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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h55374
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k260
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.3k296
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.4k183
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k430
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.6k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k331
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k241
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h909102
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k199
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.7k661
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k149
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k154
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.5k279
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k228
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k257
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h16.1k2.1k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.5k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h36539
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.8k509
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.4k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2k265
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.7k186
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k195
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k165
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h67185
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9115
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h41026
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h544
7d1076
30d59534
2 shows
2 tapes
1984
Sources
Taper: Joani Walker and Paul Scotton
2:26:06
SBD
Rating:
8.80 / 5 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-24.sbd.walker-scotton.miller.105854.flac16
Source:
Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90/Dolby B)
Lineage:
Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Encore is on end of the 1st set, I didn't want to split up the 2nd Set -- Thanks to Joani Walker, Paul Scotton and Jacob Feinberg for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:24:17
SBD
Rating:
7.50 / 5 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-24.sbd.walker-scotton.miller.32620.sbeok.flac16
Source:
SBD -> Cassette Master -> (1st set ?, 2nd set none) -> Cassette -> Casette -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes -- Encore patched from Audio Technica M2's->Cassete Master->CD -- Encore is on end of the 1st set, I didn't want to split up the 2nd Set
Taper: Transferred/Edited by Charlie Miller
1:17:50
SBD
Rating:
8.00 / 4 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-24.sbd-set2.walker-scotton.miller.32537.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (TDK SA-X90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes -- I labeled tracks "d2" just in case the 1st Set SBD shows up
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-24.155621.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Bertha" (0:14 total), first notes of "Man Smart, Woman Smarter" (0:06 total), first notes of "He's Gone" (0:05 total), as well as some crowd and first notes of "US Blues" (0:10 total) - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-24.155620.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Bertha" (0:14 total), first notes of "Man Smart, Woman Smarter" (0:06 total), first notes of "He's Gone" (0:05 total), as well as some crowd and first notes of "US Blues" (0:10 total) - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:38:32
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149940.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* vocals low in PA first 45 seconds of Bertha // Tape flip + drums cut to save tape ++ channel cut outs at start
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:38:32
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149939.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* vocals low in PA first 45 seconds of Bertha // Tape flip + drums cut to save tape ++ channel cut outs at start
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
2:39:20
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149587.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesvocals low in PA first 45 seconds of Bertha ** Levels dropped 12dB on RT channel; had to make mono from left channel // Tape flip + drums cut to save tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
2:39:20
Rating:
8.00 / 1 rating
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149586.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesvocals low in PA first 45 seconds of Bertha ** Levels dropped 12dB on RT channel; had to make mono from left channel // Tape flip + drums cut to save tape
Taper: Tim Friend and Joe Morrone
2:40:49
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1984-04-24.nak300.friend-morrone.126231.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013
Taper Notes:
View NotesNote: ID-92518 patch, Space 0:09 > 2:02.
Taper: Tim Friend and Joe Morrone
2:40:49
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F
SHNID:
gd1984-04-24.nak300.friend-morrone.126230.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2013
Taper Notes:
View NotesNote: ID-92518 patch, Space 0:09 > 2:02.
Taper: Da Weez
2:39:56
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-24.109423.beyer-senn-daweez.D5scott.flac16
Source:
source: 3 Beyer M160 microphones (13th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Ted Gidley
2:36:42
Rating:
10.00 / 1 rating
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1984-04-24.fob.gidley.92518.sbeok.flac16
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008.
Taper Notes:
View Notes- Sorry, no mic info, but it's a very nice FOB recording. - Second Set disc break is seamless. - Patches from ShnID-14564, Bertha 0:00 > 0:09, and Drums 7:40 > 9:03. - This was the final GD concert at this venue.
Source 14 of 14
2:31:37
Rating:
5.00 / 2 ratings
SHNID:
gd84-04-24.aud.willy.14564.sbeok.shnf
Source:
AUD (Nak300's)>MC>DAT>CDR Set 2 Mark Horvath FOB ATM2’s> Sony TC-D5>MC>CDR
Taper Notes:
View NotesSet 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2Âs> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy