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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
7/3/84
01 Tuning
1:41
02 Scarlet Begonias
10:40
03 Touch Of Grey
6:13
04 Fire On The Mountain
12:14
05 Jam
4:07
06 Don't Need Love
6:35
07 Drums
7:51
08 Space
7:39
09 The Wheel
5:21
10 Throwing Stones
8:03
11 Not Fade Away
9:37
12 Encore Break
1:14
13 Day Job
4:27
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:25:42
SBD
Transferrer:
Charlie Miller
SHNID:
gd1984-07-03.140693.set2.sbd.pcm.miller.flac2496
Source:
SBD > PCM Master > PCM Clone (Maxell HGX Gold)
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
2:34:35
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-03.139105.pcm.sbd.miller.flac1644
Source:
SBD > PCM
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
Taper: Stephen Thomas
2:25:30
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-03.163309.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:25:30
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-03.163308.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:27:37
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-03.141152.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #123823 (nak300> cp4> d5 no dolby) - s1t07; 6:50 - end - s1t08; 0:00 - 0:10 - s2t06; 6:52 - 6:57 Notes: - tape pauses cross faded - pitch corrected - balloon pops removed - push play - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:27:37
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-03.140013.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #123823 (nak300> cp4> d5 no dolby) - s1t07; 6:50 - end - s1t08; 0:00 - 0:10 - s2t06; 6:52 - 6:57 Notes: - tape pauses cross faded - pitch corrected - balloon pops removed - push play
Taper: Executive Crew - Tom Pinney, Kyle Holbrook
2:28:22
Taper:
Executive Crew - Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-03.150308.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up
Lineage:
Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes/ tape stopped between tracks to conserve tape // tape flip
Taper: Executive Crew - Tom Pinney, Kyle Holbrook
2:28:23
Taper:
Executive Crew - Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-03.150307.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up
Lineage:
Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes/ tape stopped between tracks to conserve tape // tape flip
Source 9 of 16
2:29:06
SHNID:
gd1984-07-03.123823.nak300.flac16
Source:
nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8
Taper: Mike Darby
2:23:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-03.FOB.Senn421.Darby.118238.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent show! As always ENJOY!!!!!!!!!
Taper: Mike Darby
2:23:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-03.FOB.Senn421.Darby.118236.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent show! As always ENJOY!!!!!!!!!
Taper: Greg Holtz
2:24:54
Rating:
8.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1984-07-03.aud.Holtz-Taggart.Naks.115108.flac16
Source:
Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes);
Lineage:
MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
Taper Notes:
View NotesSpecial thanks to indydarkstar for use of the UA-5. I named the tracks so that the encore can be placed at the end of set one in order for the show to fit on two discs. It can also be placed at the end of the show if that is your preference. Each set has a crowd fade out, and the encore has a crowd fade in at the beginning, so it should work either way.
Taper: Tony Suraci; Eugene D'alessandro
2:26:10
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci; Eugene D'alessandro
Transferrer:
Tony Suraci
SHNID:
gd1984-07-03.nak301.suraci.dalessandro.77440.sbeok.flac16
Source:
Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16
Taper: Ted Carpenter
2:25:19
Taper:
Ted Carpenter
Transferrer:
Jim Wise and Andrew F.
SHNID:
gd1984-07-03.nak300.carpenter.andrewf.31634.sbeok.flac16
Source:
FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
Taper Notes:
View NotesThe drums were missing 3:05 up to the start of space. I grabbed that part from the version posted at LMA and used Soundforge to patch it in with cross-fades. I used TLH to verify SBE-OK and make checksums, and FLAC Frontend for lossless compression. Healy's PA mix during Alabama Getaway is way off for the first minute. Jerry departs after Fire and does not play on the Jam > Don't Need Love portion.
Taper: Bill Reutelhuber
2:28:49
Rating:
8.00 / 1 rating
Taper:
Bill Reutelhuber
SHNID:
gd1984-07-03.nak100.reutelhuber.25811.sbeok.shnf
Source:
Nak CM100 shotgun mics > Sony TCD5M (lead deck) > Dolby B noise reduction > MAC (Maxell MX 90 Metal tape)
Lineage:
MAC > Nakamichi DR-1 > Mytek Digital 8x96 ADC > Steinberg Nuendo (Waves Q10) > Waves L2 Ultramaximizer
Source 16 of 16
2:27:23
Rating:
8.93 / 15 ratings
SHNID:
gd84-07-03.aud.willy.14909.sbeok.shnf
Source:
AUD>MC>??>DAT>CDR
Taper Notes:
View NotesAUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy