RELISTEN
TO
THE Grateful Dead
Re
Today
Live
Chat
Apps
Blog
About
1984
Bands
Primary Artists (226)
All Artists (4304)
Featured
Grateful Dead
1.3M
2,080
shows
18,062
tapes
Phish
293k
Powered by Phish.in
1,864
shows
1,868
tapes
Bands
311
936
248
shows
283
tapes
7 Walkers
202
67
shows
104
tapes
Ace Bandage
27
49
shows
49
tapes
Adam Deitch
395
81
shows
114
tapes
Akron/Family
20
40
shows
43
tapes
American Babies
28
87
shows
106
tapes
Andrew Bird
256
125
shows
133
tapes
Andy Frasco & The UN
364
82
shows
114
tapes
Animal Collective
311
123
shows
134
tapes
Animal Liberation Orchestra
1.8k
429
shows
533
tapes
Antibalas
134
81
shows
92
tapes
Aquarium Rescue Unit
1.3k
159
shows
236
tapes
Aqueous
164
161
shows
248
tapes
Assembly of Dust
604
286
shows
421
tapes
Barefoot Manner
34
102
shows
107
tapes
Bela Fleck and the Flecktones
1.4k
488
shows
610
tapes
Ben Kweller
30
32
shows
35
tapes
Benevento Russo Duo
247
277
shows
380
tapes
Bernie Worrell
43
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
76
27
shows
29
tapes
Bernie Worrell Orchestra
20
19
shows
27
tapes
Big Something
345
351
shows
522
tapes
Billy & the Kids
2.3k
17
shows
61
tapes
Billy Strings
90.2k
539
shows
1,056
tapes
Blind Melon
1.7k
62
shows
76
tapes
Blueground Undergrass
56
182
shows
205
tapes
Grateful Dead
Years
Recent
Top
Venues
Songs
Tours
Today In History
June 17th
Years
1995
30.9k
49
shows
343
tapes
1994
12.9k
85
shows
460
tapes
1993
38.6k
83
shows
656
tapes
1992
46.1k
57
shows
539
tapes
1991
43k
78
shows
973
tapes
1990
51.1k
78
shows
1,139
tapes
1989
48.5k
78
shows
1,017
tapes
1988
20.2k
82
shows
882
tapes
1987
43k
88
shows
1,025
tapes
1986
12.7k
47
shows
684
tapes
1985
28.5k
73
shows
1,357
tapes
1984
27.2k
67
shows
1,075
tapes
1983
20.6k
71
shows
1,069
tapes
1982
42.4k
63
shows
753
tapes
1981
30.4k
92
shows
868
tapes
1980
70.9k
91
shows
794
tapes
1979
21.2k
79
shows
608
tapes
1978
38k
87
shows
592
tapes
1977
253k
64
shows
418
tapes
1976
99.8k
45
shows
298
tapes
1975
6.3k
25
shows
63
tapes
1974
88.3k
42
shows
324
tapes
1973
90.5k
75
shows
445
tapes
1972
58.6k
88
shows
361
tapes
1971
33.7k
82
shows
357
tapes
1970
38.8k
101
shows
376
tapes
1969
28.5k
112
shows
326
tapes
1968
7.7k
41
shows
125
tapes
1967
1.7k
23
shows
55
tapes
1966
8.2k
32
shows
78
tapes
1965
638
2
shows
2
tapes
1984
SBD
12/31
SBD
S.F Civic Auditorium
San Francisco, CA, USA
294
3:04:23
26
tapes
12/29
SBD
S.F Civic Auditorium
San Francisco, CA, USA
37
2:39:35
23
tapes
12/28
SBD
S.F Civic Auditorium
San Francisco, CA, USA
39
2:26:40
23
tapes
11/03
SBD
Berkeley Community Theater
Berkeley, CA, USA
100
2:44:31
11
tapes
11/02
SBD
Berkeley Community Theater
Berkeley, CA, USA
238
2:33:30
11
tapes
10/31
SBD
Berkeley Community Theater
Berkeley, CA, USA
138
2:36:46
12
tapes
10/30
SBD
Berkeley Community Theater
Berkeley, CA, USA
111
2:43:44
11
tapes
10/28
SBD
Berkeley Community Theater
Berkeley, CA, USA
120
2:22:53
11
tapes
10/27
SBD
Berkeley Community Theater
Berkeley, CA, USA
31
2:36:31
9
tapes
10/20
SBD
Carrier Dome, Syracuse U.
Syracuse, NY, USA
261
2:42:32
21
tapes
10/18
SBD
Meadowlands Arena
East Rutherford, NJ, USA
88
2:17:48
23
tapes
10/17
SBD
Meadowlands Arena
East Rutherford, NJ, USA
124
2:47:18
16
tapes
10/15
SBD
Hartford Civic Center
Hartford, CT, USA
185
2:41:51
16
tapes
10/14
SBD
Hartford Civic Center
Hartford, CT, USA
81
3:06:55
21
tapes
10/12
SBD
Augusta Civic Center
Augusta, ME, USA
746
2:52:45
37
tapes
10/11
Augusta Civic Center
Augusta, ME, USA
145
2:35:24
25
tapes
10/09
SBD
The Centrum
Worcester, MA, USA
129
2:45:14
20
tapes
10/08
SBD
The Centrum
Worcester, MA, USA
84
2:36:29
18
tapes
10/06
SBD
Richmond Coliseum
Richmond, VA, USA
113
2:44:30
21
tapes
10/05
SBD
Charlotte Coliseum
Charlotte, NC, USA
167
2:47:19
22
tapes
7/22
SBD
Ventura County Fairgrounds
Ventura, CA, USA
304
2:40:05
14
tapes
7/21
SBD
Ventura County Fairgrounds
Ventura, CA, USA
124
2:35:17
17
tapes
7/15
SBD
Greek Theatre
Berkeley, CA, USA
338
2:41:10
18
tapes
7/14
SBD
Greek Theatre
Berkeley, CA, USA
407
2:32:43
19
tapes
7/13
SBD
Greek Theatre
Berkeley, CA, USA
836
2:41:20
21
tapes
7/07
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
235
2:26:23
18
tapes
7/06
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
285
2:48:03
17
tapes
7/04
SBD
Five Seasons Center
Cedar Rapids, IA, USA
282
2:46:31
16
tapes
7/03
SBD
Starlight Theater
Kansas City, MO, USA
104
2:34:35
16
tapes
7/01
SBD
Pine Knob Music Theater
Clarkston, MI, USA
180
2:16:35
10
tapes
6/30
SBD
Indianapolis Sports and Music Center
Indianapolis, IN, USA
141
2:45:59
16
tapes
6/29
SBD
Blossom Music Center
Cuyahoga Falls, OH, USA
66
2:29:28
7
tapes
6/27
SBD
Merriweather Post Pavilion
Columbia, MD, USA
621
2:49:44
17
tapes
6/26
SBD
Merriweather Post Pavilion
Columbia, MD, USA
268
2:49:30
17
tapes
6/24
SBD
Saratoga Performing Arts Center
Saratoga Springs, NY, USA
183
2:34:03
17
tapes
6/23
SBD
City Island
Harrisburg, PA, USA
85
2:33:11
17
tapes
6/21
SBD
Kingswood Music Theater
Maple, Ontario, Canada
199
2:49:15
23
tapes
6/14
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
1.2k
2:12:01
15
tapes
6/13
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
2.9k
2:20:16
12
tapes
6/12
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
2.3k
2:23:45
12
tapes
6/10
SBD
Cal Expo
Sacramento, CA, USA
3.3k
2:21:28
6
tapes
6/09
SBD
Cal Expo
Sacramento, CA, USA
2.6k
2:21:49
11
tapes
5/08
SBD
Silva Hall, Hult Center
Eugene, OR, USA
552
3:00:02
10
tapes
5/07
SBD
Silva Hall, Hult Center
Eugene, OR, USA
236
2:35:52
8
tapes
5/06
SBD
Silva Hall, Hult Center
Eugene, OR, USA
268
2:30:27
6
tapes
4/30
SBD
Nassau Coliseum
Uniondale, NY, USA
104
2:34:14
16
tapes
4/29
SBD
Nassau Coliseum
Uniondale, NY, USA
170
3:08:30
14
tapes
4/27
SBD
Providence Civic Center
Providence, RI, USA
156
2:43:15
19
tapes
4/26
SBD
Providence Civic Center
Providence, RI, USA
270
3:06:15
21
tapes
4/24
SBD
Veterans Memorial Coliseum
New Haven, CT, USA
83
2:40:49
14
tapes
4/23
SBD
Veterans Memorial Coliseum
New Haven, CT, USA
129
2:36:34
19
tapes
4/21
SBD
Philadelphia Civic Arena
Philadelphia, PA, USA
331
3:04:18
25
tapes
4/20
SBD
Philadelphia Civic Arena
Philadelphia, PA, USA
665
2:52:20
24
tapes
4/19
SBD
Philadelphia Civic Arena
Philadelphia, PA, USA
484
2:52:53
24
tapes
4/17
SBD
Niagara Falls Convention Center
Niagara Falls, NY, USA
496
2:45:30
33
tapes
4/16
SBD
Community War Memorial Auditorium
Rochester, NY, USA
163
2:35:16
24
tapes
4/14
SBD
Hampton Coliseum
Hampton, VA, USA
271
2:32:03
26
tapes
4/13
SBD
Hampton Coliseum
Hampton, VA, USA
395
2:57:49
26
tapes
4/08
The Centrum
Worcester, MA
111
1:58:49
1
tape
4/07
SBD
Irvine Meadows
Irvine, CA, USA
413
2:39:04
4
tapes
4/06
SBD
Aladdin Theater
Las Vegas, NV, USA
257
2:36:42
4
tapes
4/01
SBD
Marin County Veterans Auditorium
San Rafael, CA, USA
359
2:33:59
12
tapes
3/31
SBD
Marin County Veterans Auditorium
San Rafael, CA, USA
263
2:40:51
12
tapes
3/29
SBD
Marin County Veterans Auditorium
San Rafael, CA, USA
471
2:27:36
9
tapes
3/28
Marin County Veterans Auditorium
San Rafael, CA, USA
132
2:37:25
9
tapes
2/21
SBD
1984 Studio Material
San Rafael?, CA
25
41:58
1
tape
1/20
Carrier Dome, Syracuse U
Syracuse, NY
211
2:38:26
1
tape
12/28/84
01 Touch Of Grey
7:09
02 Greatest Story Ever Told
4:17
03 Dire Wolf
3:36
04 Tons Of Steel
6:05
05 Down In The Bottom _ I Ain't Superstitious
6:48
06 Dupree's Diamond Blues
7:50
07 Me And My Uncle
3:03
08 Mexicali Blues
5:15
09 West LA Fadeaway
7:47
10 Might As Well
4:40
11 China Cat Sunflower
7:44
12 I Know You Rider
7:04
13 Looks Like Rain
9:46
14 He's Gone
13:06
15 Spoonful
5:56
16 Drums
8:18
17 Space
7:53
18 The Other One
6:22
19 Wharf Rat
9:50
20 Sugar Magnolia
8:38
21 Tuning
1:01
22 Day Tripper
3:33
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:25:41
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1984-12-28.142611.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View Notes
Notes: -- Thanks to Rob Eaton for the Dats -- Thanks to Robert Bryant and Scott Clugston for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- The patch source was remastered to better match the soundboard
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:15:53
SBD
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151176.beyerm88.holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD)
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes
# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:15:53
SBD
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151175.beyerm88.holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD)
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes
# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Jim Vita
2:18:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.169190.nak304.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 shotgun capsules > Jim Vita's 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 4:16 patch in "Drums > Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Jim Vita
2:18:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.169189.nak304.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Nakamichi 300 mics + CP4 shotgun capsules > Jim Vita's 1st generation cassettes
Lineage:
1st generation cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 4:16 patch in "Drums > Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Michael Hessberg
2:19:44
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.167626.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the opening notes of "Touch Of Grey" (0:15 total), a 0:41 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Michael Hessberg
2:19:44
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-28.167625.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the opening notes of "Touch Of Grey" (0:15 total), a 0:41 patch in "Drums", as well as a 0:06 patch in "Sugar Magnolia" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Mark Severson
2:26:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.152228.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Mark Severson
2:26:40
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.152227.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Chris Hecht
1:27:07
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.148398.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the BCE folks responsible for the shnid132495 Schoeps CMC4 MK41 source which supplies a 3:34 patch in "Drums > Space" - Other One space included in "The Other One" - Missing 1st Set - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
1:27:07
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-28.148397.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the BCE folks responsible for the shnid132495 Schoeps CMC4 MK41 source which supplies a 3:34 patch in "Drums > Space" - Other One space included in "The Other One" - Missing 1st Set - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Robert Bryant patched out of Oade Brothers
2:20:15
Rating:
6.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-28.140169.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View Notes
Notes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: Robert Bryant patched out of Oade Brothers
2:20:15
Rating:
6.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-28.140168.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)
Taper Notes:
View Notes
Notes: - Thanks to Robert Bryant for the master cassette source (patched out of the Oade brothers) - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid132495 Schoeps PCM source which supplies the crowd and noodle into "Down In The Bottom (I Ain't Superstitious)"(0:33 total), as well as a 0:18 patch in "Drums" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston December 8, 2017
Taper: mossa
2:19:31
Taper:
mossa
Transferrer:
mossa
SHNID:
gd1984-12-28.167387.naks.mossa.flac1644
Source:
mossa -: NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi)
Lineage:
master tapes -> Sony TDC5-M -> Fostex DAT (standalone) -> CD -> EAC -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-04 (16-44)
Taper Notes:
View Notes
- this comes from an CD copy I made around 2000 - the master seems to be lost
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:19:43
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151178.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4" square pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes
# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:19:43
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-28.151177.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4" square pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes
# St. Stephen Tease before He's Gone ** First Tons of Steel; First Day Tripper; last of five Spoonfuls in 1984- (cite- Deadbase|Scott|Dolgushkin|Nixon) ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** There are 3-4 slight tape speed variations during Wharf Rat through the end of the show.
Taper: Oade Brothers
2:18:58
Taper:
Oade Brothers
Transferrer:
Dan McDonald
SHNID:
gd1984-12-28.132495.schoeps.Oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
Taper Notes:
View Notes
The Wav files for Set II were corrupt and unreadable/unplayable. Set I was at 16bits, 44.1kHz. After listening to parts of Set I it was clear there was something wrong with it also. I read Set II into the DC8.5 Forensics software, and rewrote the header so that it was listed as 16 bits/48kHz. It then played and sounded right. I read in Set I and changed its header so that it was also at 48kHz and the problems were resolved. Both sets were converted to 44.1kHz using triple precision algorithms, no dithering After that, the only processing was a little bit of editing (fade in at the beginning of the show) and some equalization to counter the pre-emphasis and roll the bass off slightly below 100 hz to cut down on the boominess. Mastering by Dan McDonald Feb. 2015
Taper: Mike Darby
2:19:23
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-12-28.Senn421.Darby.118250.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View Notes
Comments:A Huge thanks out to Mr. Darby for recording and sharing his source for this show! As always ENJOY!
Taper: Mike Darby
2:19:23
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-12-28.Senn421.Darby.118249.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View Notes
Comments:A Huge thanks out to Mr. Darby for recording and sharing his source for this show! As always ENJOY!
Taper: Mike Kutik
2:23:06
Rating:
9.33 / 3 ratings
Taper:
Mike Kutik
Transferrer:
Mike Kutik
SHNID:
gd1984-12-28.senn441.kutik.106103.flac16
Source:
Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
Taper Notes:
View Notes
crossfades applied for pauses and tape flips please do not judge the PA mix and the room by the first 3 or 4 songs Dan Healy is a mad genius. This fileset, and all other 16/44.1 filesets I plan to upload in my first run through my masters is sourced from a 24/88.2 transfer and is "seamless" AND tailored for CD burning. The fade tracks, ( in2gd84-12-28s2t03fade and out1gd84-12-28s2t04fade ) are labeled to indicate their "position" for CDR burning and to stay out of the way for seamless play from HD or ( gulp ) conversion to mp3. At least I think you don't need the fades for mp3 - I'm just guessing. A parallel 24/96 transfer also was archived. Enjoy this folks, I did. More to follow...
Taper: Greg Holtz and Tony Bolton
2:17:49
Rating:
8.00 / 1 rating
Taper:
Greg Holtz and Tony Bolton
Transferrer:
JAZ
SHNID:
gd1984-12-28.nak100.holtz-bolton.jaz.105002.flac16
Source:
Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M
Lineage:
Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
Taper: Adam
2:25:29
Taper:
Adam
Transferrer:
Alex Ford
SHNID:
gd1984-12-28.senn421.adam.80953.sbeok.flac16
Source:
Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam
Lineage:
MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16
Taper Notes:
View Notes
First "Day Tripper" and first "Tons Of Steel"
Source 23 of 23
2:19:18
Rating:
8.00 / 14 ratings
Source:
Audience cassette > ? > DAT > CDR > SHN
Taper Notes:
View Notes
Audience cassette > ? > DAT > CDR > SHN
8 shows
70 tapes