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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1984
4/16/84
Crowd/Tuning
0:34
Shakedown Street
12:31
Little Red Rooster
8:29
Peggy-O
8:06
Me And My Uncle >
3:12
Mexicali Blues (Tape Flip After Song)
4:43
Dupree's Diamond Blues
5:58
Cassidy
6:06
West L.A. Fadeaway
7:40
Might As Well, Set Break
4:34
Tuning
3:36
Hell In A Bucket
6:19
Ship Of Fools
7:41
Far From Me >
4:23
He's Gone > Jam >
14:34
Drums.. > (Tape Flip Near End)
9:24
Space > (Start Cuts In)
6:56
The Other One >
12:26
Stella Blue >
7:40
Around And Around >
3:43
Johnny B. Goode
3:58
Day Job
4:44
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:29:10
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-16.137003.sbd.miller.flac1648
Source:
SBD -> Cassette Master -> Cassette -> Dat (48k)
Lineage:
Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats
Taper: Rob Eaton
2:35:16
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-16.164731.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:17 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:35:16
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-16.164730.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies a 0:17 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston December 2022
Taper: Doug Lamarre
2:25:57
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.154454.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky for the Sennheiser 441 source which supplies an 0:08 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Doug Lamarre
2:25:57
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.154453.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky for the Sennheiser 441 source which supplies an 0:08 patch in "Drums" - Other One space included in "The Other One" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Ray Ackerman
2:26:55
Rating:
8.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.141022.nak300.ackerman.miller.clugston.flac2496
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid35408 Sennheiser 441 source which supplies a 0:26 patch in the transition between "Drums" and "Space" - Jam (with Other One hints) after "He's Gone" - Melodic "Space" with both Billy and Mickey - Almost 10 minute Other One noodle/space included in "The Other One" - Dare I say it?....."He's Gone" forward is reminiscent of an earlier era of Grateful Dead....there, I said it - Transitions smoothed - Pitch corrected - Very nice capture of a very good show Mastered by Scott Clugston February 14, 2018
Taper: Ray Ackerman
2:26:55
Taper:
Ray Ackerman
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-16.141021.nak300.ackerman.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to Ray Ackerman for the master cassette source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the shnid35408 Sennheiser 441 source which supplies a 0:26 patch in the transition between "Drums" and "Space" - Jam (with Other One hints) after "He's Gone" - Melodic "Space" with both Billy and Mickey - Almost 10 minute Other One noodle/space included in "The Other One" - Dare I say it?....."He's Gone" forward is reminiscent of an earlier era of Grateful Dead....there, I said it - Transitions smoothed - Pitch corrected - Very nice capture of a very good show Mastered by Scott Clugston February 14, 2018
Taper: Taped by and transferred/mastered by Tom Strizak April 2026
2:26:49
Taper:
Taped by and transferred/mastered by Tom Strizak April 2026
SHNID:
gd1984-04-16.176982.senn.md241.strizak.fix.flac2448
Source:
Tom Strizak Master Audience Cassettes (2 TDK-MA90 / Dolby OFF). (2) Sennheiser MD421 standard stereo configuration (mic stand at approx. 6’) Sony TC-D5M stereo recorder patched first in line to Ed Schenk Sony TC-D5M recorder. Location: FOB Approx. 60’ from stage at R center audience.
Lineage:
Lineage: Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/96Khz WAV) > Audacity *DAW (for track labeling, audio edits, and conversion from 24 bit/96khz WAV file to FLAC 24bit/96khz FLAC file set = 1 file for each track/song. TOTAL tracks = 21) (*DAW = Digital Audio Workstation)
Taper Notes:
View NotesNote from Tom Strizak: I listened to it and noticed balance was way heavy to the left, which apparently happened inadvertently in the Audacity program (those sliders). I went ahead and fixed it and it sounds a lot better, also did a little eq to tame the bass boom and some of the highs. This is an upgrade to sourceid 176954.
Source 9 of 24
2:26:49
SHNID:
gd1984-04-16.176954.senn-md421.Schenk.Strizak.flac2496
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:25:48
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149493.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:25:48
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149492.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:24:18
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149114.mke2002.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
2:24:19
Taper:
Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-16.149113.mke2002.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip ***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Steve Hill
2:27:17
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-16.133032.Nak100CP4.Hill.Keo.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses/blank spots between first set songs and also between a few in the second set as well.Another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Steve Hill
2:27:17
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1984-04-16.133031.Nak100CP4.Hill.Keo.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses/blank spots between first set songs and also between a few in the second set as well.Another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1984 Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Tim Friend and Joe Morrone
2:28:26
Taper:
Tim Friend and Joe Morrone
SHNID:
gd1984-04-16.nak300.friend-morrone.127159.flac1644
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2014
Taper Notes:
View NotesNote: ID-123069 patch in Drums 9:22 > 9:42.
Taper: Tim Friend and Joe Morrone
2:28:26
Taper:
Tim Friend and Joe Morrone
SHNID:
gd1984-04-16.nak300.friend-morrone.127158.flac2448
Source:
AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2014
Taper Notes:
View NotesNote: ID-123069 patch in Drums 9:22 > 9:42.
Taper: chasingwilma
2:24:04
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-16.123069.chasingwilma.flac24
Source:
lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000Hz/24 bit
Taper: Bob Morris
2:22:00
Rating:
10.00 / 1 rating
Taper:
Bob Morris
SHNID:
gd1984-04-16.nak300.morris.113880.flac24
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper: Da Weez
2:27:00
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-16.109343.beyer-seee-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones (12th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Bob Morris
2:21:56
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1984-04-16.fob.nak300.morris.crazyfingers.106621.flac16
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Bill Koucky
2:24:10
Rating:
8.00 / 3 ratings
Taper:
Bill Koucky
Transferrer:
Bill Koucky
SHNID:
gd1984-04-16.senn441.koucky.ladner.fix-32884.35408.sbeok.flac16
Source:
FOB Sennheiser 441s > Sony D5 > D5 > MAC
Lineage:
MAC > Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC
Taper Notes:
View NotesFix of shnid 32884 Bill Tetzeli adjusted the pitch of this source down in CE Pro, doing a time/pitch stretch of 101.86%. He also patched the beginning of Shakedown Street and Me and My Uncle from the Neumann U-87 recording hosted on archive.org. The volumes were matched as closely as possible and 4-6 second crossfades were used. Because these are both AUDs, the patches are very transparent. Shntool was used to clean up all the SBEs.
Taper: Bill Koucky
2:20:39
Rating:
7.33 / 3 ratings
Taper:
Bill Koucky
SHNID:
gd1984-04-16.senn441.koucky.ladner.32884.sbeok.flac16
Source:
Sennheiser 441s > Sony D5 > Sony D5 > MAC > Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC > WAV > Wavelab > Waves L3 > CDWAV 1.9 > FLAC (level 5)
Source 24 of 24
2:27:52
Rating:
8.57 / 14 ratings
SHNID:
gd84-04-16.neumann.1298.sbeok.shnf
Source:
Neumann U-87 > Sony d-6 >dat >cdr
Taper Notes:
View NotesNeumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd