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Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h56576
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1k136
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k434
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.5k459
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.8k729
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.8k623
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k346
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k123
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.5k389
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h958107
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k198
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.5k415
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k172
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k146
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k248
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.6k423
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k214
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k257
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.6k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.3k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22224
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k475
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h7.5k1.1k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.1k267
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k170
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k167
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h45559
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11315
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h43028
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h252
7d1368
30d63237
2 shows
2 tapes
1984
Sources
Taper: Joani Walker and Paul Scotton
2:26:06
SBD
Rating:
8.80 / 5 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-24.sbd.walker-scotton.miller.105854.flac16
Source:
Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90/Dolby B)
Lineage:
Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Encore is on end of the 1st set, I didn't want to split up the 2nd Set -- Thanks to Joani Walker, Paul Scotton and Jacob Feinberg for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:24:17
SBD
Rating:
7.50 / 5 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-24.sbd.walker-scotton.miller.32620.sbeok.flac16
Source:
SBD -> Cassette Master -> (1st set ?, 2nd set none) -> Cassette -> Casette -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes -- Encore patched from Audio Technica M2's->Cassete Master->CD -- Encore is on end of the 1st set, I didn't want to split up the 2nd Set
Taper: Transferred/Edited by Charlie Miller
1:17:50
SBD
Rating:
8.00 / 4 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-04-24.sbd-set2.walker-scotton.miller.32537.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (TDK SA-X90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes -- I labeled tracks "d2" just in case the 1st Set SBD shows up
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-24.155621.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Bertha" (0:14 total), first notes of "Man Smart, Woman Smarter" (0:06 total), first notes of "He's Gone" (0:05 total), as well as some crowd and first notes of "US Blues" (0:10 total) - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Doug Lamarre
2:36:51
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-24.155620.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Da Weez and D5scott for the Beyer M160 Sennheiser 421 blend source which supplies some crowd and the first few notes of "Bertha" (0:14 total), first notes of "Man Smart, Woman Smarter" (0:06 total), first notes of "He's Gone" (0:05 total), as well as some crowd and first notes of "US Blues" (0:10 total) - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2021
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:38:32
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149940.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* vocals low in PA first 45 seconds of Bertha // Tape flip + drums cut to save tape ++ channel cut outs at start
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:38:32
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149939.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes* vocals low in PA first 45 seconds of Bertha // Tape flip + drums cut to save tape ++ channel cut outs at start
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
2:39:20
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149587.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesvocals low in PA first 45 seconds of Bertha ** Levels dropped 12dB on RT channel; had to make mono from left channel // Tape flip + drums cut to save tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
2:39:20
Rating:
8.00 / 1 rating
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-24.149586.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesvocals low in PA first 45 seconds of Bertha ** Levels dropped 12dB on RT channel; had to make mono from left channel // Tape flip + drums cut to save tape
Taper: Tim Friend and Joe Morrone
2:40:49
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1984-04-24.nak300.friend-morrone.126231.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013
Taper Notes:
View NotesNote: ID-92518 patch, Space 0:09 > 2:02.
Taper: Tim Friend and Joe Morrone
2:40:49
Taper:
Tim Friend and Joe Morrone
Transferrer:
Andrew F
SHNID:
gd1984-04-24.nak300.friend-morrone.126230.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2013
Taper Notes:
View NotesNote: ID-92518 patch, Space 0:09 > 2:02.
Taper: Da Weez
2:39:56
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-24.109423.beyer-senn-daweez.D5scott.flac16
Source:
source: 3 Beyer M160 microphones (13th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;
Lineage:
Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Ted Gidley
2:36:42
Rating:
10.00 / 1 rating
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1984-04-24.fob.gidley.92518.sbeok.flac16
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008.
Taper Notes:
View Notes- Sorry, no mic info, but it's a very nice FOB recording. - Second Set disc break is seamless. - Patches from ShnID-14564, Bertha 0:00 > 0:09, and Drums 7:40 > 9:03. - This was the final GD concert at this venue.
Source 14 of 14
2:31:37
Rating:
5.00 / 2 ratings
SHNID:
gd84-04-24.aud.willy.14564.sbeok.shnf
Source:
AUD (Nak300's)>MC>DAT>CDR Set 2 Mark Horvath FOB ATM2’s> Sony TC-D5>MC>CDR
Taper Notes:
View NotesSet 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2Âs> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy