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June 5th
5 shows
26 tapes
Years
1995
27k
PlaybackListensHours
48h3k411
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69697
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.7k503
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k135
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.8k238
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.8k357
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k496
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k141
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k289
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h933104
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h2k234
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k202
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k196
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.8k222
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k272
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.4k623
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k192
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h16k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h84074
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.3k540
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.3k563
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k371
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.3k253
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.8k665
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k532
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h51765
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h15522
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h52740
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1984
7/22/84
Dancin' In The Street >
9:26
Bertha
6:50
My Brother Esau
5:07
Loser
7:46
Cassidy
6:02
Ramble On Rose
7:54
Hell In A Bucket >
6:27
Keep Your Day Job
4:32
Crowd/Tuning
0:56
Samson & Delilah
8:09
Ship Of Fools
7:34
I Just Want To Make Love To You >
5:02
Man Smart (Woman Smarter)
6:05
Terrapin Station >
13:02
Drums >
9:25
Space >
9:22
Morning Dew >
10:39
Throwing Stones >
8:45
Not Fade Away
10:33
E1: In The Midnight Hour >
4:10
E2: Brokedown Palace
5:22
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:34:30
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 2, 2021
SHNID:
gd1984-07-22.152323.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tape flip in Drums covered by a PCM Soundboard -- Thanks to Joani Walker and Paul Scotton for the tapes -- 152201 24 > 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:34:30
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 2, 2021
SHNID:
gd1984-07-22.152201.sbd.walker.scotton.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tape flip in Drums covered by a PCM Soundboard -- Thanks to Joani Walker and Paul Scotton for the tapes
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] March 3, 2021
2:40:05
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 3, 2021
SHNID:
gd1984-07-22.152001.sbd.pcm.miller.flac1644
Source:
SBD > PCM Master (Sony Betamax) > DAT (44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This transfer was emphasis decoded and the swapped channels were corrected -- Thanks to Rob Eaton for lending me his dats
Transferrer: Charlie Miller
2:39:56
SBD
Rating:
9.39 / 38 ratings
Transferrer:
Charlie Miller
SHNID:
gd84-07-22.pcm-sbd.miller.30650.sbeok.flacf
Source:
<b>flac16</b> SBD -> PCM -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller
Transferrer: Dan Gale
2:37:20
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Dan Gale
Source:
Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C)
Lineage:
Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
Taper Notes:
View NotesNotes: - Patches provided from Sbd > PCM > DAT > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC (SHN id#30650) Patches as follows: d2t04 (I Just Want To Make Love To You): 0:00-0:02 (cassette flip on master) d3t01 (Space): 5:38 - 6:19 (cassette flip on master) - All patches crossfaded in/out using SoundForge (v. 6.0) - Seamless transition between discs 2 and 3 - 48>44.1kHz resample done with SoundForge (v. 6.0) using high (4) interpolation accuracy and applying an anti-alias filter
Transferrer: DAT > CD> EAC> SHN (mkwACT) via Keith Bode
2:32:52
SBD
Rating:
8.89 / 9 ratings
Transferrer:
DAT > CD> EAC> SHN (mkwACT) via Keith Bode
SHNID:
gd84-07-22.sbd.bode.5959.sbeok.shnf
Source:
SBD> Cass Master> Dat
Taper Notes:
View NotesSBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode
Source 7 of 14
2:30:53
SBD
Rating:
8.80 / 15 ratings
SHNID:
gd84-07-22.sbd.cole.5896.sbeok.shnf
Source:
sbd> Cass Master> dats> wav> shn w/seek
Taper Notes:
View Notessbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat
Taper: Jim Vita
2:33:08
Rating:
8.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-22.166983.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Jim Vita
2:33:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-22.166982.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2023
Source 10 of 14
2:34:27
Rating:
10.00 / 2 ratings
SHNID:
gd1984-07-22.150532.mtx.seamons.ht122.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: There were several sections of dead air in the SBD between songs that were trimmed out to match the AUD cuts. Clicks removed in Space. A few other audio anomalies in the sources were reduced slightly. The low end is a little stronger in this recording than usual for an '80s recording, which seems to be a good thing. Da Weez's cassette brought some nice extra bass power that was not EQ'd or tampered with. Phil's a little hotter out of the gate for the first songs, but not overwhelming or distorted. The Morning Dew is one of Eric F. Wybenga's top 20. Chronologically, it's the best Dew since 5/8/77. Some say this show has the best Loser ever, including me.
Taper: Executive Crew Sean Murtha, John Hance
2:31:44
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-22.150382.beyerm88.holbrook.flac2448
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes+ first time played since 11-29-1966 # first time played since 12-31-1983 / tape paused between tunes to save tape /// tape swapped back to tape I
Taper: Executive Crew Sean Murtha, John Hance
2:31:44
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-22.150381.beyerm88.holbrook.flac1644
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes+ first time played since 11-29-1966 # first time played since 12-31-1983 / tape paused between tunes to save tape /// tape swapped back to tape I
Taper: DaWeez
2:33:33
Taper:
DaWeez
Transferrer:
D5scott
SHNID:
gd1984-07-22.108370.DaWeez.D5scott.flac16
Source:
2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesI have recently come into possession of some master analog cassettes recorded by a friend of mine, often referred to as "Da Weez". He was a weasel about taping shows and would almost always get a great spot up front to make some awesome recordings. Most of these recordings have not been touched in years so get ready, here's the 1st of many recordings from "Da Weasels Vault" !!! --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine who had nothing to do with this recording, but we sure do miss him! ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Greg Holtz and Tony Bolton
2:26:25
Rating:
8.40 / 6 ratings
Taper:
Greg Holtz and Tony Bolton
Transferrer:
Greg Holtz
SHNID:
gd1984-07-22.fob.nak300.holtz-bolton.102101.flac16
Source:
Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB
Lineage:
MAC > PC > CD > EAC > FLAC8
Taper Notes:
View NotesThe master analog cassette tapes of this show have pitch issues, and this fileset was derived from a A>D transfer we did quite a while back. It was likely a Harman Kardon tape deck plugged into the standard soundcard of a PC, editing and tracking using Soundforge, burned to CD using Adapted EZ-CD Creator, and then EAC>FLAC8 by me. Unless we figure out how to fix the pitch issues on the master, this is probably all we will get.