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Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h60782
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k221
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.1k376
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.1k270
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.1k445
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k305
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k133
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.7k197
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h68676
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k168
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.4k401
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k154
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k139
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k177
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.9k445
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k225
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k244
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h19.3k2.7k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h7.1k1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h41044
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6k802
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.6k847
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.2k275
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k190
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k191
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k239
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h849113
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13418
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29317
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1984
7/3/84
Alabama Getaway >
5:35
The Promised Land
5:58
Candyman
6:09
Cassidy
6:13
West L.A. Fadeaway
8:54
Brother Esau
4:25
Loser
7:07
Looks Like Rain >
9:34
Deal
11:08
Scarlet Begonias >
11:13
Touch Of Grey >
6:15
Fire On The Mountain >
12:42
Don't Need Love >
10:17
Drums >
6:54
Space >
8:11
The Wheel >
5:24
Throwing Stones >
8:08
Not Fade Away
10:25
Day Job
4:17
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:25:42
SBD
Transferrer:
Charlie Miller
SHNID:
gd1984-07-03.140693.set2.sbd.pcm.miller.flac2496
Source:
SBD > PCM Master > PCM Clone (Maxell HGX Gold)
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
2:34:35
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-03.139105.pcm.sbd.miller.flac1644
Source:
SBD > PCM
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
Taper: Stephen Thomas
2:25:30
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-03.163309.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:25:30
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-03.163308.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:27:37
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-03.141152.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #123823 (nak300> cp4> d5 no dolby) - s1t07; 6:50 - end - s1t08; 0:00 - 0:10 - s2t06; 6:52 - 6:57 Notes: - tape pauses cross faded - pitch corrected - balloon pops removed - push play - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:27:37
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-03.140013.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #123823 (nak300> cp4> d5 no dolby) - s1t07; 6:50 - end - s1t08; 0:00 - 0:10 - s2t06; 6:52 - 6:57 Notes: - tape pauses cross faded - pitch corrected - balloon pops removed - push play
Taper: Executive Crew - Tom Pinney, Kyle Holbrook
2:28:22
Taper:
Executive Crew - Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-03.150308.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up
Lineage:
Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes/ tape stopped between tracks to conserve tape // tape flip
Taper: Executive Crew - Tom Pinney, Kyle Holbrook
2:28:23
Taper:
Executive Crew - Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-03.150307.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up
Lineage:
Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes/ tape stopped between tracks to conserve tape // tape flip
Source 9 of 16
2:29:06
SHNID:
gd1984-07-03.123823.nak300.flac16
Source:
nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8
Taper: Mike Darby
2:23:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-03.FOB.Senn421.Darby.118238.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent show! As always ENJOY!!!!!!!!!
Taper: Mike Darby
2:23:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-03.FOB.Senn421.Darby.118236.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent show! As always ENJOY!!!!!!!!!
Taper: Greg Holtz
2:24:54
Rating:
8.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1984-07-03.aud.Holtz-Taggart.Naks.115108.flac16
Source:
Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes);
Lineage:
MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
Taper Notes:
View NotesSpecial thanks to indydarkstar for use of the UA-5. I named the tracks so that the encore can be placed at the end of set one in order for the show to fit on two discs. It can also be placed at the end of the show if that is your preference. Each set has a crowd fade out, and the encore has a crowd fade in at the beginning, so it should work either way.
Taper: Tony Suraci; Eugene D'alessandro
2:26:10
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci; Eugene D'alessandro
Transferrer:
Tony Suraci
SHNID:
gd1984-07-03.nak301.suraci.dalessandro.77440.sbeok.flac16
Source:
Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16
Taper: Ted Carpenter
2:25:19
Taper:
Ted Carpenter
Transferrer:
Jim Wise and Andrew F.
SHNID:
gd1984-07-03.nak300.carpenter.andrewf.31634.sbeok.flac16
Source:
FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
Taper Notes:
View NotesThe drums were missing 3:05 up to the start of space. I grabbed that part from the version posted at LMA and used Soundforge to patch it in with cross-fades. I used TLH to verify SBE-OK and make checksums, and FLAC Frontend for lossless compression. Healy's PA mix during Alabama Getaway is way off for the first minute. Jerry departs after Fire and does not play on the Jam > Don't Need Love portion.
Taper: Bill Reutelhuber
2:28:49
Rating:
8.00 / 1 rating
Taper:
Bill Reutelhuber
SHNID:
gd1984-07-03.nak100.reutelhuber.25811.sbeok.shnf
Source:
Nak CM100 shotgun mics > Sony TCD5M (lead deck) > Dolby B noise reduction > MAC (Maxell MX 90 Metal tape)
Lineage:
MAC > Nakamichi DR-1 > Mytek Digital 8x96 ADC > Steinberg Nuendo (Waves Q10) > Waves L2 Ultramaximizer
Source 16 of 16
2:27:23
Rating:
8.93 / 15 ratings
SHNID:
gd84-07-03.aud.willy.14909.sbeok.shnf
Source:
AUD>MC>??>DAT>CDR
Taper Notes:
View NotesAUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy