Bands
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Bands
Grateful Dead
Today In History
June 8th
Years
1995
30k
PlaybackListensHours
48h766105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h69497
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k500
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k364
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.4k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k347
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k375
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k154
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h933103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k145
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k220
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k302
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k672
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k183
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k285
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k507
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81181
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k604
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k418
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k229
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k944
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k363
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h38948
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h452
7d1026
30d57334
2 shows
2 tapes
1984
Sources
Taper: Jim Vita
2:32:07
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-11.168003.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 8:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Jim Vita
2:32:07
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-11.168002.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 8:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Mike Guy
2:30:04
Taper:
Mike Guy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-11.143632.nak.blend.guy.miller.clugston.flac2496
Source:
Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Mike Guy
2:30:04
Rating:
8.00 / 1 rating
Taper:
Mike Guy
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-10-11.143631.nak.blend.guy.miller.clugston.flac1648
Source:
Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Tony Bolton for the Nakamichi CM100 source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Kenn Renninger & Jim Kline
2:33:34
Taper:
Kenn Renninger & Jim Kline
Transferrer:
DSD Transfer By Nikky Carbonetta Edited & Mastered By Joe Noel March 16, 2026
SHNID:
gd1984-10-11.175710.nak.cm300.Renninger.Kline.Carbonetta.noel.flac2496
Source:
Nakamichi Cm300 + Cp-1 Cardioid Capsule > Sony Tc-d5m > Master Cassette
Lineage:
Master Cassette > Nakamichi Cr7a > Korg Mr2000 @ 1bit > Korg Audiogate > Dff 24 > dBpoweramp > Adobe Audition > Flac 2496
Taper Notes:
View NotesNotes; - all tape pauses were x-faded - Checksum & tags created in xACT. Thanks to; - Kenn Renninger & Jim Kline for taping the show - Nikky Carbonetta for DSD transfer - Ted Mattes for organizing this project - Jim Vita (RIP) for the patch source
Taper: Recorded, Transferred & Mastered by Anon
2:35:24
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited w/ addl Mastering (Adobe Audition) by Joe Noel October 29, 2022
SHNID:
gd1984-10-11.165102.fob.nak100.photoleon.flac2448
Source:
(FOB) Nakamichi 100 Shotguns > Sony TC-D5m > Master Cassette (TDK MA90s, Dolby B On)
Lineage:
Master Cassette > Nakamichi CR7A (no dolby, azimuth adjusted) > Korg MR2000 (1 bit 5.6 Mhz) > AudioGate > dbx software decode > dolby b software decode > WAV24/48
Taper Notes:
View NotesThanks to; - Anon, while hiding out away from the Bay Area, for sharing this master cassette & transfer. - Greg Holtz & Tony Bolton for the patch source Notes; - tape pauses & flip (s1) were cross faded
Taper: billydee
2:30:28
Rating:
8.00 / 1 rating
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1984-10-11.141028.FOB.Neumann.billydee.Sellers.Noel.t-flac1644
Source:
billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info - Source #132793 (Oade remaster) suplies; - s1t02; 0:00 - 0:06 - s2t07; 0:06 - 0:27 Notes: - Crossfades applied to tapes pauses. - s1t02, levels restored in right channel. - When the band goes off the beaten path in set 2, its the golden road. - Sing us a song Brent, woo woo, woo woo. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: billydee
2:30:28
Taper:
billydee
Transferrer:
Larry Sellers & the Philly Crew; Joe Noel
SHNID:
gd1984-10-11.139116.FOB.Neumann.billydee.Sellers.Noel.t-flac24
Source:
billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Crossfades applied to tapes pauses. - s1t02, levels restored in right channel. - When the band goes off the beaten path in set 2, its the golden road. - Sing us a song Brent, woo woo, woo woo.
Taper: Doug Lamarre
2:21:15
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-11.137265.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:21:15
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-10-11.137264.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
Transferrer: Remaster by Dave Usborne
2:32:00
REMASTER
Rating:
7.33 / 3 ratings
Transferrer:
Remaster by Dave Usborne
SHNID:
gd1984-10-11.132793.fob-schoeps.oade.BCE.flac16
Source:
Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5
Taper: Steve Hill
2:29:12
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-11.132352.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs.Another excellent share from the Hill collection of master audience recordings and the Grateful Dead's Fall 1984 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Steve Hill
2:29:12
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-11.132351.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between first set songs.Another excellent share from the Hill collection of master audience recordings and the Grateful Dead's Fall 1984 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: chasingwilma
2:27:17
Rating:
8.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-10-11.124355.chasingwilma.flac24
Source:
lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:30:38
Rating:
10.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-10-11.nak300.morris.113965.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper Notes:
View NotesNotes: - Drums spliced at 0:12, 6:49, & 7:51 via Soundforge 9.0. - Recorded by Bob Morris -- thanks to Sam for help. - Transfer (Oct 2009) & 2496 conversion / edits (Jan 2011) by Bob Morris.
Taper: Da Weez
2:24:58
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-11.110034.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Bob Morris
2:29:50
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-10-11.nak300.morris.crazyfingers.106646.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Greg Holtz and Tony Bolton
2:30:21
Rating:
9.00 / 8 ratings
Taper:
Greg Holtz and Tony Bolton
Transferrer:
JAZ
SHNID:
gd1984-10-11.fob.nak100.holtz-bolton.jaz.100420.flac16
Source:
FOB: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks
Lineage:
MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8
Taper: Steve Rolfe
2:31:16
Rating:
10.00 / 2 ratings
Taper:
Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1984-10-11.nak700.rolfe.minches.99190.flac16
Source:
2 Nak 700s> Sony TC-D5
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View NotesThis is the 16 bit/44.1 kHz version. Thanks to Joe B. Jones for pitch correction.
Taper: Andrew F.
2:30:51
Rating:
9.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1984-10-11.fob.senn441.andrewf.94404.sbeok.flac16
Source:
FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Same recording as ShnID-5304, but hugely upgraded. - Patch from ShnID-33825, GSET 0:00 > 0:08. - Patches from ShnID-17411, Set2 Tuning 2:01 > 2:08, PITB 13:47 > 14:00. - Disc break is seamless.
Taper: Tony Suraci
2:20:58
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-10-11.beyerm88.suraci.sbeok.77916.flac16
Source:
Beyer M88's>Sony D5
Lineage:
Sony D5Pro>Lunatec V3>SD722
Taper Notes:
View Notes*thanks to Eugene for the mics. Notes: This is the 16Bit version. 24Bit is archived on DVDA.
Taper: Derek McCabe
2:20:28
Taper:
Derek McCabe
Transferrer:
Chris Ladner
SHNID:
gd1984-10-11.beyerm160.mccabe.ladner.33825.sbeok.flac16
Source:
FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes)
Lineage:
MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8)
Taper Notes:
View Notes- Tape heads were cleaned and demagged prior to transfering each set. - Tape bias tuned to +1. - Recorded to 24 bit/96 KHz WAV with Wavelab 5.0 on P4 1.8 GHz PC with no other apps running/background processes minimized. - All editing/mastering was done on the 24/96 files prior to rendering to 16 bit. - Gapless stereo 24 bit/96 KHz DVD-A rendering was also generated with Discwelder Chrome. - Waves XNoise Noise reduction: 10 second segment of nonmusical tape noise was "learned" as a noise mask and subtracted at a threshold of 2 dB and 50%. This resulted in a > 10 dB drop in noise level without coloration. - Waves L3 Multimaximizer with "Warm" IDR setting, threshold of -4.0 dB, ceiling of -0.1 dB, type I dither, ultra shaping rendered to 16/44.1 KHz. - Crossfades smoothed gaps between tape pauses between songs and flips. - Drums is truncated and crossfaded into Space as one track.
Source 23 of 25
2:28:04
Rating:
9.14 / 15 ratings
SHNID:
gd84-10-11.oade.sacks.17411.sbeok.shnf
Source:
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
Taper Notes:
View NotesSource: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor
Taper: Oade Brothers
2:28:03
Rating:
9.50 / 4 ratings
Taper:
Oade Brothers
Transferrer:
Darrin Sacks
SHNID:
gd1984-10-11.schoeps.oade.sacks.8794.sbefail.shnf
Source:
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
Lineage:
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)
Taper Notes:
View NotesThanks to JJ for the DAT DAT>CDR x-fer by darrin ([email protected]). Seeded to etree 4/2002 Enjoy!
Source 25 of 25
2:30:44
Rating:
8.00 / 1 rating
Source:
AUD>CM>DAT>CDR