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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1984
6/23/84
Alabama Getaway >
5:02
Promised Land
6:37
Peggy O
8:18
Little Red Rooster
11:04
Brown-Eyed Women
7:29
Brother Esau
5:10
Big Railroad Blues
6:13
The Music Never Stopped >
9:30
Don't Ease Me In
3:06
Encore: Day Job
4:40
Set 2: Touch of Grey
8:50
Estimated Prophet >
11:31
Eyes of the World >
10:46
Drums >
9:36
Space >
8:51
Truckin' >
10:01
Black Peter >
8:50
Around & Around
3:57
Goin' Down the Road >
6:37
One More Saturday Night
7:03
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:30:26
SBD
Rating:
6.00 / 2 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1984-06-23.140159.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Reel to Reel -> Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Reels used for MSC -> Reel transfer were recorded on previously. During the transfer, presumably a dirty and/or mis-aligned erase head allowed the previously recorded material to bleed through in the right channel. During quieter passages, the previously recorded material could be heard in the right channel. - 1st set is mono, it came from Rob that way, probably because the right channel bleed through issue was more severe - There are some level fluctuations throughout the 1st set, most notably during "Alabama Getaway" and the beginnings of "Peggy O" and "Big Railroad Blues" - 2nd set is stereo, however, during the quieter moments, the bleed through of the previously recorded material could be heard in the right channel. Because of this, the between song tunings, the drums and space segment, as well as the encore break are in mono. Some bleed through can be heard at various parts depending on the loudness of both the pre-recorded material and the show itself. - Noodle into Truckin' included in "Truckin" - Top handful of best Black Peter's, imo, a.k.a. "The Harrisburg Black Peter" tm Joe Noel - Far from perfect, but don't be deterred, it's listenable - especially the 2nd set. And so far, it's the best we've got Mastered by Scott Clugston 12/7/2017
Taper: Rob Eaton
2:29:55
Taper:
Rob Eaton
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-23.167000.neumann.u87.akg414.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2023 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the Sennheiser 441 source which supplies some crowd/tuning into "Big Railroad Blues", as well as a 0:39 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Rob Eaton
2:29:55
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-23.166999.neumann.u87.akg414.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Neumann U87's + (2) AKG 414's > Rolls MPX42 mixer > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2023 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the Sennheiser 441 source which supplies some crowd/tuning into "Big Railroad Blues", as well as a 0:39 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Jim Vita
2:24:53
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-23.164771.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dan McSheffrey and the folks responsible for the Neumann U84 source which supplies an 0:08 patch in the "The Music Never Stopped > Don't Ease Me In" transition (0:08 total), as well as a 0:09 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Jim Vita
2:24:53
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-06-23.164770.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dan McSheffrey and the folks responsible for the Neumann U84 source which supplies an 0:08 patch in the "The Music Never Stopped > Don't Ease Me In" transition (0:08 total), as well as a 0:09 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Ray Ackerman
2:24:15
Rating:
8.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-23.141597.FOB.Senn441.Ackerman.Miller.Noel.t-flac1644
Source:
Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
Taper Notes:
View NotesPatch info: - source 14951 (Sennheiser 441) supplies - s2t05 - 6:26 - 6:50 & 7:24 - 8:31 Notes: - tape pauses & flip (s1) cross faded - tape flip (s2) patched - four of a kind beats a pair, every time. - This is the Harrisburg Black Peter
Taper: Dan McSheffrey, Rich Gastwirt
2:22:51
Taper:
Dan McSheffrey, Rich Gastwirt
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-06-23.139571.FOB.Neumann.McSheffrey.Gastwirt.Miller.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source 14951 (senn 441) supplies - s1t08 - last 02 seconds - s1t09 - first 15 seconds - s2t02 - 5:54 - 6:15 - s2t05 - 6:41 - 6:49 & 8:15 - 9:25 Notes: - tape pauses cross faded - This is the Harrisburg Black Peter
Taper: david barfield + david lane
2:22:26
Taper:
david barfield + david lane
Transferrer:
david barfield
SHNID:
gd1984-06-23.140516.nak300.flac2496
Source:
source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
Taper: Doug Lamarre
2:19:51
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-06-23.138874.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Doug Lamarre
2:19:51
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1984-06-23.138873.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: chasingwilma
2:24:06
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-06-23.124088.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:26:13
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-06-23.109812.beyer-senn-daweez.D5scott.flac16
Source:
Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Source 13 of 17
2:25:14
SHNID:
gd1984-06-23.beyerm201.holbrook.burke.81548.flac24
Source:
Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby)
Lineage:
Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > CD Wave > Flac Frontend, Level 6
Taper: Kyle Holbrook
2:25:14
Rating:
8.00 / 1 rating
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1984-06-23.beyerm201.holbrook.burke.81280.sbeok.flac16
Source:
Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby)
Lineage:
Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > Wavelab 5.01b (resample, dither - MegaBitMax (Medium Noise Shaping, Normal Dither Amount)) > CD Wave > Flac Frontend, Level 6
Taper Notes:
View NotesTape flips after My Brother Esau, Don't Ease Me In and during Space
Source 15 of 17
2:24:36
SHNID:
gd84-06-23.aud.cohen.minches.18226.sbeok.shnf
Source:
Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
Taper Notes:
View NotesNak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
Source 16 of 17
2:29:00
Rating:
6.46 / 14 ratings
SHNID:
gd84-06-23.senn.miller.14951.sbeok.shnf
Source:
Recording Info:(FOB) Senn 441 -> PCM -> Dat
Taper Notes:
View NotesRecording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
Transferrer: CDR > EAC > SHN by Willy
2:33:11
Rating:
4.00 / 2 ratings
Transferrer:
CDR > EAC > SHN by Willy
SHNID:
gd84-06-23.naks.willy.14566.sbeok.shnf
Source:
AUD (Nak 100's)>MC>DAT>CDR
Taper Notes:
View NotesAUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy Another installment of The Music Never Stopped Project!