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Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1984
Sources
Taper: Joani Walker and Paul Scotton
2:26:06
SBD
Rating:
8.80 / 5 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-24.sbd.walker-scotton.miller.105854.flac16
Source:
Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90/Dolby B)
Lineage:
Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Encore is on end of the 1st set, I didn't want to split up the 2nd Set -- Thanks to Joani Walker, Paul Scotton and Jacob Feinberg for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:24:17
SBD
Rating:
7.50 / 5 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-24.sbd.walker-scotton.miller.32620.sbeok.flac16
Source:
SBD -> Cassette Master -> (1st set ?, 2nd set none) -> Cassette -> Casette -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes -- Encore patched from Audio Technica M2's->Cassete Master->CD -- Encore is on end of the 1st set, I didn't want to split up the 2nd Set
Taper: Transferred/Edited by Charlie Miller
1:17:50
SBD
Rating:
8.00 / 4 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-24.sbd-set2.walker-scotton.miller.32537.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (TDK SA-X90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes -- I labeled tracks "d2" just in case the 1st Set SBD shows up
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-24.155621.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Bertha" (0:14 total), first notes of "Man Smart, Woman Smarter" (0:06 total), first notes of "He's Gone" (0:05 total), as well as some crowd and first notes of "US Blues" (0:10 total) - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-24.155620.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Bertha" (0:14 total), first notes of "Man Smart, Woman Smarter" (0:06 total), first notes of "He's Gone" (0:05 total), as well as some crowd and first notes of "US Blues" (0:10 total) - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:38:32
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149940.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* vocals low in PA first 45 seconds of Bertha // Tape flip + drums cut to save tape ++ channel cut outs at start
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:38:32
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149939.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* vocals low in PA first 45 seconds of Bertha // Tape flip + drums cut to save tape ++ channel cut outs at start
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
2:39:20
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149587.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesvocals low in PA first 45 seconds of Bertha ** Levels dropped 12dB on RT channel; had to make mono from left channel // Tape flip + drums cut to save tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
2:39:20
Rating:
8.00 / 1 rating
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149586.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesvocals low in PA first 45 seconds of Bertha ** Levels dropped 12dB on RT channel; had to make mono from left channel // Tape flip + drums cut to save tape
Taper: Tim Friend and Joe Morrone
2:40:49
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1984-04-24.nak300.friend-morrone.126231.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013
Taper Notes:
View NotesNote: ID-92518 patch, Space 0:09 > 2:02.
Taper: Tim Friend and Joe Morrone
2:40:49
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F
SHNID:
gd1984-04-24.nak300.friend-morrone.126230.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2013
Taper Notes:
View NotesNote: ID-92518 patch, Space 0:09 > 2:02.
Taper: Da Weez
2:39:56
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-24.109423.beyer-senn-daweez.D5scott.flac16
Source:
source: 3 Beyer M160 microphones (13th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Ted Gidley
2:36:42
Rating:
10.00 / 1 rating
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1984-04-24.fob.gidley.92518.sbeok.flac16
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008.
Taper Notes:
View Notes- Sorry, no mic info, but it's a very nice FOB recording. - Second Set disc break is seamless. - Patches from ShnID-14564, Bertha 0:00 > 0:09, and Drums 7:40 > 9:03. - This was the final GD concert at this venue.
Source 14 of 14
2:31:37
Rating:
5.00 / 2 ratings
SHNID:
gd84-04-24.aud.willy.14564.sbeok.shnf
Source:
AUD (Nak300's)>MC>DAT>CDR Set 2 Mark Horvath FOB ATM2’s> Sony TC-D5>MC>CDR
Taper Notes:
View NotesSet 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2Âs> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy