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Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1984
7/3/84
Alabama Getaway> (Missing First Few Seconds Or So)
4:51
Promised Land
4:22
Candyman
6:12
Cassidy
6:12
West L.A. Fadeaway
7:48
My Brother Esau
5:16
Loser
6:53
Looks Like Rain>
9:16
Deal/Set Break
10:45
Scarlet Begonias>
10:58
Touch Of Grey>
6:07
Fire On The Mountain>
11:56
Jam>
4:09
Don''t Need Love>
6:32
Drums>
6:22
Space>
7:41
The Wheel>
5:14
Throwing Stones>
7:52
Not Fade Away/Encore Break
10:06
Day Job
4:57
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:25:42
SBD
Transferrer:
Charlie Miller
SHNID:
gd1984-07-03.140693.set2.sbd.pcm.miller.flac2496
Source:
SBD > PCM Master > PCM Clone (Maxell HGX Gold)
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
2:34:35
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-03.139105.pcm.sbd.miller.flac1644
Source:
SBD > PCM
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
Taper: Stephen Thomas
2:25:30
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-03.163309.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:25:30
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-03.163308.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:27:37
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-03.141152.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #123823 (nak300> cp4> d5 no dolby) - s1t07; 6:50 - end - s1t08; 0:00 - 0:10 - s2t06; 6:52 - 6:57 Notes: - tape pauses cross faded - pitch corrected - balloon pops removed - push play - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:27:37
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-03.140013.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #123823 (nak300> cp4> d5 no dolby) - s1t07; 6:50 - end - s1t08; 0:00 - 0:10 - s2t06; 6:52 - 6:57 Notes: - tape pauses cross faded - pitch corrected - balloon pops removed - push play
Taper: Executive Crew - Tom Pinney, Kyle Holbrook
2:28:22
Taper:
Executive Crew - Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-03.150308.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up
Lineage:
Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes/ tape stopped between tracks to conserve tape // tape flip
Taper: Executive Crew - Tom Pinney, Kyle Holbrook
2:28:23
Taper:
Executive Crew - Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-03.150307.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up
Lineage:
Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes/ tape stopped between tracks to conserve tape // tape flip
Source 9 of 16
2:29:06
SHNID:
gd1984-07-03.123823.nak300.flac16
Source:
nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8
Taper: Mike Darby
2:23:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-03.FOB.Senn421.Darby.118238.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent show! As always ENJOY!!!!!!!!!
Taper: Mike Darby
2:23:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-03.FOB.Senn421.Darby.118236.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent show! As always ENJOY!!!!!!!!!
Taper: Greg Holtz
2:24:54
Rating:
8.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1984-07-03.aud.Holtz-Taggart.Naks.115108.flac16
Source:
Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes);
Lineage:
MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
Taper Notes:
View NotesSpecial thanks to indydarkstar for use of the UA-5. I named the tracks so that the encore can be placed at the end of set one in order for the show to fit on two discs. It can also be placed at the end of the show if that is your preference. Each set has a crowd fade out, and the encore has a crowd fade in at the beginning, so it should work either way.
Taper: Tony Suraci; Eugene D'alessandro
2:26:10
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci; Eugene D'alessandro
Transferrer:
Tony Suraci
SHNID:
gd1984-07-03.nak301.suraci.dalessandro.77440.sbeok.flac16
Source:
Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16
Taper: Ted Carpenter
2:25:19
Taper:
Ted Carpenter
Transferrer:
Jim Wise and Andrew F.
SHNID:
gd1984-07-03.nak300.carpenter.andrewf.31634.sbeok.flac16
Source:
FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
Taper Notes:
View NotesThe drums were missing 3:05 up to the start of space. I grabbed that part from the version posted at LMA and used Soundforge to patch it in with cross-fades. I used TLH to verify SBE-OK and make checksums, and FLAC Frontend for lossless compression. Healy's PA mix during Alabama Getaway is way off for the first minute. Jerry departs after Fire and does not play on the Jam > Don't Need Love portion.
Taper: Bill Reutelhuber
2:28:49
Rating:
8.00 / 1 rating
Taper:
Bill Reutelhuber
SHNID:
gd1984-07-03.nak100.reutelhuber.25811.sbeok.shnf
Source:
Nak CM100 shotgun mics > Sony TCD5M (lead deck) > Dolby B noise reduction > MAC (Maxell MX 90 Metal tape)
Lineage:
MAC > Nakamichi DR-1 > Mytek Digital 8x96 ADC > Steinberg Nuendo (Waves Q10) > Waves L2 Ultramaximizer
Source 16 of 16
2:27:23
Rating:
8.93 / 15 ratings
SHNID:
gd84-07-03.aud.willy.14909.sbeok.shnf
Source:
AUD>MC>??>DAT>CDR
Taper Notes:
View NotesAUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy