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June 7th
Years
1995
29.8k
PlaybackListensHours
48h781109
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h62088
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.2k562
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k351
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.7k1.2k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.5k336
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k364
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k255
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h90199
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k210
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1k136
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k194
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k215
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k297
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.8k624
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k181
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.2k296
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h17.1k2.4k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.7k516
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h78576
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k558
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k597
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k426
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k227
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k950
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k369
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41850
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10314
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22717
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h553
7d1066
30d56034
2 shows
2 tapes
1984
12/29/84
One One More Saturday Night
5:16
Friend Of The Devil
10:44
My Brother Esau
5:08
Big Railroad Blues
6:31
Cassidy
7:42
Althea
9:14
Let It Grow
11:34
we'll be right back...
0:34
crowd
0:52
Samson And Delilah
7:38
Terrapin Station
11:41
Playin' In The Band
18:01
Drums
13:54
Space
12:16
Truckin'
7:51
Stella Blue
8:48
Not Fade Away
11:13
delete - replaced by track 18
5:03
Brokedown Palace
5:35
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:33:52
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-12-29.142761.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to Joani Walker and Paul Scotton for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- Thanks to SIRMick and Scott Clugston for their continued support
Taper: Joani Walker and Paul Scotton
2:34:18
SBD
Rating:
8.00 / 4 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-12-29.sbd.walker-scotton.miller.106169.flac16
Source:
SBD -> ? -> Cassette (Maxell XLII-S90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Tapes were labeled "Broadcast Mix" -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:39:06
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-29.167181.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies 1:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Bob Wagner
2:39:06
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-12-29.167180.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies 1:12 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Mark Severson
2:38:34
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-29.152536.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Mark Severson
2:38:34
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-29.152535.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Chris Hecht
2:29:40
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-29.148400.fob.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kisrchner and Charlie Miller for the shnid95694 Sony ECM220t source which supplies the crowd and first notes of "One More SAturday Night" (0:40 total), an 0:26 patch in "Drums", as well as a 0:08 patch in the "Not Fade Away > Brokedown Palace" transition - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:29:40
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-12-29.148399.fob.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kisrchner and Charlie Miller for the shnid95694 Sony ECM220t source which supplies the crowd and first notes of "One More SAturday Night" (0:40 total), an 0:26 patch in "Drums", as well as a 0:08 patch in the "Not Fade Away > Brokedown Palace" transition - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Jim Wise and Robert Bryant patched out of Oade Brothers
2:34:57
Taper:
Jim Wise and Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-12-29.140187.fob.cmc4-mk41.oade.bryant.wise.miller.clugston.flac1644
Source:
1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the 1st Set master cassette source (patched out of the Oade brothers) - Thanks to Jim Wise for the 2nd Set source - Thanks to Charlie Miller for the 1st set transfer & the 2nd set source - Thanks to the folks responsible for the shnid132520 Schoeps PCM source which supplies the crowd and first 0:04 of "One More Saturday Night" - Between song transitions smoothed Mastered by Scott Clugston December 9, 2017
Taper: Michael Kirschner
2:32:16
Rating:
8.00 / 2 ratings
Taper:
Michael Kirschner
Transferrer:
Charlie Miller
SHNID:
gd1984-12-29.fob.sonyECM220t.kirschner.miller.95694.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/FujiMetal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) ->Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 -> Cassette Master -> Dat -> CD (shnid=24294) supplies: My Brother Esau (0:00 - 0:06) Not Fade Away (8:02 - 8:14) Notes: -- Set 2 is seamless -- Thanks to Michael Kirschner for lending me his masters
Taper: mossa
2:33:02
Taper:
mossa
Transferrer:
mossa
SHNID:
gd1984-12-29.167388.naks.mossa.flac2496
Source:
NAK shotgun mics (CM 300??) -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi)
Lineage:
master tapes -> Sony TDC5-M -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2023-03 (24-96)
Taper Notes:
View Notes- "Brokedown Palace": cable connection problems for a second (at beginning)
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:30:21
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-29.151202.mke2002.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSet 2 liner notes mention the mics plugged into a "multi-box" then the Sony TCD5M. This was a box which took one pair of mic inputs having either 4 or 6 stereo pair arranged in parallel so everyone got the same output signal in order to get as many "lead decks" as it had outputs. # From end of Stella Blue through Not Fade Away, batteries were running out so tape speed slowed, so playback got faster until it sounds like Mickey Mouse toward the end. The Not Fade Away track borrowed from the below cite. # Substituted shnid: 95694, track d3t04 NFA (Kirshner|Miller AUD (FOB) Sony ECM-220T) for damaged NFA t09
Taper: Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
2:30:21
Taper:
Executive Crew; Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1984-12-29.151201.mke2002.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSet 2 liner notes mention the mics plugged into a "multi-box" then the Sony TCD5M. This was a box which took one pair of mic inputs having either 4 or 6 stereo pair arranged in parallel so everyone got the same output signal in order to get as many "lead decks" as it had outputs. # From end of Stella Blue through Not Fade Away, batteries were running out so tape speed slowed, so playback got faster until it sounds like Mickey Mouse toward the end. The Not Fade Away track borrowed from the below cite. # Substituted shnid: 95694, track d3t04 NFA (Kirshner|Miller AUD (FOB) Sony ECM-220T) for damaged NFA t09
Taper: Jamie Waddell
2:35:48
Taper:
Jamie Waddell
Transferrer:
Jay Haines
SHNID:
gd1984-12-29.150895.fm.waddell.haines.clugston.flac2448
Source:
FM Broadcast Mix > (?PCM?) > Cassettes
Lineage:
Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448
Taper Notes:
View Notes- Thanks to Jamie Waddell for the source cassettes and Jay Haines for the transfer - eBay tape liberation - Thanks to Chris Hecht for the (FOB) Neumann KM84i source which supplies the crowd and beginning of "Samson & Delilah" (0:31 total) - All tape flips were overlapped, leading to speculation that this derives from a PCM master - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Jamie Waddell
2:35:48
Taper:
Jamie Waddell
Transferrer:
Jay Haines
SHNID:
gd1984-12-29.150894.fm.waddell.haines.clugston.flac1648
Source:
FM Broadcast Mix > (?PCM?) > Cassettes
Lineage:
Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448
Taper Notes:
View Notes- Thanks to Jamie Waddell for the source cassettes and Jay Haines for the transfer - eBay tape liberation - Thanks to Chris Hecht for the (FOB) Neumann KM84i source which supplies the crowd and beginning of "Samson & Delilah" (0:31 total) - All tape flips were overlapped, leading to speculation that this derives from a PCM master - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Oade Brothers
2:37:43
Rating:
8.00 / 1 rating
Taper:
Oade Brothers
Transferrer:
Dan McDonald and Dave Usborne
SHNID:
gd1984-12-29.132520.fob-schoeps.Oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne
Taper Notes:
View NotesThe Wav files for Set I was corrupt and unreadable/unplayable. I read Set I into DC8.5 Forensics software, and rewrote the header so that it was listed as 16 bits/44.1kHz. It then played and sounded right. After that, the only processing was a little bit of editing (fade in at the beginning of the show) and some equalization to counter the pre-emphasis and roll the bass off slightly below 100 hz to cut down on the boominess. patches: (FOB Schoeps CMC 441 > Oade M118 > Sony TC D5)> DATs > CDR > WAV > SHN (24294) 106 - Cassidy (entire track) 107 - Althea (entire track) 108 - Let It Grow (entire track) 201 - Samson & Delilah (drop out just before first verse) BCE de-emphasis curve (modified PCM de-emphasis) applied AUD> ? > CDR > EAC > SHN > WAV(re-tracked) > SHN (12296) 206 - Drums (from about 1:00-12:50)
Taper: Mike Darby
2:31:16
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-12-29.Senn421.Darby.118252.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing his source for this show! Another excellent recording and performance! As always ENJOY!!!!!!
Taper: Mike Darby
2:31:16
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1984-12-29.Senn421.Darby.118251.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing his source for this show! Another excellent recording and performance! As always ENJOY!!!!!!
Taper: Greg Holtz and Tony Bolton
2:29:10
Rating:
8.00 / 2 ratings
Taper:
Greg Holtz and Tony Bolton
Transferrer:
JAZ
SHNID:
gd1984-12-29.nak100.holtz-bolton.jaz.105032.flac16
Source:
Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. Front Row Balcony
Lineage:
Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
Transferrer: Chris Ladner
2:31:26
Transferrer:
Chris Ladner
Lineage:
CDR > WAV > SHN
Taper Notes:
View NotesComments: Very clean transfer. This recording arrived on CDR already mastered to take full adavantage of the CD dynamic range, seamless, and expertly tracked. Originally tracked on 3 discs with set 1 on a single disc and the second set split between space and truckin'. Either way it was seamless so you can burn three discs if you prefer. End of Brokedown is brokedown at 05:03 with the remainder of the song provided by a multianalog generation SBD recording from the show. Thanks to Jim Powell for providing the CDR source. DAE(EAC) and SHN encoding via Chris Ladner. TMNSP 5/05.
Taper: Mark McCue
2:32:40
Rating:
8.67 / 3 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1984-12-29.senn421.mccue.ford.81758.sbeok.flac16
Source:
MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s
Lineage:
MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16
Taper Notes:
View Notes- * d2t02 Samson And Delilah mic stand bumped @ 01:57 through 01:58 - d2t05 Drums tape flip left as is. - # d3t05 Not Fade Away patched from 08:37 through 09:57 with Oade recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN http://db.etree.org/shninfo_detail.php?shnid=24294 - 24 bit 96kHz files archived
Taper: Doug Oade
2:39:35
Rating:
7.00 / 4 ratings
Taper:
Doug Oade
Transferrer:
Chris Ladner
SHNID:
gd84-12-29.oade-schoeps.ladner.24294.sbeok.shnf
Source:
Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
Taper Notes:
View NotesOade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN Very clean transfer. This recording arrived on CDR already mastered to take full adavantage of the CD dynamic range, seamless, and expertly tracked. Originally tracked on 3 discs with set 1 on a single disc and the second set split between space and truckin'. Either way it was seamless so you can burn three discs if you prefer. End of Brokedown is brokedown at 05:03 with the remainder of the song provided by a multianalog generation SBD recording from the show.
Source 23 of 23
2:30:55
Rating:
7.00 / 2 ratings
SHNID:
gd84-12-29.aud.12926.sbefail.shnf
Source:
AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN
Taper Notes:
View NotesAUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek