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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
7/22/84
01 - Tuning
0:24
02 - Dancing In The Street >
9:02
03 - Bertha
6:41
04 - My Brother Esau
4:54
05 - Loser
7:49
06 - Cassidy
7:12
07 - Ramble On Rose
8:00
08 - Hell In A Bucket >
6:26
09 - Keep Your Day Job
4:28
10 - Tuning
1:01
11 - Samson And Delilah
8:09
12 - Ship Of Fools
7:17
13 - I Just Want To Make Love To You >
5:00
14 - Man Smart (Woman Smarter)
6:06
15 - Terrapin Station >
13:10
16 - Drums >
8:19
17 - Space >
11:06
18 - Morning Dew >
10:42
19 - Throwing Stones >
8:45
20 - Not Fade Away
10:39
21 - In The Midnight Hour >
4:07
22 - Brokedown Palace
5:13
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:34:30
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 2, 2021
SHNID:
gd1984-07-22.152323.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tape flip in Drums covered by a PCM Soundboard -- Thanks to Joani Walker and Paul Scotton for the tapes -- 152201 24 > 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:34:30
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 2, 2021
SHNID:
gd1984-07-22.152201.sbd.walker.scotton.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tape flip in Drums covered by a PCM Soundboard -- Thanks to Joani Walker and Paul Scotton for the tapes
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] March 3, 2021
2:40:05
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 3, 2021
SHNID:
gd1984-07-22.152001.sbd.pcm.miller.flac1644
Source:
SBD > PCM Master (Sony Betamax) > DAT (44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This transfer was emphasis decoded and the swapped channels were corrected -- Thanks to Rob Eaton for lending me his dats
Transferrer: Charlie Miller
2:39:56
SBD
Rating:
9.39 / 38 ratings
Transferrer:
Charlie Miller
SHNID:
gd84-07-22.pcm-sbd.miller.30650.sbeok.flacf
Source:
<b>flac16</b> SBD -> PCM -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller
Transferrer: Dan Gale
2:37:20
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Dan Gale
Source:
Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C)
Lineage:
Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
Taper Notes:
View NotesNotes: - Patches provided from Sbd > PCM > DAT > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC (SHN id#30650) Patches as follows: d2t04 (I Just Want To Make Love To You): 0:00-0:02 (cassette flip on master) d3t01 (Space): 5:38 - 6:19 (cassette flip on master) - All patches crossfaded in/out using SoundForge (v. 6.0) - Seamless transition between discs 2 and 3 - 48>44.1kHz resample done with SoundForge (v. 6.0) using high (4) interpolation accuracy and applying an anti-alias filter
Transferrer: DAT > CD> EAC> SHN (mkwACT) via Keith Bode
2:32:52
SBD
Rating:
8.89 / 9 ratings
Transferrer:
DAT > CD> EAC> SHN (mkwACT) via Keith Bode
SHNID:
gd84-07-22.sbd.bode.5959.sbeok.shnf
Source:
SBD> Cass Master> Dat
Taper Notes:
View NotesSBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode
Source 7 of 14
2:30:53
SBD
Rating:
8.80 / 15 ratings
SHNID:
gd84-07-22.sbd.cole.5896.sbeok.shnf
Source:
sbd> Cass Master> dats> wav> shn w/seek
Taper Notes:
View Notessbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat
Taper: Jim Vita
2:33:08
Rating:
8.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-22.166983.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Jim Vita
2:33:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-22.166982.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2023
Source 10 of 14
2:34:27
Rating:
10.00 / 2 ratings
SHNID:
gd1984-07-22.150532.mtx.seamons.ht122.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: There were several sections of dead air in the SBD between songs that were trimmed out to match the AUD cuts. Clicks removed in Space. A few other audio anomalies in the sources were reduced slightly. The low end is a little stronger in this recording than usual for an '80s recording, which seems to be a good thing. Da Weez's cassette brought some nice extra bass power that was not EQ'd or tampered with. Phil's a little hotter out of the gate for the first songs, but not overwhelming or distorted. The Morning Dew is one of Eric F. Wybenga's top 20. Chronologically, it's the best Dew since 5/8/77. Some say this show has the best Loser ever, including me.
Taper: Executive Crew Sean Murtha, John Hance
2:31:44
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-22.150382.beyerm88.holbrook.flac2448
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes+ first time played since 11-29-1966 # first time played since 12-31-1983 / tape paused between tunes to save tape /// tape swapped back to tape I
Taper: Executive Crew Sean Murtha, John Hance
2:31:44
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-22.150381.beyerm88.holbrook.flac1644
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes+ first time played since 11-29-1966 # first time played since 12-31-1983 / tape paused between tunes to save tape /// tape swapped back to tape I
Taper: DaWeez
2:33:33
Taper:
DaWeez
Transferrer:
D5scott
SHNID:
gd1984-07-22.108370.DaWeez.D5scott.flac16
Source:
2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesI have recently come into possession of some master analog cassettes recorded by a friend of mine, often referred to as "Da Weez". He was a weasel about taping shows and would almost always get a great spot up front to make some awesome recordings. Most of these recordings have not been touched in years so get ready, here's the 1st of many recordings from "Da Weasels Vault" !!! --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine who had nothing to do with this recording, but we sure do miss him! ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Greg Holtz and Tony Bolton
2:26:25
Rating:
8.40 / 6 ratings
Taper:
Greg Holtz and Tony Bolton
Transferrer:
Greg Holtz
SHNID:
gd1984-07-22.fob.nak300.holtz-bolton.102101.flac16
Source:
Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB
Lineage:
MAC > PC > CD > EAC > FLAC8
Taper Notes:
View NotesThe master analog cassette tapes of this show have pitch issues, and this fileset was derived from a A>D transfer we did quite a while back. It was likely a Harman Kardon tape deck plugged into the standard soundcard of a PC, editing and tracking using Soundforge, burned to CD using Adapted EZ-CD Creator, and then EAC>FLAC8 by me. Unless we figure out how to fix the pitch issues on the master, this is probably all we will get.