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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1984
7/4/84
Feel Like A Stranger
8:36
Friend Of The Devil ->
8:26
C.C. Rider
8:02
Cumberland Blues ->
6:14
Beat It On Down The Line
3:31
Row Jimmy
10:50
Hell In A Bucket ->
7:03
Don't Ease Me In
3:30
tuning
1:28
Help On The Way ->
3:48
Slipknot! ->
6:08
Franklin's Tower ->
9:49
Far From Me ->
4:33
Estimated Prophet ->
13:03
He's Gone ->
13:43
Drums ->
9:15
Space ->
8:12
Truckin' ->
7:20
Wharf Rat ->
9:13
Around & Around ->
3:43
Good Lovin'
7:43
encore break
1:47
U.S. Blues
6:28
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:29
SBD
Rating:
9.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-04.sbd.miller.93858.sbeok.flac16
Source:
SBD -> Master Cassette
Lineage:
Master Cassette -> Cassette -> Dat (48k) -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesPatch Info: Sennheiser 421 -> Master Cassette -> Dat -> CD (shnid=14194) supplies: Far From Me (0:00 - 0:15) Space (4:39 - 7:22) Notes: -- Set 2 is seamless -- This is a remastering of my previous seed (shnid=27761) -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:45:28
SBD
Rating:
2.00 / 1 rating
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1984-07-04.158014.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-SEP-2022 - Trader Little Helper - Tagged 07-SEP-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Tony Suraci; Eugene D'alessandro
2:44:30
SBD
Rating:
8.00 / 5 ratings
Taper:
Tony Suraci; Eugene D'alessandro
Transferrer:
Tony Suraci
SHNID:
gd1984-07-04.nak304.suraci.dalessandro.78958.sbeok.flac16
Source:
Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet
Lineage:
Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac
Taper Notes:
View Notes#tape flip after Estimated and Drums.
Transferrer: Jay Ashley
2:46:02
SBDREMASTER
Rating:
10.00 / 4 ratings
Transferrer:
Jay Ashley
SHNID:
gd1984-07-04.sbd.miller.bertha.27862.sbeok.shnf
Source:
Bertha Remaster of the Master Cassette/Cassette source
Lineage:
SBD>>MC>>CASS>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on January 19, 2005. Completion Time:14.74h. There is a slight tape fhutter in the original source that did not get noted in the original text file. There was obviously tape machine problems as the flutter and tape speed issues can be heard throughout the show. -3db pure sample noise reduction was used prior to the Bertha process to make the tape hiss a bit less noticeable. Enjoy!
Source 5 of 16
2:45:58
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd84-07-04.sbd.miller.27761.sbeok.shnf
Source:
SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass
Lineage:
Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
Taper Notes:
View NotesSBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163414.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163413.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:42:25
Rating:
8.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.141153.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!) - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:42:25
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.140014.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!)
Taper: RB
2:23:08
Taper:
RB
Transferrer:
RB
SHNID:
gd1984-07-04.176545.AKG.460B.rb.flac24912
Source:
Mics: AKG 460B w/ ck1 capsules *HOMEMADE 48V phantom power (ADD TO ALL THESE PCM SHOWS)* Recorder: Sony PCM-F1 Digital Audio Processor w/Sony SL2000 Beta video recorder 2 channel digital recorder Master Sony L-750 Beta Tape played back on SAME GEAR (not exact machines/calibrated) analog out > Naim NAC 52 Preamplifier > Recorded to Nagra 7 (24b 192khz) Location: Left side 1st row overhang Sony Sound Forge just to track.
Taper Notes:
View NotesJuly 4th 1984. One of my favorite days of the year. Always live music on this day right? :) Not a fan of this place. I got close up left side in the balcony. You were kissing the PA there. Of course I would never do that today! Its a bit mono, boxy sounding but its all there and dynamics. This concludes the 5 PCM Dead shows archived. Have fun..RB
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:45:29
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1984-07-04.158020.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-SEP-2022 - Trader Little Helper - Tagged 07-SEP-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Executive Crew - Tom Pinney, Sean Murtha
2:46:29
Taper:
Executive Crew - Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-04.150315.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes& Brent scat sings at 4:07 + two cuts as decks flipped in front of this one //* quick cut in middle as tape flips, maybe missed 7 seconds ++ cut at end as decks flipped in front of this one
Taper: Executive Crew - Tom Pinney, Sean Murtha
2:46:31
Taper:
Executive Crew - Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-04.150314.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes& Brent scat sings at 4:07 + two cuts as decks flipped in front of this one //* quick cut in middle as tape flips, maybe missed 7 seconds ++ cut at end as decks flipped in front of this one
Taper: Da Weez
2:40:16
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-07-04.109942.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes** Tape flip patch source: Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet ----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Ted Carpenter
2:43:25
Rating:
7.00 / 2 ratings
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1984-07-04.senn421.carpenter.andrewf.87341.sbeok.flac16
Source:
Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB
Lineage:
MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - ShnID-14194 provides several patches, as follows... - Feel Like a Stranger (all of it), 0:00 > 8:37. - Friend of the Devil, 0:00 > 0:11. - Row Jimmy, 9:23 > 9:50, and 10:27 > 11:01. - Bucket, 0:00 > 0:03. - Don't Ease Me In (all of it), 0:00 > 3:28. - He's Gone, 6:10 > 6:18, and 8:28 > 8:31. - Around & Around, 3:16 > 3:54. - Good Lovin' (all of it), 0:00 > 7:38. - U.S. Blues (all of it), 0:00 > 5:07. - Second set disc break is seamless. - Soundforge used to adjust levels, make fades, and add patches. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 16 of 16
2:41:33
Rating:
9.06 / 17 ratings
SHNID:
gd84-07-04.senn421.braverman.14194.sbeok.shnf
Source:
AUD: MC (Sennheiser 421)> DAT> CD> SHN
Taper Notes:
View NotesAUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman