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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1984
7/3/84
Crowd
0:30
Alabama Getaway
4:59
Promised Land
4:35
Candyman
6:07
Cassidy
6:10
West LA Fadeaway
8:38
Brother Esau
4:36
Loser
6:41
Looks Like Rain
9:10
Deal
10:52
Crowd
4:34
Scarlet Begonias
1:07
Touch Of Grey
10:31
Fire On The Mountain
6:11
Jam
12:33
I Don't Need Love
3:47
Drums
6:17
Space
6:46
Wheel
7:42
Throwing Stones
5:17
Not Fade Away
7:59
Crowd
9:17
Day Job
0:35
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:25:42
SBD
Transferrer:
Charlie Miller
SHNID:
gd1984-07-03.140693.set2.sbd.pcm.miller.flac2496
Source:
SBD > PCM Master > PCM Clone (Maxell HGX Gold)
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Charlie Miller
2:34:35
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-03.139105.pcm.sbd.miller.flac1644
Source:
SBD > PCM
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
Taper: Stephen Thomas
2:25:30
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-03.163309.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:25:30
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-03.163308.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:27:37
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-03.141152.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #123823 (nak300> cp4> d5 no dolby) - s1t07; 6:50 - end - s1t08; 0:00 - 0:10 - s2t06; 6:52 - 6:57 Notes: - tape pauses cross faded - pitch corrected - balloon pops removed - push play - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:27:37
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-03.140013.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #123823 (nak300> cp4> d5 no dolby) - s1t07; 6:50 - end - s1t08; 0:00 - 0:10 - s2t06; 6:52 - 6:57 Notes: - tape pauses cross faded - pitch corrected - balloon pops removed - push play
Taper: Executive Crew - Tom Pinney, Kyle Holbrook
2:28:22
Taper:
Executive Crew - Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-03.150308.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up
Lineage:
Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes/ tape stopped between tracks to conserve tape // tape flip
Taper: Executive Crew - Tom Pinney, Kyle Holbrook
2:28:23
Taper:
Executive Crew - Tom Pinney, Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-03.150307.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up
Lineage:
Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes/ tape stopped between tracks to conserve tape // tape flip
Source 9 of 16
2:29:06
SHNID:
gd1984-07-03.123823.nak300.flac16
Source:
nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8
Taper: Mike Darby
2:23:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-03.FOB.Senn421.Darby.118238.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent show! As always ENJOY!!!!!!!!!
Taper: Mike Darby
2:23:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-07-03.FOB.Senn421.Darby.118236.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent show! As always ENJOY!!!!!!!!!
Taper: Greg Holtz
2:24:54
Rating:
8.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1984-07-03.aud.Holtz-Taggart.Naks.115108.flac16
Source:
Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes);
Lineage:
MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
Taper Notes:
View NotesSpecial thanks to indydarkstar for use of the UA-5. I named the tracks so that the encore can be placed at the end of set one in order for the show to fit on two discs. It can also be placed at the end of the show if that is your preference. Each set has a crowd fade out, and the encore has a crowd fade in at the beginning, so it should work either way.
Taper: Tony Suraci; Eugene D'alessandro
2:26:10
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci; Eugene D'alessandro
Transferrer:
Tony Suraci
SHNID:
gd1984-07-03.nak301.suraci.dalessandro.77440.sbeok.flac16
Source:
Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16
Taper: Ted Carpenter
2:25:19
Taper:
Ted Carpenter
Transferrer:
Jim Wise and Andrew F.
SHNID:
gd1984-07-03.nak300.carpenter.andrewf.31634.sbeok.flac16
Source:
FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
Taper Notes:
View NotesThe drums were missing 3:05 up to the start of space. I grabbed that part from the version posted at LMA and used Soundforge to patch it in with cross-fades. I used TLH to verify SBE-OK and make checksums, and FLAC Frontend for lossless compression. Healy's PA mix during Alabama Getaway is way off for the first minute. Jerry departs after Fire and does not play on the Jam > Don't Need Love portion.
Taper: Bill Reutelhuber
2:28:49
Rating:
8.00 / 1 rating
Taper:
Bill Reutelhuber
SHNID:
gd1984-07-03.nak100.reutelhuber.25811.sbeok.shnf
Source:
Nak CM100 shotgun mics > Sony TCD5M (lead deck) > Dolby B noise reduction > MAC (Maxell MX 90 Metal tape)
Lineage:
MAC > Nakamichi DR-1 > Mytek Digital 8x96 ADC > Steinberg Nuendo (Waves Q10) > Waves L2 Ultramaximizer
Source 16 of 16
2:27:23
Rating:
8.93 / 15 ratings
SHNID:
gd84-07-03.aud.willy.14909.sbeok.shnf
Source:
AUD>MC>??>DAT>CDR
Taper Notes:
View NotesAUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy