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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1984
12/28/84
Touch Of Grey > Greatest Story Ever Told
12:04
Dire Wolf
3:29
Tons Of Steel
5:19
Down In The Bottom > I Ain't Superstitious
6:42
Dupree's Diamond Blues
6:43
Me & My Uncle > Mexicali Blues
8:03
West LA Fadeaway >
7:24
Might As Well
4:42
Crowd/Tuning
1:14
China Cat Sunflower > I Know You Rider
12:56
Looks Like Rain
9:22
He's Gone >
11:17
Spoonful >
7:06
Drums >
8:35
Space >
7:18
The Other One >
5:48
Wharf Rat >
9:27
Sugar Magnolia
7:52
Encore Break
1:00
Day Tripper
3:23
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:25:41
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1984-12-28.142611.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to Robert Bryant and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- The patch source was remastered to better match the soundboard
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:15:53
SBD
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151176.beyerm88.holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD)
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:15:53
SBD
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151175.beyerm88.holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD)
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Jim Vita
2:18:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.169190.nak304.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 shotgun capsules > Jim Vita's 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 4:16 patch in "Drums > Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Jim Vita
2:18:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.169189.nak304.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 shotgun capsules > Jim Vita's 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 4:16 patch in "Drums > Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Michael Hessberg
2:19:44
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.167626.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the opening notes of "Touch Of Grey" (0:15 total), a 0:41 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Michael Hessberg
2:19:44
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.167625.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the opening notes of "Touch Of Grey" (0:15 total), a 0:41 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Mark Severson
2:26:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.152228.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Mark Severson
2:26:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.152227.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Chris Hecht
1:27:07
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.148398.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the BCE folks responsible for the shnid132495 Schoeps CMC4 MK41 source which supplies a 3:34 patch in "Drums > Space" - Other One space included in "The Other One" - Missing 1st Set - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
1:27:07
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.148397.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the BCE folks responsible for the shnid132495 Schoeps CMC4 MK41 source which supplies a 3:34 patch in "Drums > Space" - Other One space included in "The Other One" - Missing 1st Set - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Robert Bryant patched out of Oade Brothers
2:20:15
Rating:
6.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-28.140169.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: Robert Bryant patched out of Oade Brothers
2:20:15
Rating:
6.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-28.140168.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: mossa
2:19:31
Taper:
mossa
Transferrer:
mossa
SHNID:
gd1984-12-28.167387.naks.mossa.flac1644
Source:
mossa -: NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi)
Lineage:
master tapes -> Sony TDC5-M -> Fostex DAT (standalone) -> CD -> EAC -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-04 (16-44)
Taper Notes:
View Notes- this comes from an CD copy I made around 2000 - the master seems to be lost
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:19:43
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151178.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4" square pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:19:43
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151177.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4" square pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Oade Brothers
2:18:58
Taper:
Oade Brothers
Transferrer:
Dan McDonald
SHNID:
gd1984-12-28.132495.schoeps.Oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
Taper Notes:
View NotesThe Wav files for Set II were corrupt and unreadable/unplayable. Set I was at 16bits, 44.1kHz. After listening to parts of Set I it was clear there was something wrong with it also. I read Set II into the DC8.5 Forensics software, and rewrote the header so that it was listed as 16 bits/48kHz. It then played and sounded right. I read in Set I and changed its header so that it was also at 48kHz and the problems were resolved. Both sets were converted to 44.1kHz using triple precision algorithms, no dithering After that, the only processing was a little bit of editing (fade in at the beginning of the show) and some equalization to counter the pre-emphasis and roll the bass off slightly below 100 hz to cut down on the boominess. Mastering by Dan McDonald Feb. 2015
Taper: Mike Darby
2:19:23
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-12-28.Senn421.Darby.118250.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge thanks out to Mr. Darby for recording and sharing his source for this show! As always ENJOY!
Taper: Mike Darby
2:19:23
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-12-28.Senn421.Darby.118249.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge thanks out to Mr. Darby for recording and sharing his source for this show! As always ENJOY!
Taper: Mike Kutik
2:23:06
Rating:
9.33 / 3 ratings
Taper:
Mike Kutik
Transferrer:
Mike Kutik
SHNID:
gd1984-12-28.senn441.kutik.106103.flac16
Source:
Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
Taper Notes:
View Notescrossfades applied for pauses and tape flips please do not judge the PA mix and the room by the first 3 or 4 songs Dan Healy is a mad genius. This fileset, and all other 16/44.1 filesets I plan to upload in my first run through my masters is sourced from a 24/88.2 transfer and is "seamless" AND tailored for CD burning. The fade tracks, ( in2gd84-12-28s2t03fade and out1gd84-12-28s2t04fade ) are labeled to indicate their "position" for CDR burning and to stay out of the way for seamless play from HD or ( gulp ) conversion to mp3. At least I think you don't need the fades for mp3 - I'm just guessing. A parallel 24/96 transfer also was archived. Enjoy this folks, I did. More to follow...
Taper: Greg Holtz and Tony Bolton
2:17:49
Rating:
8.00 / 1 rating
Taper:
Greg Holtz and Tony Bolton
Transferrer:
JAZ
SHNID:
gd1984-12-28.nak100.holtz-bolton.jaz.105002.flac16
Source:
Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M
Lineage:
Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
Taper: Adam
2:25:29
Taper:
Adam
Transferrer:
Alex Ford
SHNID:
gd1984-12-28.senn421.adam.80953.sbeok.flac16
Source:
Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam
Lineage:
MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16
Taper Notes:
View NotesFirst "Day Tripper" and first "Tons Of Steel"
Source 23 of 23
2:19:18
Rating:
8.00 / 14 ratings
Source:
Audience cassette > ? > DAT > CDR > SHN
Taper Notes:
View NotesAudience cassette > ? > DAT > CDR > SHN