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June 16th
5 shows
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1995
30.1k
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1991
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78 shows
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1988
20.3k
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1987
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1986
12.5k
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1985
24.7k
73 shows
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1984
27k
67 shows
1,075 tapes
1983
21k
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1982
42.4k
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1981
31.2k
92 shows
868 tapes
1980
71.1k
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1979
21.7k
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38.8k
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1977
267.8k
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1976
91.9k
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1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1984
12/29/84
One One More Saturday Night
5:16
Friend Of The Devil
10:44
My Brother Esau
5:08
Big Railroad Blues
6:31
Cassidy
7:42
Althea
9:14
Let It Grow
11:34
we'll be right back...
0:34
crowd
0:52
Samson And Delilah
7:38
Terrapin Station
11:41
Playin' In The Band
18:01
Drums
13:54
Space
12:16
Truckin'
7:51
Stella Blue
8:48
Not Fade Away
11:13
delete - replaced by track 18
5:03
Brokedown Palace
5:35
FIN
View on archive.org
Sources
Taper: Chris Hecht
2:29:40
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-29.148400.fob.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kisrchner and Charlie Miller for the shnid95694 Sony ECM220t source which supplies the crowd and first notes of "One More SAturday Night" (0:40 total), an 0:26 patch in "Drums", as well as a 0:08 patch in the "Not Fade Away > Brokedown Palace" transition - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:29:40
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-29.148399.fob.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kisrchner and Charlie Miller for the shnid95694 Sony ECM220t source which supplies the crowd and first notes of "One More SAturday Night" (0:40 total), an 0:26 patch in "Drums", as well as a 0:08 patch in the "Not Fade Away > Brokedown Palace" transition - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Jim Wise and Robert Bryant patched out of Oade Brothers
2:34:57
Taper:
Jim Wise and Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-29.140187.fob.cmc4-mk41.oade.bryant.wise.miller.clugston.flac1644
Source:
1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the 1st Set master cassette source (patched out of the Oade brothers) - Thanks to Jim Wise for the 2nd Set source - Thanks to Charlie Miller for the 1st set transfer & the 2nd set source - Thanks to the folks responsible for the shnid132520 Schoeps PCM source which supplies the crowd and first 0:04 of "One More Saturday Night" - Between song transitions smoothed Mastered by Scott Clugston December 9, 2017
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:30:21
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-29.151202.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSet 2 liner notes mention the mics plugged into a "multi-box" then the Sony TCD5M. This was a box which took one pair of mic inputs having either 4 or 6 stereo pair arranged in parallel so everyone got the same output signal in order to get as many "lead decks" as it had outputs. # From end of Stella Blue through Not Fade Away, batteries were running out so tape speed slowed, so playback got faster until it sounds like Mickey Mouse toward the end. The Not Fade Away track borrowed from the below cite. # Substituted shnid: 95694, track d3t04 NFA (Kirshner|Miller AUD (FOB) Sony ECM-220T) for damaged NFA t09
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:30:21
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-29.151201.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSet 2 liner notes mention the mics plugged into a "multi-box" then the Sony TCD5M. This was a box which took one pair of mic inputs having either 4 or 6 stereo pair arranged in parallel so everyone got the same output signal in order to get as many "lead decks" as it had outputs. # From end of Stella Blue through Not Fade Away, batteries were running out so tape speed slowed, so playback got faster until it sounds like Mickey Mouse toward the end. The Not Fade Away track borrowed from the below cite. # Substituted shnid: 95694, track d3t04 NFA (Kirshner|Miller AUD (FOB) Sony ECM-220T) for damaged NFA t09
Taper: Oade Brothers
2:37:43
Rating:
8.00 / 1 rating
Taper:
Oade Brothers
Transferrer:
Dan McDonald and Dave Usborne
SHNID:
gd1984-12-29.132520.fob-schoeps.Oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne
Taper Notes:
View NotesThe Wav files for Set I was corrupt and unreadable/unplayable. I read Set I into DC8.5 Forensics software, and rewrote the header so that it was listed as 16 bits/44.1kHz. It then played and sounded right. After that, the only processing was a little bit of editing (fade in at the beginning of the show) and some equalization to counter the pre-emphasis and roll the bass off slightly below 100 hz to cut down on the boominess. patches: (FOB Schoeps CMC 441 > Oade M118 > Sony TC D5)> DATs > CDR > WAV > SHN (24294) 106 - Cassidy (entire track) 107 - Althea (entire track) 108 - Let It Grow (entire track) 201 - Samson & Delilah (drop out just before first verse) BCE de-emphasis curve (modified PCM de-emphasis) applied AUD> ? > CDR > EAC > SHN > WAV(re-tracked) > SHN (12296) 206 - Drums (from about 1:00-12:50)
Taper: Doug Oade
2:39:35
Rating:
7.00 / 4 ratings
Taper:
Doug Oade
Transferrer:
Chris Ladner
SHNID:
gd84-12-29.oade-schoeps.ladner.24294.sbeok.shnf
Source:
Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
Taper Notes:
View NotesOade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN Very clean transfer. This recording arrived on CDR already mastered to take full adavantage of the CD dynamic range, seamless, and expertly tracked. Originally tracked on 3 discs with set 1 on a single disc and the second set split between space and truckin'. Either way it was seamless so you can burn three discs if you prefer. End of Brokedown is brokedown at 05:03 with the remainder of the song provided by a multianalog generation SBD recording from the show.