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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h897128
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h52976
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.6k755
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k335
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.3k825
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.9k374
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.1k384
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k156
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.5k278
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85295
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k228
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k164
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k171
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k223
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k564
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k186
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.7k355
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.7k1.6k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.4k611
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79364
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.5k566
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k631
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.6k441
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k241
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.7k1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.8k481
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h42051
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9215
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29221
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1984
Sources
Taper: Joani Walker and Paul Scotton
2:26:06
SBD
Rating:
8.80 / 5 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-24.sbd.walker-scotton.miller.105854.flac16
Source:
Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90/Dolby B)
Lineage:
Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Encore is on end of the 1st set, I didn't want to split up the 2nd Set -- Thanks to Joani Walker, Paul Scotton and Jacob Feinberg for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:24:17
SBD
Rating:
7.50 / 5 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-24.sbd.walker-scotton.miller.32620.sbeok.flac16
Source:
SBD -> Cassette Master -> (1st set ?, 2nd set none) -> Cassette -> Casette -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes -- Encore patched from Audio Technica M2's->Cassete Master->CD -- Encore is on end of the 1st set, I didn't want to split up the 2nd Set
Taper: Transferred/Edited by Charlie Miller
1:17:50
SBD
Rating:
8.00 / 4 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-24.sbd-set2.walker-scotton.miller.32537.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (TDK SA-X90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes -- I labeled tracks "d2" just in case the 1st Set SBD shows up
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-24.155621.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Bertha" (0:14 total), first notes of "Man Smart, Woman Smarter" (0:06 total), first notes of "He's Gone" (0:05 total), as well as some crowd and first notes of "US Blues" (0:10 total) - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-24.155620.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Bertha" (0:14 total), first notes of "Man Smart, Woman Smarter" (0:06 total), first notes of "He's Gone" (0:05 total), as well as some crowd and first notes of "US Blues" (0:10 total) - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:38:32
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149940.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* vocals low in PA first 45 seconds of Bertha // Tape flip + drums cut to save tape ++ channel cut outs at start
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:38:32
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149939.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* vocals low in PA first 45 seconds of Bertha // Tape flip + drums cut to save tape ++ channel cut outs at start
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
2:39:20
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149587.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesvocals low in PA first 45 seconds of Bertha ** Levels dropped 12dB on RT channel; had to make mono from left channel // Tape flip + drums cut to save tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
2:39:20
Rating:
8.00 / 1 rating
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149586.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesvocals low in PA first 45 seconds of Bertha ** Levels dropped 12dB on RT channel; had to make mono from left channel // Tape flip + drums cut to save tape
Taper: Tim Friend and Joe Morrone
2:40:49
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1984-04-24.nak300.friend-morrone.126231.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013
Taper Notes:
View NotesNote: ID-92518 patch, Space 0:09 > 2:02.
Taper: Tim Friend and Joe Morrone
2:40:49
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F
SHNID:
gd1984-04-24.nak300.friend-morrone.126230.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2013
Taper Notes:
View NotesNote: ID-92518 patch, Space 0:09 > 2:02.
Taper: Da Weez
2:39:56
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-24.109423.beyer-senn-daweez.D5scott.flac16
Source:
source: 3 Beyer M160 microphones (13th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Ted Gidley
2:36:42
Rating:
10.00 / 1 rating
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1984-04-24.fob.gidley.92518.sbeok.flac16
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008.
Taper Notes:
View Notes- Sorry, no mic info, but it's a very nice FOB recording. - Second Set disc break is seamless. - Patches from ShnID-14564, Bertha 0:00 > 0:09, and Drums 7:40 > 9:03. - This was the final GD concert at this venue.
Source 14 of 14
2:31:37
Rating:
5.00 / 2 ratings
SHNID:
gd84-04-24.aud.willy.14564.sbeok.shnf
Source:
AUD (Nak300's)>MC>DAT>CDR Set 2 Mark Horvath FOB ATM2’s> Sony TC-D5>MC>CDR
Taper Notes:
View NotesSet 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2Âs> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy