Beat It On Down The Line | 1984-07-04 | Grateful Dead

View NotesPatch Info:
Sennheiser 421 -> Master Cassette -> Dat -> CD (shnid=14194) supplies:
Far From Me (0:00 - 0:15)
Space (4:39 - 7:22)

Notes:
-- Set 2 is seamless
-- This is a remastering of my previous seed (shnid=27761)
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:45:28

SBD

Rating:

2.00 / 1 rating

Transferrer:

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

SHNID:

gd1984-07-04.158014.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 07-SEP-2022 - Trader Little Helper
- Tagged 07-SEP-2022 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Tony Suraci; Eugene D'alessandro

Tony Suraci; Eugene D'alessandro

Transferrer:

Tony Suraci

SHNID:

gd1984-07-04.nak304.suraci.dalessandro.78958.sbeok.flac16

Source:

Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet

Lineage:

Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac

Taper Notes:

View Notes#tape flip after Estimated and Drums.

Transferrer: Jay Ashley

gd1984-07-04.sbd.miller.bertha.27862.sbeok.shnf

Source:

Bertha Remaster of the Master Cassette/Cassette source

Lineage:

SBD>>MC>>CASS>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN

Taper Notes:

View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected].  Completed on January 19, 2005. Completion Time:14.74h.

There is a slight tape fhutter in the original source that did not get noted in the original text file. There was obviously tape machine problems as the flutter and tape speed issues can be heard throughout the show.

-3db pure sample noise reduction was used prior to the Bertha process to make the tape hiss a bit less noticeable.

Enjoy!

Source 5 of 16

gd84-07-04.sbd.miller.27761.sbeok.shnf

Source:

SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass

Lineage:

Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley

Taper Notes:

View NotesSBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley

Taper: Stephen Thomas

Scott Clugston, Charlie Miller

SHNID:

gd1984-07-04.163414.nak304.thomas.miller.clugston.flac2496

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition
- Other One tease before "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2022

Taper: Stephen Thomas

Scott Clugston, Charlie Miller

SHNID:

gd1984-07-04.163413.nak304.thomas.miller.clugston.flac1648

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition
- Other One tease before "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2022

Taper: Robert Bryant patched out of Oade Brothers

Robert Bryant patched out of Oade Brothers

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1984-07-04.141153.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644

Source:

Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info:
- source #14194 (Sennheiser 421> MAC)
- s1t05; 3:20 - end
- s1t06; start - 0:06
- s2t07; 7:09 - 7:46 
- s2t12; 3:37 - end
- s2t13; start - 0:08

Notes:
- tape pauses cross faded
- pitch corrected
- Happiness is a drummers choice
- Bob dedicates the second set to the memory of Paul.
- Phil dedicates "He's Gone" to Paul, "a Rainbow Bud".
- behold the Slipknot!(!)
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

2:42:25

Taper:

Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1984-07-04.140014.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496

Source:

Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD

Lineage:

Taper Notes:

View NotesPatch info:
- source #14194 (Sennheiser 421> MAC)
- s1t05; 3:20 - end
- s1t06; start - 0:06
- s2t07; 7:09 - 7:46 
- s2t12; 3:37 - end
- s2t13; start - 0:08

Notes:
- tape pauses cross faded
- pitch corrected
- Happiness is a drummers choice
- Bob dedicates the second set to the memory of Paul.
- Phil dedicates "He's Gone" to Paul, "a Rainbow Bud".
- behold the Slipknot!(!)

Taper: RB

gd1984-07-04.176545.AKG.460B.rb.flac24912

Source:

Mics: AKG 460B w/ ck1 capsules *HOMEMADE 48V phantom power (ADD TO ALL THESE PCM SHOWS)* Recorder: Sony PCM-F1 Digital Audio Processor w/Sony SL2000 Beta video recorder 2 channel digital recorder Master Sony L-750 Beta Tape played back on SAME GEAR (not exact machines/calibrated) analog out > Naim NAC 52 Preamplifier > Recorded to Nagra 7 (24b 192khz) Location: Left side 1st row overhang Sony Sound Forge just to track.

Taper Notes:

View NotesJuly 4th 1984. One of my favorite days of the year. Always live music on this day right? :) Not a fan of this place. I got close up left side in the balcony. You were kissing the PA there. Of course I would never do that today! Its a bit mono, boxy sounding but its all there and dynamics. This concludes the 5 PCM Dead shows archived. Have fun..RB

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:45:29

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1984-07-04.158020.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 07-SEP-2022 - Trader Little Helper
- Tagged 07-SEP-2022 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Executive Crew - Tom Pinney, Sean Murtha

2:46:29

Taper:

Executive Crew - Tom Pinney, Sean Murtha

Transferrer:

Kyle Holbrook

SHNID:

gd1984-07-04.150315.beyerm88.holbrook.flac2448

Source:

MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up

Lineage:

Transfer: Nakamichi LX5 > Marantz PMD661|SD

Taper Notes:

View Notes&   Brent scat sings at 4:07
+   two cuts as decks flipped in front of this one
//* quick cut in middle as tape flips, maybe missed 7 seconds
++  cut at end as decks flipped in front of this one

Taper: Executive Crew - Tom Pinney, Sean Murtha

2:46:31

Taper:

Executive Crew - Tom Pinney, Sean Murtha

Transferrer:

Kyle Holbrook

SHNID:

gd1984-07-04.150314.beyerm88.holbrook.flac1644

Source:

MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up

Lineage:

Transfer: Nakamichi LX5 > Marantz PMD661|SD

Taper Notes:

View Notes&   Brent scat sings at 4:07
+   two cuts as decks flipped in front of this one
//* quick cut in middle as tape flips, maybe missed 7 seconds
++  cut at end as decks flipped in front of this one

Taper: Da Weez

gd1984-07-04.109942.beyer-senn-daweez.D5scott.flac16

Source:

source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes** Tape flip patch source: Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet
-----------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
-----------------------------------------------------------------------------------------------------------------------------------------------------------------

Taper: Ted Carpenter

gd1984-07-04.senn421.carpenter.andrewf.87341.sbeok.flac16

Source:

Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB

Lineage:

MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNotes:
- ShnID-14194 provides several patches, as follows...
- Feel Like a Stranger (all of it), 0:00 > 8:37.
- Friend of the Devil, 0:00 > 0:11.
- Row Jimmy, 9:23 > 9:50, and 10:27 > 11:01.
- Bucket, 0:00 > 0:03.
- Don't Ease Me In (all of it), 0:00 > 3:28.
- He's Gone, 6:10 > 6:18, and 8:28 > 8:31.
- Around & Around, 3:16 > 3:54.  
- Good Lovin' (all of it), 0:00 > 7:38.
- U.S. Blues (all of it), 0:00 > 5:07.
- Second set disc break is seamless.
- Soundforge used to adjust levels, make fades, and add patches.
- TLH used for SBE-OK, FLAC compression, and checksums.

Source 16 of 16

gd84-07-04.senn421.braverman.14194.sbeok.shnf

Source:

AUD: MC (Sennheiser 421)> DAT> CD> SHN

Taper Notes:

View NotesAUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman