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Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h48767
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.4k391
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k313
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k320
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.9k384
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k389
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k361
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k162
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.7k970
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h973111
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.9k343
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.9k570
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k189
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k230
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k983
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k196
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k243
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h11k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k382
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k175
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.8k212
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.8k271
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h822100
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12719
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h402
7d886
30d60836
2 shows
2 tapes
1984
Sources
Taper: Rob Eaton
3:08:30
SBD
Rating:
8.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-29.140355.fob.sbd.composite.eaton.miller.clugston.flac1648
Source:
1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/482nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the (FOB) audience source & the soundboard source Dat - Thanks to Charlie Miller for the transfer - Neither the 1st set FOB or 2nd set soundboard source have circulated previously (Dec 2017) - Rob's (FOB) Neumann U-87 source also supplies the final 3:18 of "Sugar Magnolia" as well as the "Keep Your Day Job" encore - Between song transitions smoothed - Truckin' space included in "Truckin'" Mastered by Scott Clugston 12/24/2017
Taper: Rob Eaton
3:08:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.167058.neumann.u87.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to d5scott for the Sennheiser 441 source and The Executive Crew for the Sennheiser MKE2002 source, which combined, supply a 8:41 patch in "Drums > Space" - Pitch verified Mastered by Scott Clugston December 2023
Taper: Rob Eaton
3:08:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.167057.neumann.u87.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to d5scott for the Sennheiser 441 source and The Executive Crew for the Sennheiser MKE2002 source, which combined, supply a 8:41 patch in "Drums > Space" - Pitch verified Mastered by Scott Clugston December 2023
Taper: Jim Vita
1:35:12
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.164611.2nd.set.senn441.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the Sennheiser MKE2002 source which supplies a 7:36 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Jim Vita
1:35:12
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.164610.2nd.set.senn441.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the Sennheiser MKE2002 source which supplies a 7:36 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Rick Pauline
2:49:06
Rating:
9.14 / 7 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-04-29.senn421.pauline.miller.91146.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC)
Taper Notes:
View Notes-- Set 2 disc change is seamless -- Recorded By Rick Pauline -- Almost all of Drums were cut on the master tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
3:03:50
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149684.mke2002.holbrook.flac2448
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** / tape chopped between songs to save tape. // tape flip /++ missing from Master. Replaced with Beyer M201 source (Must have kept the deck paused for this tune after pausing for tuning post West LA.) ## at about two minutes in sudden jump in volume about 2dB /// tape swap to third tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
3:03:47
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149683.mke2002.holbrook.flac1644
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** / tape chopped between songs to save tape. // tape flip /++ missing from Master. Replaced with Beyer M201 source (Must have kept the deck paused for this tune after pausing for tuning post West LA.) ## at about two minutes in sudden jump in volume about 2dB /// tape swap to third tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:57:01
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149679.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes** at 7:03 the levels go up and sound clears up quite a bit / cut between tracks to save tape /+ crowd cut missed 1-2 seconds at start // drums start, go about 45 seconds then cuts for tape flip
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:57:01
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149678.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes** at 7:03 the levels go up and sound clears up quite a bit / cut between tracks to save tape /+ crowd cut missed 1-2 seconds at start // drums start, go about 45 seconds then cuts for tape flip
Source 11 of 14
1:37:59
Rating:
8.00 / 2 ratings
SHNID:
gd1984-04-29.125853.crown_pzm.scarletdog.flac16
Source:
Set 2 only; Master: 2 Crown PZM-315 Microphones and Sony TC-D5m Cassette Master microphones spread about 20 feet behind stage, obstructed view seating;
Lineage:
Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Brent, Billy, Mickey ** Quick new light show rap during Sunshine Daydream Here's the story about this show - we had seen a lot of shows on this East Coast Spring Tour. The Nassau shows were the last on the tour. We were running late (used to happen a lot with my group). I got around my seats just after the lights went out and just grabbed any patch for the first set - I don't know what kind of mics, but the tapes don't sound that good. I was tired and had had enough of the taping area (no official taping section in those days) and heard that my friends were hanging out in the obstructed view seats behind the stage. I went there and it was great - the opposite of what you would think Nassau Coliseum would be like - not a lot of people, room to relax, and an interesting view of the band. There were repeaters pointed directly at us so it sounded great. Some people nearby were taping with Crown PZMs so I patched in with them and I think the tapes sound great. There are a few glitches where decks in front of me did not know how to hold their record button down while making tape flips or changes. I cleaned them up the best I could, some you can hear and others are barely noticeable.
Taper: chasingwilma
2:56:42
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-29.123815.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:58:54
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-29.109481.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 mic's (17th row-center) > Nak100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Source 14 of 14
2:46:24
Rating:
7.20 / 8 ratings
SHNID:
gd84-04-29.beyer.miller.15390.sbeok.shnf
Source:
(FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN
Taper Notes:
View Notes(FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller