Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64891
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k903
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k791
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k403
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k189
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k706
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k196
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k416
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k710
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87173
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k609
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k660
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k473
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k267
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k618
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10817
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1984
Sources
Taper: Doug Oade
1:34:15
SBD
Rating:
9.50 / 4 ratings
Taper:
Doug Oade
Transferrer:
Dave Usborne
SHNID:
gd1984-10-06.127557.set2.schoeps.oade.BCE.flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
Taper Notes:
View NotesMastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64 Tracks cut in Audacity 2.0.5 Flac files created in Traders Little Helper *Patches: gd1984-10-06.124157.chasingwiilma.flac24 ---End of Goin' Down The Road Feelin' Bad @ 1:24:33:21 ---One More Saturday Night ---Keep Your Day Job metadata added To maintain the full sonic integrity of this recording, files remain at a sample rate of 48 kHz. Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: Jim Vita
2:33:12
Rating:
10.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-06.167957.beyer.m160.vita.miller.clugston.fixed.167675.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space" - Pitch corrected - "China Doll" fixed, embedded meta data fixed Mastered by Scott Clugston July 2024
Taper: Jim Vita
2:33:12
Rating:
10.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-06.167956.beyer.m160.vita.miller.clugston.fixed.167675.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space" - Pitch corrected - "China Doll" fixed, embedded meta data fixed Mastered by Scott Clugston July 2024
Taper: Jim Vita
2:33:15
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-06.167675.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Jim Vita
2:33:15
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-10-06.167674.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in the post "China Doll" jam, as well as an 0:11 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2022
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022
2:34:18
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022
SHNID:
gd1984-10-06.158248.FOB.NAK100-SG.Anon-Noel.t-flac2448
Source:
(FOB) Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: approx. 40' from stage, mics spaced 4' apart on two Shure s15 stands (up high)
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon while hiding out away from the Bay Area for sharing this master cassette & transfer. - Thanks to Doug Oade, Jim Wise & Dave Usborne for the patch source - Tape flips & pauses were cross faded.
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022
2:34:18
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel March 31, 2022
SHNID:
gd1984-10-06.158247.FOB.NAK100-SG.Anon-Noel.t-flac16
Source:
(FOB) Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: approx. 40' from stage, mics spaced 4' apart on two Shure s15 stands (up high)
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - Tape flips & pauses were cross faded. - raw files dithered using dBpoweramp Thanks to; - Anon, while hiding out away from the Bay Area, for sharing this master cassette & transfer. - Doug Oade, Jim Wise & Dave Usborne for the patch source
Taper: Steve Hill
2:30:34
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-06.132557.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses between first set songs.Another excellent share from the Hill collection of Master Audience recordings and the Grateful Dead's 1984 Fall Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:30:34
Rating:
7.00 / 2 ratings
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-10-06.132556.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses between first set songs.Another excellent share from the Hill collection of Master Audience recordings and the Grateful Dead's 1984 Fall Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!
Taper: chasingwilma
2:29:51
Rating:
6.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-10-06.124157.chasingwiilma.flac24
Source:
lineage: (2) audio technica atm11/ (2) nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Greg Holtz and Tony Bolton
2:24:40
Rating:
10.00 / 1 rating
Taper:
Greg Holtz and Tony Bolton
Transferrer:
Greg Holtz
SHNID:
gd1984-10-06.aud.Holtz-Bolton.Nak100s.112860.flac16
Source:
Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC;
Lineage:
MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8
Taper: Greg Holtz
2:24:40
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1984-10-06.aud.Holtz.Nak100s.112831.flac2496
Source:
Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC;
Lineage:
MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
Taper: Da Weez
2:30:46
Rating:
9.50 / 4 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-10-06.109985.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Greg Holtz
2:27:06
Rating:
7.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
Greg Holtz and JAZ
SHNID:
gd1984-10-06.fob.nak100.holtz.jaz.92383.flac16
Source:
Nakamichi CM100s CP4caps, FOB-> D-6
Taper: Joe D'Amico
2:29:24
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1984-10-06.nak300.damico.91173.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Joe D'Amico
2:29:24
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1984-10-06.nak300.damico.87015.sbeok.flac16
Source:
nak 300 mics > sony d5
Lineage:
nak dragon tape deck into creative extigy sound card into pc -flac frontend
Taper Notes:
View Notesthis was the first dead show i recorded by myself and with my own equipment.
Taper: Tony Suraci
2:30:04
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-10-06.beyerm88.suraci.77750.flac16
Source:
FOB/Beyer M88's>Sony D5M(XLIIS)
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud. 2.0>16bit>Cdwav>flac
Taper Notes:
View Notes*thanks to Eugene D. for loaning me the mics. I also ran his D5 and had quite a few patchers this show. Notes: This is the 16 Bit version. 24 Bit is archived on DVDA. China Doll was recorded on side B of first set cassette, hence the cut at the beginning. Thanks!
Source 18 of 21
2:41:58
Lineage:
MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs
Taper Notes:
View NotesThis is a re-record of shnid 32898 Changes were the azimuth adjustment of the SD 4050 and the use of Audacity for noise reduction and normalization.
Source 19 of 21
2:44:30
Source 20 of 21
2:30:57
Rating:
8.27 / 22 ratings
SHNID:
gd84-10-06.nak.grace-cole.15573.sbeok.shnf
Source:
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
Taper Notes:
View NotesFOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
Source 21 of 21
2:31:44
Rating:
9.20 / 12 ratings
SHNID:
gd84-10-06.aud.unk.3160.sbeok.shnf
Taper Notes:
View NotesAUD?; no other info available