RELISTENTOTHE Grateful Dead
Re
1984
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June 16th
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1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1984
4/13/84
Keep Your Day Job
4:18
New Minglewood Blues
7:46
Dire Wolf
4:08
Beat It on Down the Line
3:32
West LA Fadeaway
7:55
It's All Over Now
8:28
Bird Song
9:58
Hell in a Bucket
6:08
Don't Ease Me In
3:12
Scarlet Begonias
13:19
Fire on the Mountain
10:53
Estimated Prophet
15:48
Drums
6:24
Space
8:56
The Wheel
5:15
Truckin'
6:31
Goin' Down the Road Feeling Bad
5:08
Around and Around
3:50
Good Lovin'
7:31
US Blues
5:04
FIN
View on archive.org
Sources
Taper: Mark McCue
2:31:44
SBD
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1984-04-13.nak300.mccue.casey.ford.123178.sbeok.flac16
Source:
MAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford
Taper Notes:
View Notes- All editing and mastering with UAD-2 in 24bit/88.2 kHz - Patches in the following places - crowd/tuning between New Minglewood and Dire Wolf, crowd/tuning between Dire Wolf and BIODTL, short patch during It's All Over Now, 14 seconds during Bird Song, final 21 seconds of Don't Ease Me In, short patches during Fire on the Mountain, Estimated, Space and U.S. Blues. All patch material taken from shnid #90470 - Eaton-Miller. Taper's notes: Kurt Casey lead deck Nakamichi 300's w/shotguns> Sony D5> Sony D6 master. Mics were about 10 to 12 feet high centered right behind the soundboard - actually one step away. I had just purchased my D6 from Jack's Music in Red Bank. Thanks Andy. My best friend Bill introduces me to Kurt for the patch. This was my 2nd mini tour so far. This show was the 1st master aud for me and I was so glad for the connection created by Bill and Adam. I was 17 years old and still in high school on Easter break for the 1st shows 4 of this tour. Thanks Kurt where ever you are! At this point 12/12/12, I'll trust you'll like this show.ENJOY!!!!!! McQ Merry Christmas and Happy 2013 to all! Mark and Alex.
Taper: Tom Strizak
2:24:00
Taper:
Tom Strizak
Transferrer:
Tom Strizak
SHNID:
gd1984-04-13.176744.beyer.3ch.strizak.vita.flac2448
Lineage:
Lineage: Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48Khz WAV > Reaper v7.61 *DAW (for final audio editing and mastering (-14LUFS) > Audacity *DAW (for track labeling and conversion from 16bit/48khz single WAV file to FLAC 16bit/48khz multiple file set = 1 file for each track/song. TOTAL tracks= 19) (*DAW = Digital Audio Workstation)
Taper Notes:
View NotesNotes: There are a few awkward pauses between songs and a tragic tape flip near end of Birdsong (ouch!) at approx. 46:20 I faded in the end of Birdsong which continues for approx. another 45 seconds followed by an abrupt hard-start of Bucket. Otherwise generally smooth listening and very nice audio quality throughout. ***Just be sure to watch the low-mids and subs of your speakers, Phil and some Drums are very powerful on this recording! Mastered by Tom Strizak March 2026
Taper: Ted Carpenter
2:30:54
Taper:
Ted Carpenter
Transferrer:
Ted Carpenter
SHNID:
gd1984-04-13.157541.aud.carpenter.flac2448
Lineage:
Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums.
Taper Notes:
View NotesPatch Sources: Identifier: gd84-04-13.fob-eaton.21130.sbeok.shnf Special Thanks to Rob Eaton, and Charlie Miller for helping to complete these sets 1st set channels swapped to correct left right stereo. added intro to Bird Song from 00:00 to 00:22 Added Patch for tape flip in birdsong at 06:02 to 06:38 Added Crowd Connector end of birdsong to smooth song transition from 10:10 to 10:19 2nd set channels swapped to correct left right stereo. Patch Fire into Estimated set 2 track 2 from 00:00 to 00:44 connector between songs - crowd - reduced gain by 1 db. added estimated Patch at 09:08 to 10:28. (EQ Modified patch for timber. Timber change during patch ). patch intro to space from 00:00 to 00:33 reduced gain by 3 db. Encore: is entirely from Rob Eaton / Miller Copy ... EQ modified for sound continuity. Note : side B of Set 2 Frequency Response is 20hz to about 13 KHz. consequently that part of the show / tape has noticeable reduction of high end. * (see .png spectrograph ) entire 2nd set) Rest of the show is 20hz to 20 khz. patches EQ moded to help audio continuity.
Taper: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
2:27:49
Taper:
Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-13.149110.mke2002.kidwell.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# Mickey Hart on Djimbe This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several booklets. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there. $ "T right here in Norfolk or wherever we are" - Bobby * Brent scat singing with Bobby in middle of tune / = stopped deck between tunes to save tape/batteries. // Tape flip
Taper: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
2:27:50
Rating:
8.00 / 1 rating
Taper:
Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-13.149109.mke2002.kidwell.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# Mickey Hart on Djimbe This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several booklets. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there. $ "T right here in Norfolk or wherever we are" - Bobby * Brent scat singing with Bobby in middle of tune / = stopped deck between tunes to save tape/batteries. // Tape flip
Taper: executive crew
2:57:49
Taper:
executive crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-13.132772.Sennheiser-holbrook.flac24
Source:
Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
Taper Notes:
View NotesNotes: # Mickey Hart on Djimbe This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there. Recording Notes: 1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. this will sound BEST through headphones; through a stereo you may choose to increase bass slightly. 2] First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums. + Tape flip ~41.05 3] First minute has recording level variations; the Sound crew doesn't get it set for levels until start of second song.
Taper: executive crew
2:27:08
Rating:
8.00 / 2 ratings
Taper:
executive crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-13.132771.Sennheiser-holbrook.flac16
Source:
Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
Taper Notes:
View NotesNotes: # Mickey Hart on Djimbe This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there. Recording Notes: 1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. this will sound BEST through headphones; through a stereo you may choose to increase bass slightly. 2] First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums. + Tape flip ~41.05 3] First minute has recording level variations; the Sound crew doesn't get it set for levels until start of second song.
Taper: Da Weez
2:29:20
Rating:
10.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-13.109288.beyer-senn.daweez.D5scott.flac16
Source:
source: 3 Beyer M160's (up front) > custom made blend box> Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------