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June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h60481
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k230
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.7k338
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.9k247
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k435
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.3k290
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k128
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k203
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h70479
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k170
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h4k472
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.1k154
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k135
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.6k196
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.4k386
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k210
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k240
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.6k2.5k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8.5k1.2k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37140
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.2k698
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h7.7k1k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.1k266
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k187
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.3k204
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h856112
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12918
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33920
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h604
7d1076
30d59434
2 shows
2 tapes
1984
7/4/84
Feel Like A Stranger
9:57
Friend of the Devil ->
8:49
C C Rider
10:06
Cumberland Blues ->
6:24
Beat It On Down The Line
3:38
Row Jimmy
11:30
Hell In A Bucket ->
7:17
Don't Ease Me In
3:27
Help On The Way ->
4:09
Slipknot! ->
6:17
Franklin's Tower ->
10:03
Far From Me
5:03
Estimated Prophet ->
12:57
He's Gone ->
12:21
Other One Jam ->
1:28
Drums ->
9:46
Space ->
8:21
Truckin' ->
7:30
Wharf Rat ->
9:26
Around And Around ->
3:47
Good Lovin'
7:41
Crowd/Tuning
1:12
U.S. Blues
4:49
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:29
SBD
Rating:
9.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-07-04.sbd.miller.93858.sbeok.flac16
Source:
SBD -> Master Cassette
Lineage:
Master Cassette -> Cassette -> Dat (48k) -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesPatch Info: Sennheiser 421 -> Master Cassette -> Dat -> CD (shnid=14194) supplies: Far From Me (0:00 - 0:15) Space (4:39 - 7:22) Notes: -- Set 2 is seamless -- This is a remastering of my previous seed (shnid=27761) -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:45:28
SBD
Rating:
2.00 / 1 rating
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1984-07-04.158014.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-SEP-2022 - Trader Little Helper - Tagged 07-SEP-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Tony Suraci; Eugene D'alessandro
2:44:30
SBD
Rating:
8.00 / 5 ratings
Taper:
Tony Suraci; Eugene D'alessandro
Transferrer:
Tony Suraci
SHNID:
gd1984-07-04.nak304.suraci.dalessandro.78958.sbeok.flac16
Source:
Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet
Lineage:
Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac
Taper Notes:
View Notes#tape flip after Estimated and Drums.
Transferrer: Jay Ashley
2:46:02
SBDREMASTER
Rating:
10.00 / 4 ratings
Transferrer:
Jay Ashley
SHNID:
gd1984-07-04.sbd.miller.bertha.27862.sbeok.shnf
Source:
Bertha Remaster of the Master Cassette/Cassette source
Lineage:
SBD>>MC>>CASS>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on January 19, 2005. Completion Time:14.74h. There is a slight tape fhutter in the original source that did not get noted in the original text file. There was obviously tape machine problems as the flutter and tape speed issues can be heard throughout the show. -3db pure sample noise reduction was used prior to the Bertha process to make the tape hiss a bit less noticeable. Enjoy!
Source 5 of 16
2:45:58
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd84-07-04.sbd.miller.27761.sbeok.shnf
Source:
SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass
Lineage:
Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
Taper Notes:
View NotesSBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163414.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163413.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:42:25
Rating:
8.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.141153.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!) - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:42:25
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.140014.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!)
Taper: RB
2:23:08
Taper:
RB
Transferrer:
RB
SHNID:
gd1984-07-04.176545.AKG.460B.rb.flac24912
Source:
Mics: AKG 460B w/ ck1 capsules *HOMEMADE 48V phantom power (ADD TO ALL THESE PCM SHOWS)* Recorder: Sony PCM-F1 Digital Audio Processor w/Sony SL2000 Beta video recorder 2 channel digital recorder Master Sony L-750 Beta Tape played back on SAME GEAR (not exact machines/calibrated) analog out > Naim NAC 52 Preamplifier > Recorded to Nagra 7 (24b 192khz) Location: Left side 1st row overhang Sony Sound Forge just to track.
Taper Notes:
View NotesJuly 4th 1984. One of my favorite days of the year. Always live music on this day right? :) Not a fan of this place. I got close up left side in the balcony. You were kissing the PA there. Of course I would never do that today! Its a bit mono, boxy sounding but its all there and dynamics. This concludes the 5 PCM Dead shows archived. Have fun..RB
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:45:29
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1984-07-04.158020.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-SEP-2022 - Trader Little Helper - Tagged 07-SEP-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Executive Crew - Tom Pinney, Sean Murtha
2:46:29
Taper:
Executive Crew - Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-04.150315.beyerm88.holbrook.flac2448
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes& Brent scat sings at 4:07 + two cuts as decks flipped in front of this one //* quick cut in middle as tape flips, maybe missed 7 seconds ++ cut at end as decks flipped in front of this one
Taper: Executive Crew - Tom Pinney, Sean Murtha
2:46:31
Taper:
Executive Crew - Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1984-07-04.150314.beyerm88.holbrook.flac1644
Source:
MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up
Lineage:
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Taper Notes:
View Notes& Brent scat sings at 4:07 + two cuts as decks flipped in front of this one //* quick cut in middle as tape flips, maybe missed 7 seconds ++ cut at end as decks flipped in front of this one
Taper: Da Weez
2:40:16
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-07-04.109942.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes** Tape flip patch source: Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet ----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Ted Carpenter
2:43:25
Rating:
7.00 / 2 ratings
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1984-07-04.senn421.carpenter.andrewf.87341.sbeok.flac16
Source:
Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB
Lineage:
MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - ShnID-14194 provides several patches, as follows... - Feel Like a Stranger (all of it), 0:00 > 8:37. - Friend of the Devil, 0:00 > 0:11. - Row Jimmy, 9:23 > 9:50, and 10:27 > 11:01. - Bucket, 0:00 > 0:03. - Don't Ease Me In (all of it), 0:00 > 3:28. - He's Gone, 6:10 > 6:18, and 8:28 > 8:31. - Around & Around, 3:16 > 3:54. - Good Lovin' (all of it), 0:00 > 7:38. - U.S. Blues (all of it), 0:00 > 5:07. - Second set disc break is seamless. - Soundforge used to adjust levels, make fades, and add patches. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 16 of 16
2:41:33
Rating:
9.06 / 17 ratings
SHNID:
gd84-07-04.senn421.braverman.14194.sbeok.shnf
Source:
AUD: MC (Sennheiser 421)> DAT> CD> SHN
Taper Notes:
View NotesAUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman