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June 7th
Years
1995
29.8k
PlaybackListensHours
48h781109
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h62088
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.2k562
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k351
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.7k1.2k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.5k336
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k364
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k255
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h90199
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k210
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1k136
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k194
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k215
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k297
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.8k624
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k181
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.2k296
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h17.1k2.4k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.7k516
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h78576
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k558
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k597
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k426
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k227
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k950
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k369
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41850
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10314
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22717
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h553
7d1066
30d56034
2 shows
2 tapes
1984
4/29/84
China Cat/Sunflower
8:16
I Know You Rider
5:11
Samson and Delilah
7:30
Terrapin -> Jam
20:35
I Don't Need Love*
6:34
Drums
2:45
Space
17:03
Truckin'
7:23
Stella Blue
8:23
Sugar Magnolia**
9:31
Keep Your Day Job
4:48
FIN
View on archive.org
Sources
Taper: Rob Eaton
3:08:30
SBD
Rating:
8.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-29.140355.fob.sbd.composite.eaton.miller.clugston.flac1648
Source:
1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/482nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the (FOB) audience source & the soundboard source Dat - Thanks to Charlie Miller for the transfer - Neither the 1st set FOB or 2nd set soundboard source have circulated previously (Dec 2017) - Rob's (FOB) Neumann U-87 source also supplies the final 3:18 of "Sugar Magnolia" as well as the "Keep Your Day Job" encore - Between song transitions smoothed - Truckin' space included in "Truckin'" Mastered by Scott Clugston 12/24/2017
Taper: Rob Eaton
3:08:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.167058.neumann.u87.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to d5scott for the Sennheiser 441 source and The Executive Crew for the Sennheiser MKE2002 source, which combined, supply a 8:41 patch in "Drums > Space" - Pitch verified Mastered by Scott Clugston December 2023
Taper: Rob Eaton
3:08:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.167057.neumann.u87.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to d5scott for the Sennheiser 441 source and The Executive Crew for the Sennheiser MKE2002 source, which combined, supply a 8:41 patch in "Drums > Space" - Pitch verified Mastered by Scott Clugston December 2023
Taper: Jim Vita
1:35:12
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.164611.2nd.set.senn441.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the Sennheiser MKE2002 source which supplies a 7:36 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Jim Vita
1:35:12
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.164610.2nd.set.senn441.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the Sennheiser MKE2002 source which supplies a 7:36 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Rick Pauline
2:49:06
Rating:
9.14 / 7 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-04-29.senn421.pauline.miller.91146.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC)
Taper Notes:
View Notes-- Set 2 disc change is seamless -- Recorded By Rick Pauline -- Almost all of Drums were cut on the master tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
3:03:50
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149684.mke2002.holbrook.flac2448
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** / tape chopped between songs to save tape. // tape flip /++ missing from Master. Replaced with Beyer M201 source (Must have kept the deck paused for this tune after pausing for tuning post West LA.) ## at about two minutes in sudden jump in volume about 2dB /// tape swap to third tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
3:03:47
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149683.mke2002.holbrook.flac1644
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** / tape chopped between songs to save tape. // tape flip /++ missing from Master. Replaced with Beyer M201 source (Must have kept the deck paused for this tune after pausing for tuning post West LA.) ## at about two minutes in sudden jump in volume about 2dB /// tape swap to third tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:57:01
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149679.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes** at 7:03 the levels go up and sound clears up quite a bit / cut between tracks to save tape /+ crowd cut missed 1-2 seconds at start // drums start, go about 45 seconds then cuts for tape flip
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:57:01
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149678.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes** at 7:03 the levels go up and sound clears up quite a bit / cut between tracks to save tape /+ crowd cut missed 1-2 seconds at start // drums start, go about 45 seconds then cuts for tape flip
Source 11 of 14
1:37:59
Rating:
8.00 / 2 ratings
SHNID:
gd1984-04-29.125853.crown_pzm.scarletdog.flac16
Source:
Set 2 only; Master: 2 Crown PZM-315 Microphones and Sony TC-D5m Cassette Master microphones spread about 20 feet behind stage, obstructed view seating;
Lineage:
Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Brent, Billy, Mickey ** Quick new light show rap during Sunshine Daydream Here's the story about this show - we had seen a lot of shows on this East Coast Spring Tour. The Nassau shows were the last on the tour. We were running late (used to happen a lot with my group). I got around my seats just after the lights went out and just grabbed any patch for the first set - I don't know what kind of mics, but the tapes don't sound that good. I was tired and had had enough of the taping area (no official taping section in those days) and heard that my friends were hanging out in the obstructed view seats behind the stage. I went there and it was great - the opposite of what you would think Nassau Coliseum would be like - not a lot of people, room to relax, and an interesting view of the band. There were repeaters pointed directly at us so it sounded great. Some people nearby were taping with Crown PZMs so I patched in with them and I think the tapes sound great. There are a few glitches where decks in front of me did not know how to hold their record button down while making tape flips or changes. I cleaned them up the best I could, some you can hear and others are barely noticeable.
Taper: chasingwilma
2:56:42
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-29.123815.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:58:54
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-29.109481.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 mic's (17th row-center) > Nak100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Source 14 of 14
2:46:24
Rating:
7.20 / 8 ratings
SHNID:
gd84-04-29.beyer.miller.15390.sbeok.shnf
Source:
(FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN
Taper Notes:
View Notes(FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller