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Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h954136
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h59285
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.1k823
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k339
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.2k813
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.9k386
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.3k410
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k160
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k296
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2k236
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.3k177
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k176
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k232
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k304
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.3k615
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k191
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.8k378
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.8k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.7k656
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h81466
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.6k577
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k647
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.7k460
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k255
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.3k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.2k550
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h47056
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h30521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1984
7/22/84
Crowd/Tuning
1:19
Dancin' In The Streets
9:10
Bertha
6:55
My Brother Esau
5:18
Loser
7:56
Cassidy
6:25
Ramble On Rose
8:01
Hell In A Bucket
6:35
Keep Your Day Job
4:36
Crowd/Tuning
0:55
Samson and Delilah
7:55
Ship Of Fools
7:40
I Just Want To Make Love To You>
5:09
Man Smart, Woman Smarter
6:13
Terrapin Station>
12:51
Drums>
9:34
Space>
10:34
Morning Dew>
10:50
Throwin' Stones>
8:50
Not Fade Away
10:44
In The Midnight Hour
4:12
Brokedown Palace
5:38
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:34:30
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 2, 2021
SHNID:
gd1984-07-22.152323.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tape flip in Drums covered by a PCM Soundboard -- Thanks to Joani Walker and Paul Scotton for the tapes -- 152201 24 > 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:34:30
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 2, 2021
SHNID:
gd1984-07-22.152201.sbd.walker.scotton.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tape flip in Drums covered by a PCM Soundboard -- Thanks to Joani Walker and Paul Scotton for the tapes
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] March 3, 2021
2:40:05
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 3, 2021
SHNID:
gd1984-07-22.152001.sbd.pcm.miller.flac1644
Source:
SBD > PCM Master (Sony Betamax) > DAT (44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This transfer was emphasis decoded and the swapped channels were corrected -- Thanks to Rob Eaton for lending me his dats
Transferrer: Charlie Miller
2:39:56
SBD
Rating:
9.39 / 38 ratings
Transferrer:
Charlie Miller
SHNID:
gd84-07-22.pcm-sbd.miller.30650.sbeok.flacf
Source:
<b>flac16</b> SBD -> PCM -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller
Transferrer: Dan Gale
2:37:20
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Dan Gale
Source:
Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C)
Lineage:
Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
Taper Notes:
View NotesNotes: - Patches provided from Sbd > PCM > DAT > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC (SHN id#30650) Patches as follows: d2t04 (I Just Want To Make Love To You): 0:00-0:02 (cassette flip on master) d3t01 (Space): 5:38 - 6:19 (cassette flip on master) - All patches crossfaded in/out using SoundForge (v. 6.0) - Seamless transition between discs 2 and 3 - 48>44.1kHz resample done with SoundForge (v. 6.0) using high (4) interpolation accuracy and applying an anti-alias filter
Transferrer: DAT > CD> EAC> SHN (mkwACT) via Keith Bode
2:32:52
SBD
Rating:
8.89 / 9 ratings
Transferrer:
DAT > CD> EAC> SHN (mkwACT) via Keith Bode
SHNID:
gd84-07-22.sbd.bode.5959.sbeok.shnf
Source:
SBD> Cass Master> Dat
Taper Notes:
View NotesSBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode
Source 7 of 14
2:30:53
SBD
Rating:
8.80 / 15 ratings
SHNID:
gd84-07-22.sbd.cole.5896.sbeok.shnf
Source:
sbd> Cass Master> dats> wav> shn w/seek
Taper Notes:
View Notessbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat
Taper: Jim Vita
2:33:08
Rating:
8.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-22.166983.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Jim Vita
2:33:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-22.166982.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2023
Source 10 of 14
2:34:27
Rating:
10.00 / 2 ratings
SHNID:
gd1984-07-22.150532.mtx.seamons.ht122.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: There were several sections of dead air in the SBD between songs that were trimmed out to match the AUD cuts. Clicks removed in Space. A few other audio anomalies in the sources were reduced slightly. The low end is a little stronger in this recording than usual for an '80s recording, which seems to be a good thing. Da Weez's cassette brought some nice extra bass power that was not EQ'd or tampered with. Phil's a little hotter out of the gate for the first songs, but not overwhelming or distorted. The Morning Dew is one of Eric F. Wybenga's top 20. Chronologically, it's the best Dew since 5/8/77. Some say this show has the best Loser ever, including me.
Taper: Executive Crew Sean Murtha, John Hance
2:31:44
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-22.150382.beyerm88.holbrook.flac2448
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes+ first time played since 11-29-1966 # first time played since 12-31-1983 / tape paused between tunes to save tape /// tape swapped back to tape I
Taper: Executive Crew Sean Murtha, John Hance
2:31:44
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-22.150381.beyerm88.holbrook.flac1644
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes+ first time played since 11-29-1966 # first time played since 12-31-1983 / tape paused between tunes to save tape /// tape swapped back to tape I
Taper: DaWeez
2:33:33
Taper:
DaWeez
Transferrer:
D5scott
SHNID:
gd1984-07-22.108370.DaWeez.D5scott.flac16
Source:
2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesI have recently come into possession of some master analog cassettes recorded by a friend of mine, often referred to as "Da Weez". He was a weasel about taping shows and would almost always get a great spot up front to make some awesome recordings. Most of these recordings have not been touched in years so get ready, here's the 1st of many recordings from "Da Weasels Vault" !!! --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine who had nothing to do with this recording, but we sure do miss him! ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Greg Holtz and Tony Bolton
2:26:25
Rating:
8.40 / 6 ratings
Taper:
Greg Holtz and Tony Bolton
Transferrer:
Greg Holtz
SHNID:
gd1984-07-22.fob.nak300.holtz-bolton.102101.flac16
Source:
Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB
Lineage:
MAC > PC > CD > EAC > FLAC8
Taper Notes:
View NotesThe master analog cassette tapes of this show have pitch issues, and this fileset was derived from a A>D transfer we did quite a while back. It was likely a Harman Kardon tape deck plugged into the standard soundcard of a PC, editing and tracking using Soundforge, burned to CD using Adapted EZ-CD Creator, and then EAC>FLAC8 by me. Unless we figure out how to fix the pitch issues on the master, this is probably all we will get.