Keep Your Day Job* | 1984-10-06 | Grateful Dead

View NotesMastering by Dave Usborne:
Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts.
Editing done in Reaper V4.591/X64
Tracks cut in Audacity 2.0.5
Flac files created in Traders Little Helper

*Patches:
gd1984-10-06.124157.chasingwiilma.flac24
---End of Goin' Down The Road Feelin' Bad @ 1:24:33:21
---One More Saturday Night
---Keep Your Day Job

metadata added
To maintain the full sonic integrity of this recording, files remain at a sample rate of 48 kHz.

Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

BCE Collaboration 
[email protected]

Taper: Jim Vita

2:33:12

Rating:

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-06.167957.beyer.m160.vita.miller.clugston.fixed.167675.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space"
- Pitch corrected
- "China Doll" fixed, embedded meta data fixed

Mastered by Scott Clugston
July 2024

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-06.167956.beyer.m160.vita.miller.clugston.fixed.167675.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space"
- Pitch corrected
- "China Doll" fixed, embedded meta data fixed

Mastered by Scott Clugston
July 2024

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-06.167675.beyer.m160.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1984-10-06.167674.beyer.m160.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022

2:34:18

Taper:

Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022

SHNID:

gd1984-10-06.158248.FOB.NAK100-SG.Anon-Noel.t-flac2448

Source:

(FOB) Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: approx. 40' from stage, mics spaced 4' apart on two Shure s15 stands (up high)

Lineage:

Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.

Taper Notes:

View NotesNotes;
- Thanks to Anon while hiding out away from the Bay Area for sharing this master cassette & transfer.
- Thanks to Doug Oade, Jim Wise & Dave Usborne for the patch source
- Tape flips & pauses were cross faded.

Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022

2:34:18

Taper:

Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022

SHNID:

gd1984-10-06.158247.FOB.NAK100-SG.Anon-Noel.t-flac16

Source:

(FOB) Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: approx. 40' from stage, mics spaced 4' apart on two Shure s15 stands (up high)

Lineage:

Taper Notes:

View NotesNotes;
- Tape flips & pauses were cross faded.
- raw files dithered using dBpoweramp

Thanks to;
- Anon, while hiding out away from the Bay Area, for sharing this master cassette & transfer.
- Doug Oade, Jim Wise & Dave Usborne for the patch source

Taper: Steve Hill

gd1984-10-06.132557.Nak100CP4.Hill.Keo.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!Some tape pauses
between first set songs.Another excellent share from the
Hill collection of Master Audience recordings and the 
Grateful Dead's 1984 Fall Tour!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!

Taper: Steve Hill

gd1984-10-06.132556.Nak100CP4.Hill.Keo.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!Some tape pauses
between first set songs.Another excellent share from the
Hill collection of Master Audience recordings and the 
Grateful Dead's 1984 Fall Tour!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!

Taper: chasingwilma

gd1984-10-06.124157.chasingwiilma.flac24

Source:

lineage: (2) audio technica atm11/ (2) nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz and Tony Bolton

Greg Holtz and Tony Bolton

Transferrer:

Greg Holtz

SHNID:

gd1984-10-06.aud.Holtz-Bolton.Nak100s.112860.flac16

Source:

Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC;

Lineage:

MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8

Taper: Greg Holtz

gd1984-10-06.aud.Holtz.Nak100s.112831.flac2496

Source:

Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC;

Lineage:

MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96

Taper: Da Weez

gd1984-10-06.109985.beyer-senn-daweez.D5scott.flac16

Source:

source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper: Greg Holtz

gd1984-10-06.fob.nak100.holtz.jaz.92383.flac16

Source:

Nakamichi CM100s CP4caps, FOB-> D-6

Taper: Joe D'Amico

gd1984-10-06.nak300.damico.91173.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

Taper: Joe D'Amico

gd1984-10-06.nak300.damico.87015.sbeok.flac16

Source:

nak 300 mics > sony d5

Lineage:

nak dragon tape deck into creative extigy sound card into pc -flac frontend

Taper Notes:

View Notesthis was the first dead show i recorded by myself and with my own equipment.

Taper: Tony Suraci

gd1984-10-06.beyerm88.suraci.77750.flac16

Source:

FOB/Beyer M88's>Sony D5M(XLIIS)

Lineage:

Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud. 2.0>16bit>Cdwav>flac

Taper Notes:

View Notes*thanks to Eugene D. for loaning me the mics. I also ran his D5 and had quite a few patchers this show.

Notes: This is the 16 Bit version. 24 Bit is archived on DVDA. China Doll was recorded on side B of first set cassette, hence the cut at the beginning.  Thanks!

Source 18 of 21

2:41:58

Lineage:

MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs

Taper Notes:

View NotesThis is a re-record of shnid 32898 Changes were the azimuth adjustment of the SD 4050 and the use of Audacity for noise reduction and normalization.

Source 19 of 21

Source 20 of 21

gd84-10-06.nak.grace-cole.15573.sbeok.shnf

Source:

FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT

Taper Notes:

View NotesFOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT

Source 21 of 21

gd84-10-06.aud.unk.3160.sbeok.shnf

Taper Notes:

View NotesAUD?; no other info available