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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
4/20/84
Tuning
1:15
Feel Like A Stranger
9:09
Cold Rain And Snow
8:03
Beat It On Down The Line
3:50
Cumberland Blues
6:17
Little Red Rooster
10:04
Brown Eyed Women
5:06
My Brother Esau
7:01
It Must Have Been The Roses ->
5:46
Let It Grow
15:05
Scarlet Begonias ->
12:18
Fire On The Mountain ->
15:31
Samson And Delilah ->
7:51
Drums ->
10:41
Space ->
11:12
I Need A Miracle ->
5:21
Morning Dew ->
10:15
Around And Around ->
3:35
Johnny B. Goode
4:33
Keep Your Day Job
4:23
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:37:16
SBD
Rating:
9.33 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-20.sbd.miller.103432.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV
Lineage:
WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=27775 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:40:37
SBD
Rating:
9.64 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd84-04-20.sbd.miller.27775.sbeok.flacf
Source:
SBD> Cassette Master> Reel> Dat (SV3800/48k)
Lineage:
Dat > Samplitude v7.02 Professional> FLAC
Taper Notes:
View Notes<b>flac16</b>; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller
Source 3 of 24
2:30:24
SBD
Rating:
7.33 / 3 ratings
SHNID:
gd84-04-20.sbd.clugston.11873.sbefail.shnf
Source:
Master Soundboard Cassette > Cassette > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-20.154737.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total) - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-20.154736.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total) - Fresh transfer - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-20.141519.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.fix.t-flac2496
Source:
Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size. - these file are the correct project rate. - If you dl'd this earlier, you'll need to replace it with this. - my bad.
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-04-20.141518.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.t-flac1696
Source:
<b>flac16/96kHz</b>; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info; Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; <a href="http://db.etree.org/shn/141519">Fixed version</a> in circulation
Taper Notes:
View NotesPatch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size.
Taper: Oade, Robert Bryant
1:08:08
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-20.139334.fob.schoeps.mk41.set1.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View Notes-- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Increased left channel level for first 15:20 (Feel Like A stranger and most of Cold Rain & Snow) -- Smoothed several between song transitions. Transfer by Charlie Miller Mastered by Scott Clugston September 14, 2017
Taper: Oade, Robert Bryant
1:08:08
Taper:
Oade, Robert Bryant
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1984-04-20.139333.fob.schoeps.mk41.set1.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
Taper Notes:
View Notes-- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction -- Increased left channel level for first 15:20 (Feel Like A Stranger and most of Cold Rain & Snow) -- Smoothed several between song transitions Transfer by Charlie Miller Mastered by Scott Clugston September 14, 2017
Taper: Jeff Silberman
2:50:29
Rating:
8.00 / 1 rating
Taper:
Jeff Silberman
Transferrer:
Charlie Miller, Rich Gastwirt, Joe Noel
SHNID:
gd1984-04-20.139156.FOB.Senn.Silberman.Gastwirt.Miller.Noel.t-flac16
Source:
Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller
Lineage:
Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44
Taper Notes:
View Notes- Lineage confirmed. - The upgrade is in the transfer, make no bones about it. - If ever there was a four twenty show…
Source 11 of 24
2:36:09
Rating:
8.00 / 2 ratings
SHNID:
gd1984-04-20.166578.mtx.seamons.ht165.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 25, 2023
Taper Notes:
View NotesNotes: 2-second cut in Cold Rain And Snow and 25-second cut in Drums SBD now patched. Jeff Silberman's Sennheiser 441 Dat recording, #139156 via Charlie Miller and Joe Noel (8/25/17), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix. Some tuning sections were trimmed. The SBD speed gradually slows to around -0.4% in set 1 and was adjusted to compensate. There was an 18-second patch in Fire On The Mountain in the SBD source for which levels and EQ were adjusted to compensate. A minuscule cut occurs at the patch's fade in-point that was doctored to not be noticeable. Some brief phase occurs at the patch's fade out-point. Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.
Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:40:17
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149751.mke2002.holbrook.flac2448
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + Pop Goes the Weasel teased // Tape flip / tape stopped between songs to save tape
Taper: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:40:18
Taper:
Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149750.mke2002.holbrook.flac1644
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** Recording Information: + Pop Goes the Weasel teased // Tape flip / tape stopped between songs to save tape
Taper: Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:36:06
Taper:
Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149499.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
2:36:06
Taper:
Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-20.149498.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Ray Ackerman
1:25:51
Taper:
Ray Ackerman
Transferrer:
Joe Noel
SHNID:
gd1984-04-20.144957.s2.nak300-senn421.ackerman.miller.noel.t-flac1644
Source:
Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6
Lineage:
Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel: WAV > Audacity > FLAC 24/96 March 29, 2018 Patch info - shnid 139156 (Sennheiser 441) supplies; - s2t05; 09:59 - 10:28 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch. - 4/20 says; try this one on for size. - these file are the correct project rate. - If you dl'd this earlier, you'll need to replace it with this. - my bad. - This file set is 16 bit @ 44.1
Taper: Doug Lamarre
2:30:44
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-20.135800.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transferred and seeded by Rob Berger
Taper: Doug Lamarre
2:30:44
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-04-20.135799.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
Taper: Steve Hill
2:34:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-20.132942.Nak300CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs and a short piece missing from the tape filp in "Drums". All and all another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Steve Hill
2:34:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-20.132941.Nak300CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs and a short piece missing from the tape filp in "Drums". All and all another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: David Dyche
2:41:51
Rating:
8.67 / 4 ratings
Taper:
David Dyche
SHNID:
gd1984-04-20.120265.akg.dyche.flac16
Source:
AKG 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
Taper: Da Weez
2:38:25
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-20.109353.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Source 23 of 24
2:48:17
Rating:
9.22 / 23 ratings
SHNID:
gd84-04-20.senn.fishman.7854.sbeok.shnf
Source:
Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) >CDR-WAV (wav splits) > SHN (via MKWACT)
Taper Notes:
View NotesSource Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman
Taper: Jim Wise
2:52:20
Rating:
10.00 / 1 rating
Taper:
Jim Wise
SHNID:
gd1984-04-20.senn441.wise.ashley.4769.sbeok.shnf
Source:
DAUD(FOB/Senn 441s by Jim Wise)>PCM>DAT>CDA