04-14.neumann.pj.1562.sbeok.shnf
Source:
Neumann U-87 mics > Sony D-6 > DAT > CDR
Taper Notes:
View NotesNeumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here)