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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1984
6/23/84
Alabama Getaway
4:57
Promised Land
4:36
Peggy-O
7:25
Little Red Rooster
9:26
Brown Eyed Women
6:21
My Brother Esau
5:04
Big Railroad Blues
6:21
Music Never Stopped
9:20
Don't Ease Me In
3:03
Touch Of Grey
7:47
Estimated Prophet
10:35
Eyes Of The World
11:35
Drums
8:46
Space
8:25
Truckin
10:29
Black Peter
8:49
Around & Around ->
3:55
Going Down The Road Feelin' Bad
6:37
One More Saturday Night
4:27
Day Job
4:28
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:30:26
SBD
Rating:
6.00 / 2 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-06-23.140159.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Reel to Reel -> Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Reels used for MSC -> Reel transfer were recorded on previously. During the transfer, presumably a dirty and/or mis-aligned erase head allowed the previously recorded material to bleed through in the right channel. During quieter passages, the previously recorded material could be heard in the right channel. - 1st set is mono, it came from Rob that way, probably because the right channel bleed through issue was more severe - There are some level fluctuations throughout the 1st set, most notably during "Alabama Getaway" and the beginnings of "Peggy O" and "Big Railroad Blues" - 2nd set is stereo, however, during the quieter moments, the bleed through of the previously recorded material could be heard in the right channel. Because of this, the between song tunings, the drums and space segment, as well as the encore break are in mono. Some bleed through can be heard at various parts depending on the loudness of both the pre-recorded material and the show itself. - Noodle into Truckin' included in "Truckin" - Top handful of best Black Peter's, imo, a.k.a. "The Harrisburg Black Peter" tm Joe Noel - Far from perfect, but don't be deterred, it's listenable - especially the 2nd set. And so far, it's the best we've got Mastered by Scott Clugston 12/7/2017
Taper: Rob Eaton
2:29:55
Taper:
Rob Eaton
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-23.167000.neumann.u87.akg414.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2023 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the Sennheiser 441 source which supplies some crowd/tuning into "Big Railroad Blues", as well as a 0:39 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Rob Eaton
2:29:55
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-23.166999.neumann.u87.akg414.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2023 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the Sennheiser 441 source which supplies some crowd/tuning into "Big Railroad Blues", as well as a 0:39 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Jim Vita
2:24:53
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-23.164771.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dan McSheffrey and the folks responsible for the Neumann U84 source which supplies an 0:08 patch in the "The Music Never Stopped > Don't Ease Me In" transition (0:08 total), as well as a 0:09 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Jim Vita
2:24:53
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-23.164770.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dan McSheffrey and the folks responsible for the Neumann U84 source which supplies an 0:08 patch in the "The Music Never Stopped > Don't Ease Me In" transition (0:08 total), as well as a 0:09 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Ray Ackerman
2:24:15
Rating:
8.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-23.141597.FOB.Senn441.Ackerman.Miller.Noel.t-flac1644
Source:
Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
Taper Notes:
View NotesPatch info: - source 14951 (Sennheiser 441) supplies - s2t05 - 6:26 - 6:50 & 7:24 - 8:31 Notes: - tape pauses & flip (s1) cross faded - tape flip (s2) patched - four of a kind beats a pair, every time. - This is the Harrisburg Black Peter
Taper: Dan McSheffrey, Rich Gastwirt
2:22:51
Taper:
Dan McSheffrey, Rich Gastwirt
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-23.139571.FOB.Neumann.McSheffrey.Gastwirt.Miller.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source 14951 (senn 441) supplies - s1t08 - last 02 seconds - s1t09 - first 15 seconds - s2t02 - 5:54 - 6:15 - s2t05 - 6:41 - 6:49 & 8:15 - 9:25 Notes: - tape pauses cross faded - This is the Harrisburg Black Peter
Taper: david barfield + david lane
2:22:26
Taper:
david barfield + david lane
Transferrer:
david barfield
SHNID:
gd1984-06-23.140516.nak300.flac2496
Source:
source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
Taper: Doug Lamarre
2:19:51
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-06-23.138874.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Doug Lamarre
2:19:51
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-06-23.138873.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: chasingwilma
2:24:06
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-06-23.124088.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:26:13
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-06-23.109812.beyer-senn-daweez.D5scott.flac16
Source:
Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Source 13 of 17
2:25:14
SHNID:
gd1984-06-23.beyerm201.holbrook.burke.81548.flac24
Source:
Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby)
Lineage:
Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > CD Wave > Flac Frontend, Level 6
Taper: Kyle Holbrook
2:25:14
Rating:
8.00 / 1 rating
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-23.beyerm201.holbrook.burke.81280.sbeok.flac16
Source:
Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby)
Lineage:
Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > Wavelab 5.01b (resample, dither - MegaBitMax (Medium Noise Shaping, Normal Dither Amount)) > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Don't Ease Me In and during Space
Source 15 of 17
2:24:36
SHNID:
gd84-06-23.aud.cohen.minches.18226.sbeok.shnf
Source:
Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
Taper Notes:
View NotesNak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
Source 16 of 17
2:29:00
Rating:
6.46 / 14 ratings
SHNID:
gd84-06-23.senn.miller.14951.sbeok.shnf
Source:
Recording Info:(FOB) Senn 441 -> PCM -> Dat
Taper Notes:
View NotesRecording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
Transferrer: CDR > EAC > SHN by Willy
2:33:11
Rating:
4.00 / 2 ratings
Transferrer:
CDR > EAC > SHN by Willy
SHNID:
gd84-06-23.naks.willy.14566.sbeok.shnf
Source:
AUD (Nak 100's)>MC>DAT>CDR
Taper Notes:
View NotesAUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy Another installment of The Music Never Stopped Project!