RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h56777
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k262
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k304
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k194
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h2.9k423
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.8k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.5k312
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k136
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k246
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h82894
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k195
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.6k655
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k156
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k150
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k239
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k298
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k214
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k254
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12k1.6k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h35237
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4.2k555
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k278
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k201
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k203
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k160
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h69387
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8814
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42427
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1984
4/16/84
Crowd/Tuning
0:34
Shakedown Street
12:31
Little Red Rooster
8:29
Peggy-O
8:06
Me And My Uncle >
3:12
Mexicali Blues (Tape Flip After Song)
4:43
Dupree's Diamond Blues
5:58
Cassidy
6:06
West L.A. Fadeaway
7:40
Might As Well, Set Break
4:34
Tuning
3:36
Hell In A Bucket
6:19
Ship Of Fools
7:41
Far From Me >
4:23
He's Gone > Jam >
14:34
Drums.. > (Tape Flip Near End)
9:24
Space > (Start Cuts In)
6:56
The Other One >
12:26
Stella Blue >
7:40
Around And Around >
3:43
Johnny B. Goode
3:58
Day Job
4:44
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:29:10
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-16.137003.sbd.miller.flac1648
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k)
Lineage:
Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats
Taper: Rob Eaton
2:35:16
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-16.164731.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:17 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:35:16
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-16.164730.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:17 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2022
Taper: Doug Lamarre
2:25:57
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.154454.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky for the Sennheiser 441 source which supplies an 0:08 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Doug Lamarre
2:25:57
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.154453.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky for the Sennheiser 441 source which supplies an 0:08 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Ray Ackerman
2:26:55
Rating:
8.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.141022.nak300.ackerman.miller.clugston.flac2496
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid35408 Sennheiser 441 source which supplies a 0:26 patch in the transition between "Drums" and "Space" - Jam (with Other One hints) after "He's Gone" - Melodic "Space" with both Billy and Mickey - Almost 10 minute Other One noodle/space included in "The Other One" - Dare I say it?....."He's Gone" forward is reminiscent of an earlier era of Grateful Dead....there, I said it - Transitions smoothed - Pitch corrected - Very nice capture of a very good show Mastered by Scott Clugston February 14, 2018
Taper: Ray Ackerman
2:26:55
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.141021.nak300.ackerman.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid35408 Sennheiser 441 source which supplies a 0:26 patch in the transition between "Drums" and "Space" - Jam (with Other One hints) after "He's Gone" - Melodic "Space" with both Billy and Mickey - Almost 10 minute Other One noodle/space included in "The Other One" - Dare I say it?....."He's Gone" forward is reminiscent of an earlier era of Grateful Dead....there, I said it - Transitions smoothed - Pitch corrected - Very nice capture of a very good show Mastered by Scott Clugston February 14, 2018
Taper: Taped by and transferred/mastered by Tom Strizak April 2026
2:26:49
Taper:
Taped by and transferred/mastered by Tom Strizak April 2026
SHNID:
gd1984-04-16.176982.senn.md241.strizak.fix.flac2448
Source:
Tom Strizak Master Audience Cassettes (2 TDK-MA90 / Dolby OFF). (2) Sennheiser MD421 standard stereo configuration (mic stand at approx. 6’) Sony TC-D5M stereo recorder patched first in line to Ed Schenk Sony TC-D5M recorder. Location: FOB Approx. 60’ from stage at R center audience.
Lineage:
Lineage: Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/96Khz WAV) > Audacity *DAW (for track labeling, audio edits, and conversion from 24 bit/96khz WAV file to FLAC 24bit/96khz FLAC file set = 1 file for each track/song. TOTAL tracks = 21) (*DAW = Digital Audio Workstation)
Taper Notes:
View NotesNote from Tom Strizak: I listened to it and noticed balance was way heavy to the left, which apparently happened inadvertently in the Audacity program (those sliders). I went ahead and fixed it and it sounds a lot better, also did a little eq to tame the bass boom and some of the highs. This is an upgrade to sourceid 176954.
Source 9 of 24
2:26:49
SHNID:
gd1984-04-16.176954.senn-md421.Schenk.Strizak.flac2496
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:25:48
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149493.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:25:48
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149492.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:24:18
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149114.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:24:19
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149113.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Steve Hill
2:27:17
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-16.133032.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses/blank spots between first set songs and also between a few in the second set as well.Another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Steve Hill
2:27:17
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-16.133031.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses/blank spots between first set songs and also between a few in the second set as well.Another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Tim Friend and Joe Morrone
2:28:26
Taper:
Tim Friend and Joe Morrone
SHNID:
gd1984-04-16.nak300.friend-morrone.127159.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2014
Taper Notes:
View NotesNote: ID-123069 patch in Drums 9:22 > 9:42.
Taper: Tim Friend and Joe Morrone
2:28:26
Taper:
Tim Friend and Joe Morrone
SHNID:
gd1984-04-16.nak300.friend-morrone.127158.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2014
Taper Notes:
View NotesNote: ID-123069 patch in Drums 9:22 > 9:42.
Taper: chasingwilma
2:24:04
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-16.123069.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000Hz/24 bit
Taper: Bob Morris
2:22:00
Rating:
10.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-04-16.nak300.morris.113880.flac24
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:27:00
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-16.109343.beyer-seee-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones (12th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Bob Morris
2:21:56
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-04-16.fob.nak300.morris.crazyfingers.106621.flac16
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Bill Koucky
2:24:10
Rating:
8.00 / 3 ratings
Taper:
Bill Koucky
Transferrer:
Bill Koucky
SHNID:
gd1984-04-16.senn441.koucky.ladner.fix-32884.35408.sbeok.flac16
Source:
FOB Sennheiser 441s > Sony D5 > D5 > MAC
Lineage:
MAC > Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC
Taper Notes:
View NotesFix of shnid 32884 Bill Tetzeli adjusted the pitch of this source down in CE Pro, doing a time/pitch stretch of 101.86%. He also patched the beginning of Shakedown Street and Me and My Uncle from the Neumann U-87 recording hosted on archive.org. The volumes were matched as closely as possible and 4-6 second crossfades were used. Because these are both AUDs, the patches are very transparent. Shntool was used to clean up all the SBEs.
Taper: Bill Koucky
2:20:39
Rating:
7.33 / 3 ratings
Taper:
Bill Koucky
SHNID:
gd1984-04-16.senn441.koucky.ladner.32884.sbeok.flac16
Source:
Sennheiser 441s > Sony D5 > Sony D5 > MAC > Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC > WAV > Wavelab > Waves L3 > CDWAV 1.9 > FLAC (level 5)
Source 24 of 24
2:27:52
Rating:
8.57 / 14 ratings
SHNID:
gd84-04-16.neumann.1298.sbeok.shnf
Source:
Neumann U-87 > Sony d-6 >dat >cdr
Taper Notes:
View NotesNeumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd