Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h56576
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1k136
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k434
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.5k459
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.8k729
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.8k623
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k346
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k123
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.5k389
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h958107
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k198
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.5k415
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k172
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k146
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k248
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.6k423
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k214
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k257
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.6k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.3k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22224
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k475
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h7.5k1.1k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.1k267
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k170
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k167
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h45559
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11315
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h43028
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h252
7d1368
30d63237
2 shows
2 tapes
1984
Sources
Transferrer: Charlie Miller
2:41:29
SBD
Rating:
9.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-04.sbd.miller.93858.sbeok.flac16
Source:
SBD -> Master Cassette
Lineage:
Master Cassette -> Cassette -> Dat (48k) -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesPatch Info: Sennheiser 421 -> Master Cassette -> Dat -> CD (shnid=14194) supplies: Far From Me (0:00 - 0:15) Space (4:39 - 7:22) Notes: -- Set 2 is seamless -- This is a remastering of my previous seed (shnid=27761) -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:45:28
SBD
Rating:
2.00 / 1 rating
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1984-07-04.158014.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-SEP-2022 - Trader Little Helper - Tagged 07-SEP-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Tony Suraci; Eugene D'alessandro
2:44:30
SBD
Rating:
8.00 / 5 ratings
Taper:
Tony Suraci; Eugene D'alessandro
Transferrer:
Tony Suraci
SHNID:
gd1984-07-04.nak304.suraci.dalessandro.78958.sbeok.flac16
Source:
Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet
Lineage:
Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac
Taper Notes:
View Notes#tape flip after Estimated and Drums.
Transferrer: Jay Ashley
2:46:02
SBDREMASTER
Rating:
10.00 / 4 ratings
Transferrer:
Jay Ashley
SHNID:
gd1984-07-04.sbd.miller.bertha.27862.sbeok.shnf
Source:
Bertha Remaster of the Master Cassette/Cassette source
Lineage:
SBD>>MC>>CASS>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on January 19, 2005. Completion Time:14.74h. There is a slight tape fhutter in the original source that did not get noted in the original text file. There was obviously tape machine problems as the flutter and tape speed issues can be heard throughout the show. -3db pure sample noise reduction was used prior to the Bertha process to make the tape hiss a bit less noticeable. Enjoy!
Source 5 of 16
2:45:58
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd84-07-04.sbd.miller.27761.sbeok.shnf
Source:
SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass
Lineage:
Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
Taper Notes:
View NotesSBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163414.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163413.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:42:25
Rating:
8.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.141153.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!) - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:42:25
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.140014.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!)
Taper: RB
2:23:08
Taper:
RB
Transferrer:
RB
SHNID:
gd1984-07-04.176545.AKG.460B.rb.flac24912
Source:
Mics: AKG 460B w/ ck1 capsules *HOMEMADE 48V phantom power (ADD TO ALL THESE PCM SHOWS)* Recorder: Sony PCM-F1 Digital Audio Processor w/Sony SL2000 Beta video recorder 2 channel digital recorder Master Sony L-750 Beta Tape played back on SAME GEAR (not exact machines/calibrated) analog out > Naim NAC 52 Preamplifier > Recorded to Nagra 7 (24b 192khz) Location: Left side 1st row overhang Sony Sound Forge just to track.
Taper Notes:
View NotesJuly 4th 1984. One of my favorite days of the year. Always live music on this day right? :) Not a fan of this place. I got close up left side in the balcony. You were kissing the PA there. Of course I would never do that today! Its a bit mono, boxy sounding but its all there and dynamics. This concludes the 5 PCM Dead shows archived. Have fun..RB
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:45:29
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1984-07-04.158020.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-SEP-2022 - Trader Little Helper - Tagged 07-SEP-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Executive Crew - Tom Pinney, Sean Murtha
2:46:29
Taper:
Executive Crew - Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-04.150315.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes& Brent scat sings at 4:07 + two cuts as decks flipped in front of this one //* quick cut in middle as tape flips, maybe missed 7 seconds ++ cut at end as decks flipped in front of this one
Taper: Executive Crew - Tom Pinney, Sean Murtha
2:46:31
Taper:
Executive Crew - Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-04.150314.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes& Brent scat sings at 4:07 + two cuts as decks flipped in front of this one //* quick cut in middle as tape flips, maybe missed 7 seconds ++ cut at end as decks flipped in front of this one
Taper: Da Weez
2:40:16
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-07-04.109942.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes** Tape flip patch source: Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet ----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Ted Carpenter
2:43:25
Rating:
7.00 / 2 ratings
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1984-07-04.senn421.carpenter.andrewf.87341.sbeok.flac16
Source:
Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB
Lineage:
MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - ShnID-14194 provides several patches, as follows... - Feel Like a Stranger (all of it), 0:00 > 8:37. - Friend of the Devil, 0:00 > 0:11. - Row Jimmy, 9:23 > 9:50, and 10:27 > 11:01. - Bucket, 0:00 > 0:03. - Don't Ease Me In (all of it), 0:00 > 3:28. - He's Gone, 6:10 > 6:18, and 8:28 > 8:31. - Around & Around, 3:16 > 3:54. - Good Lovin' (all of it), 0:00 > 7:38. - U.S. Blues (all of it), 0:00 > 5:07. - Second set disc break is seamless. - Soundforge used to adjust levels, make fades, and add patches. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 16 of 16
2:41:33
Rating:
9.06 / 17 ratings
SHNID:
gd84-07-04.senn421.braverman.14194.sbeok.shnf
Source:
AUD: MC (Sennheiser 421)> DAT> CD> SHN
Taper Notes:
View NotesAUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman