RELISTENTOTHE Grateful Dead
Re
1984
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Grateful Dead
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Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1984
10/11/84
tuning
0:42
Shakedown Street
15:06
Greatest Story Ever Told
4:06
Peggy-O
8:55
Mama Tried ->
3:09
Big River
6:20
Ramble On Rose
7:46
Looks Like Rain ->
8:59
Might As Well
4:24
tuning
1:56
Hell In A Bucket ->
6:23
Touch Of Grey
6:51
Man Smart (Women Are Smarter)
8:09
Ship of Fools
9:15
Playin' in the Band ->
14:18
Drums ->
8:44
Space ->
5:10
Dear Mr. Fantasy ->
7:29
Black Peter ->
8:53
Sugar Magnolia
9:18
Day Job
4:35
FIN
View on archive.org
Sources
Taper: Mike Guy
2:30:04
Taper:
Mike Guy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-11.143632.nak.blend.guy.miller.clugston.flac2496
Source:
Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Mike Guy
2:30:04
Rating:
8.00 / 1 rating
Taper:
Mike Guy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-11.143631.nak.blend.guy.miller.clugston.flac1648
Source:
Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: billydee
2:30:28
Rating:
8.00 / 1 rating
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1984-10-11.141028.FOB.Neumann.billydee.Sellers.Noel.t-flac1644
Source:
billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info - Source #132793 (Oade remaster) suplies; - s1t02; 0:00 - 0:06 - s2t07; 0:06 - 0:27 Notes: - Crossfades applied to tapes pauses. - s1t02, levels restored in right channel. - When the band goes off the beaten path in set 2, its the golden road. - Sing us a song Brent, woo woo, woo woo. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Steve Hill
2:29:12
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-11.132351.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs.Another excellent share from the Hill collection of master audience recordings and the Grateful Dead's Fall 1984 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Da Weez
2:24:58
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-11.110034.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Derek McCabe
2:20:28
Taper:
Derek McCabe
Transferrer:
Chris Ladner
SHNID:
gd1984-10-11.beyerm160.mccabe.ladner.33825.sbeok.flac16
Source:
FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes)
Lineage:
MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8)
Taper Notes:
View Notes- Tape heads were cleaned and demagged prior to transfering each set. - Tape bias tuned to +1. - Recorded to 24 bit/96 KHz WAV with Wavelab 5.0 on P4 1.8 GHz PC with no other apps running/background processes minimized. - All editing/mastering was done on the 24/96 files prior to rendering to 16 bit. - Gapless stereo 24 bit/96 KHz DVD-A rendering was also generated with Discwelder Chrome. - Waves XNoise Noise reduction: 10 second segment of nonmusical tape noise was "learned" as a noise mask and subtracted at a threshold of 2 dB and 50%. This resulted in a > 10 dB drop in noise level without coloration. - Waves L3 Multimaximizer with "Warm" IDR setting, threshold of -4.0 dB, ceiling of -0.1 dB, type I dither, ultra shaping rendered to 16/44.1 KHz. - Crossfades smoothed gaps between tape pauses between songs and flips. - Drums is truncated and crossfaded into Space as one track.