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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1984
7/22/84
tuning
0:53
Dancin' In The Streets >
8:54
Bertha
6:23
My Brother Esau
5:21
Loser
7:01
Cassidy
6:26
Ramble On Rose
8:05
Hell In A Bucket >
6:16
Day Job
4:35
tuning
1:49
Samson & Delilah
7:40
Ship of Fools/
7:30
I Just Want To Make Love To You >
5:01
Women Are Smarter >
5:46
Terrapin Station >
12:20
Drums >
9:53
Space >
9:06
Morning Dew >
10:24
Throwing Stones >
8:18
Not Fade Away
9:41
encore break
0:58
Midnight Hour >
4:04
Brokedown Palace
5:20
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:34:30
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 2, 2021
SHNID:
gd1984-07-22.152323.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tape flip in Drums covered by a PCM Soundboard -- Thanks to Joani Walker and Paul Scotton for the tapes -- 152201 24 > 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:34:30
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 2, 2021
SHNID:
gd1984-07-22.152201.sbd.walker.scotton.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Tape flip in Drums covered by a PCM Soundboard -- Thanks to Joani Walker and Paul Scotton for the tapes
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] March 3, 2021
2:40:05
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 3, 2021
SHNID:
gd1984-07-22.152001.sbd.pcm.miller.flac1644
Source:
SBD > PCM Master (Sony Betamax) > DAT (44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This transfer was emphasis decoded and the swapped channels were corrected -- Thanks to Rob Eaton for lending me his dats
Transferrer: Charlie Miller
2:39:56
SBD
Rating:
9.39 / 38 ratings
Transferrer:
Charlie Miller
SHNID:
gd84-07-22.pcm-sbd.miller.30650.sbeok.flacf
Source:
<b>flac16</b> SBD -> PCM -> Dat
Taper Notes:
View Notes<b>flac16</b>; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller
Transferrer: Dan Gale
2:37:20
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Dan Gale
Source:
Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C)
Lineage:
Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
Taper Notes:
View NotesNotes: - Patches provided from Sbd > PCM > DAT > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC (SHN id#30650) Patches as follows: d2t04 (I Just Want To Make Love To You): 0:00-0:02 (cassette flip on master) d3t01 (Space): 5:38 - 6:19 (cassette flip on master) - All patches crossfaded in/out using SoundForge (v. 6.0) - Seamless transition between discs 2 and 3 - 48>44.1kHz resample done with SoundForge (v. 6.0) using high (4) interpolation accuracy and applying an anti-alias filter
Transferrer: DAT > CD> EAC> SHN (mkwACT) via Keith Bode
2:32:52
SBD
Rating:
8.89 / 9 ratings
Transferrer:
DAT > CD> EAC> SHN (mkwACT) via Keith Bode
SHNID:
gd84-07-22.sbd.bode.5959.sbeok.shnf
Source:
SBD> Cass Master> Dat
Taper Notes:
View NotesSBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode
Source 7 of 14
2:30:53
SBD
Rating:
8.80 / 15 ratings
SHNID:
gd84-07-22.sbd.cole.5896.sbeok.shnf
Source:
sbd> Cass Master> dats> wav> shn w/seek
Taper Notes:
View Notessbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat
Taper: Jim Vita
2:33:08
Rating:
8.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-22.166983.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Jim Vita
2:33:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-22.166982.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to d5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston March 2023
Source 10 of 14
2:34:27
Rating:
10.00 / 2 ratings
SHNID:
gd1984-07-22.150532.mtx.seamons.ht122.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: There were several sections of dead air in the SBD between songs that were trimmed out to match the AUD cuts. Clicks removed in Space. A few other audio anomalies in the sources were reduced slightly. The low end is a little stronger in this recording than usual for an '80s recording, which seems to be a good thing. Da Weez's cassette brought some nice extra bass power that was not EQ'd or tampered with. Phil's a little hotter out of the gate for the first songs, but not overwhelming or distorted. The Morning Dew is one of Eric F. Wybenga's top 20. Chronologically, it's the best Dew since 5/8/77. Some say this show has the best Loser ever, including me.
Taper: Executive Crew Sean Murtha, John Hance
2:31:44
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-22.150382.beyerm88.holbrook.flac2448
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes+ first time played since 11-29-1966 # first time played since 12-31-1983 / tape paused between tunes to save tape /// tape swapped back to tape I
Taper: Executive Crew Sean Murtha, John Hance
2:31:44
Rating:
10.00 / 1 rating
Taper:
Executive Crew Sean Murtha, John Hance
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-22.150381.beyerm88.holbrook.flac1644
Source:
MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC
Lineage:
Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8
Taper Notes:
View Notes+ first time played since 11-29-1966 # first time played since 12-31-1983 / tape paused between tunes to save tape /// tape swapped back to tape I
Taper: DaWeez
2:33:33
Taper:
DaWeez
Transferrer:
D5scott
SHNID:
gd1984-07-22.108370.DaWeez.D5scott.flac16
Source:
2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesI have recently come into possession of some master analog cassettes recorded by a friend of mine, often referred to as "Da Weez". He was a weasel about taping shows and would almost always get a great spot up front to make some awesome recordings. Most of these recordings have not been touched in years so get ready, here's the 1st of many recordings from "Da Weasels Vault" !!! --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine who had nothing to do with this recording, but we sure do miss him! ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Greg Holtz and Tony Bolton
2:26:25
Rating:
8.40 / 6 ratings
Taper:
Greg Holtz and Tony Bolton
Transferrer:
Greg Holtz
SHNID:
gd1984-07-22.fob.nak300.holtz-bolton.102101.flac16
Source:
Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB
Lineage:
MAC > PC > CD > EAC > FLAC8
Taper Notes:
View NotesThe master analog cassette tapes of this show have pitch issues, and this fileset was derived from a A>D transfer we did quite a while back. It was likely a Harman Kardon tape deck plugged into the standard soundcard of a PC, editing and tracking using Soundforge, burned to CD using Adapted EZ-CD Creator, and then EAC>FLAC8 by me. Unless we figure out how to fix the pitch issues on the master, this is probably all we will get.