Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1984
Sources
Taper: Rob Eaton
3:08:30
SBD
Rating:
8.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-29.140355.fob.sbd.composite.eaton.miller.clugston.flac1648
Source:
1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/482nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the (FOB) audience source & the soundboard source Dat - Thanks to Charlie Miller for the transfer - Neither the 1st set FOB or 2nd set soundboard source have circulated previously (Dec 2017) - Rob's (FOB) Neumann U-87 source also supplies the final 3:18 of "Sugar Magnolia" as well as the "Keep Your Day Job" encore - Between song transitions smoothed - Truckin' space included in "Truckin'" Mastered by Scott Clugston 12/24/2017
Taper: Rob Eaton
3:08:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.167058.neumann.u87.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to d5scott for the Sennheiser 441 source and The Executive Crew for the Sennheiser MKE2002 source, which combined, supply a 8:41 patch in "Drums > Space" - Pitch verified Mastered by Scott Clugston December 2023
Taper: Rob Eaton
3:08:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.167057.neumann.u87.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to d5scott for the Sennheiser 441 source and The Executive Crew for the Sennheiser MKE2002 source, which combined, supply a 8:41 patch in "Drums > Space" - Pitch verified Mastered by Scott Clugston December 2023
Taper: Jim Vita
1:35:12
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.164611.2nd.set.senn441.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the Sennheiser MKE2002 source which supplies a 7:36 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Jim Vita
1:35:12
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-29.164610.2nd.set.senn441.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the Sennheiser MKE2002 source which supplies a 7:36 patch in "Drums" - Pitch verified Mastered by Scott Clugston January 2023
Taper: Rick Pauline
2:49:06
Rating:
9.14 / 7 ratings
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1984-04-29.senn421.pauline.miller.91146.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC)
Taper Notes:
View Notes-- Set 2 disc change is seamless -- Recorded By Rick Pauline -- Almost all of Drums were cut on the master tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
3:03:50
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149684.mke2002.holbrook.flac2448
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** / tape chopped between songs to save tape. // tape flip /++ missing from Master. Replaced with Beyer M201 source (Must have kept the deck paused for this tune after pausing for tuning post West LA.) ## at about two minutes in sudden jump in volume about 2dB /// tape swap to third tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
3:03:47
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149683.mke2002.holbrook.flac1644
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** / tape chopped between songs to save tape. // tape flip /++ missing from Master. Replaced with Beyer M201 source (Must have kept the deck paused for this tune after pausing for tuning post West LA.) ## at about two minutes in sudden jump in volume about 2dB /// tape swap to third tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:57:01
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149679.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes** at 7:03 the levels go up and sound clears up quite a bit / cut between tracks to save tape /+ crowd cut missed 1-2 seconds at start // drums start, go about 45 seconds then cuts for tape flip
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:57:01
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149678.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes** at 7:03 the levels go up and sound clears up quite a bit / cut between tracks to save tape /+ crowd cut missed 1-2 seconds at start // drums start, go about 45 seconds then cuts for tape flip
Source 11 of 14
1:37:59
Rating:
8.00 / 2 ratings
SHNID:
gd1984-04-29.125853.crown_pzm.scarletdog.flac16
Source:
Set 2 only; Master: 2 Crown PZM-315 Microphones and Sony TC-D5m Cassette Master microphones spread about 20 feet behind stage, obstructed view seating;
Lineage:
Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Brent, Billy, Mickey ** Quick new light show rap during Sunshine Daydream Here's the story about this show - we had seen a lot of shows on this East Coast Spring Tour. The Nassau shows were the last on the tour. We were running late (used to happen a lot with my group). I got around my seats just after the lights went out and just grabbed any patch for the first set - I don't know what kind of mics, but the tapes don't sound that good. I was tired and had had enough of the taping area (no official taping section in those days) and heard that my friends were hanging out in the obstructed view seats behind the stage. I went there and it was great - the opposite of what you would think Nassau Coliseum would be like - not a lot of people, room to relax, and an interesting view of the band. There were repeaters pointed directly at us so it sounded great. Some people nearby were taping with Crown PZMs so I patched in with them and I think the tapes sound great. There are a few glitches where decks in front of me did not know how to hold their record button down while making tape flips or changes. I cleaned them up the best I could, some you can hear and others are barely noticeable.
Taper: chasingwilma
2:56:42
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-29.123815.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:58:54
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-29.109481.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 mic's (17th row-center) > Nak100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Source 14 of 14
2:46:24
Rating:
7.20 / 8 ratings
SHNID:
gd84-04-29.beyer.miller.15390.sbeok.shnf
Source:
(FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN
Taper Notes:
View Notes(FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller