04
1984
Sources
Taper: Rob Eaton
2:35:16
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-16.164731.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:17 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2022
Taper: Ray Ackerman
2:26:55
Rating:
8.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.141022.nak300.ackerman.miller.clugston.flac2496
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid35408 Sennheiser 441 source which supplies a 0:26 patch in the transition between "Drums" and "Space" - Jam (with Other One hints) after "He's Gone" - Melodic "Space" with both Billy and Mickey - Almost 10 minute Other One noodle/space included in "The Other One" - Dare I say it?....."He's Gone" forward is reminiscent of an earlier era of Grateful Dead....there, I said it - Transitions smoothed - Pitch corrected - Very nice capture of a very good show Mastered by Scott Clugston February 14, 2018
Taper: Ray Ackerman
2:26:55
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.141021.nak300.ackerman.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid35408 Sennheiser 441 source which supplies a 0:26 patch in the transition between "Drums" and "Space" - Jam (with Other One hints) after "He's Gone" - Melodic "Space" with both Billy and Mickey - Almost 10 minute Other One noodle/space included in "The Other One" - Dare I say it?....."He's Gone" forward is reminiscent of an earlier era of Grateful Dead....there, I said it - Transitions smoothed - Pitch corrected - Very nice capture of a very good show Mastered by Scott Clugston February 14, 2018
Taper: Taped by and transferred/mastered by Tom Strizak April 2026
2:26:49
Taper:
Taped by and transferred/mastered by Tom Strizak April 2026
SHNID:
gd1984-04-16.176982.senn.md241.strizak.fix.flac2448
Source:
Tom Strizak Master Audience Cassettes (2 TDK-MA90 / Dolby OFF). (2) Sennheiser MD421 standard stereo configuration (mic stand at approx. 6’) Sony TC-D5M stereo recorder patched first in line to Ed Schenk Sony TC-D5M recorder. Location: FOB Approx. 60’ from stage at R center audience.
Lineage:
Lineage: Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/96Khz WAV) > Audacity *DAW (for track labeling, audio edits, and conversion from 24 bit/96khz WAV file to FLAC 24bit/96khz FLAC file set = 1 file for each track/song. TOTAL tracks = 21) (*DAW = Digital Audio Workstation)
Taper Notes:
View NotesNote from Tom Strizak: I listened to it and noticed balance was way heavy to the left, which apparently happened inadvertently in the Audacity program (those sliders). I went ahead and fixed it and it sounds a lot better, also did a little eq to tame the bass boom and some of the highs. This is an upgrade to sourceid 176954.
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:24:18
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149114.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:24:19
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149113.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Steve Hill
2:27:17
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-16.133032.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses/blank spots between first set songs and also between a few in the second set as well.Another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Steve Hill
2:27:17
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-16.133031.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses/blank spots between first set songs and also between a few in the second set as well.Another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!