RELISTENTOTHE Grateful Dead
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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1984
4/13/84
Tuning
0:35
Keep Your Day Job >
4:13
New Minglewood Blues
9:30
Dire Wolf
3:55
Beat It On Down The Line >
3:32
West L.A. Fadeaway
8:00
It's All Over Now
8:41
Bird Song
10:50
Hell In A Bucket >
6:15
Don't Ease Me In
3:14
Tuning
1:24
Scarlet Begonias >
12:14
Fire On The Mountain
12:04
Estimated Prophet >
15:38
Drums >
6:57
Space >
9:39
The Wheel >
5:48
Truckin' >
6:18
Goin' Down The Road Feeling Bad >
5:19
Around And Around >
3:46
Good Lovin'
7:46
Encore Break
2:05
U.S. Blues
5:12
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:34:20
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1984-04-13.sbd.miller.102499.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k)
Lineage:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a re-master of shnid=27733 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:36:20
SBD
Rating:
8.50 / 13 ratings
Transferrer:
Charlie Miller
SHNID:
gd84-04-13.sbd.miller.27733.sbeok.flacf
Source:
<b>flac16</b> SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source;
Lineage:
Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Taper: Mark McCue
2:31:44
SBD
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1984-04-13.nak300.mccue.casey.ford.123178.sbeok.flac16
Source:
MAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford
Taper Notes:
View Notes- All editing and mastering with UAD-2 in 24bit/88.2 kHz - Patches in the following places - crowd/tuning between New Minglewood and Dire Wolf, crowd/tuning between Dire Wolf and BIODTL, short patch during It's All Over Now, 14 seconds during Bird Song, final 21 seconds of Don't Ease Me In, short patches during Fire on the Mountain, Estimated, Space and U.S. Blues. All patch material taken from shnid #90470 - Eaton-Miller. Taper's notes: Kurt Casey lead deck Nakamichi 300's w/shotguns> Sony D5> Sony D6 master. Mics were about 10 to 12 feet high centered right behind the soundboard - actually one step away. I had just purchased my D6 from Jack's Music in Red Bank. Thanks Andy. My best friend Bill introduces me to Kurt for the patch. This was my 2nd mini tour so far. This show was the 1st master aud for me and I was so glad for the connection created by Bill and Adam. I was 17 years old and still in high school on Easter break for the 1st shows 4 of this tour. Thanks Kurt where ever you are! At this point 12/12/12, I'll trust you'll like this show.ENJOY!!!!!! McQ Merry Christmas and Happy 2013 to all! Mark and Alex.
Taper: Rob Eaton
2:33:14
Rating:
10.00 / 2 ratings
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-13.164369.neumann.u87.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in "Drums" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Rob Eaton
2:33:14
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1984-04-13.164368.neumann.u87.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in "Drums" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Jim Vita
2:26:34
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-13.164045.senn421.blends.vita.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Bryant and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:57 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2022
Taper: Jim Vita
2:26:34
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-04-13.164044.senn421.blends.vita.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Bryant and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:57 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2022
Taper: Recorded and Transferred by Rob Eaton
2:32:55
Rating:
10.00 / 2 ratings
Taper:
Recorded and Transferred by Rob Eaton
Transferrer:
Mastered by Charlie Miller [email protected] January 6, 2022
SHNID:
gd1984-04-13.155699.fob.neumann.U87.cm.eaton.miller.t.flac16
Source:
(FOB) Neumann U87 > Cassette Master (Nakamichi 550)
Lineage:
Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for transferring his recordings for me -- Thanks to Doug Lamarre and Scott Clugston for the patch source -- Thanks to Joe B. Jones for checking the pitch -- This is 155212 2496 > 1644
Taper: Rob Eaton
2:32:55
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Charlie Miller
SHNID:
gd1984-04-13.155212.u87.eaton.miller.flac24
Source:
(FOB) Neumann U87 > Cassette Master (Nakamichi 550)
Lineage:
Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for transferring his recordings for me -- Thanks to Doug Lamarre and Scott Clugston for the patch source -- Thanks to Joe B. Jones for checking the pitch
Taper: Doug Lamarre
2:25:17
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-13.154378.fob.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Bryant for the Schoeps CMC4 MK41 source (patched out of the Oade's) which supplies a 0:24 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston October 2021
Taper: Doug Lamarre
2:25:17
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-04-13.154377.fob.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Bryant for the Schoeps CMC4 MK41 source (patched out of the Oade's) which supplies a 0:24 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston October 2021
Transferrer: Charlie Miller
1:25:06
Transferrer:
Charlie Miller
SHNID:
gd1984-04-13.137369.set2.mk41.oade.bryant.miller.flac16
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two masters were used to make this complete -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction **This fileset is 16bit @ 44.1** 24bit > 16bit with r8brain
Transferrer: Charlie Miller
1:25:06
Transferrer:
Charlie Miller
SHNID:
gd1984-04-13.137367.set2.mk41.miller.flac24
Source:
(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two masters were used to make this complete -- Recorded By Robert Bryant (patched out of the Oade brothers) -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Rob Eaton
2:32:06
Rating:
8.00 / 13 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-13.neumann-u87.eaton.miller.90470.sbeok.flac16
Source:
(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- Seamless transition between discs 2 and 3 -- Thanks to J.J. Clifton for the Dat -- Recorded by Rob Eaton
Taper: Tom Strizak
2:24:00
Taper:
Tom Strizak
Transferrer:
Tom Strizak
SHNID:
gd1984-04-13.176744.beyer.3ch.strizak.vita.flac2448
Lineage:
Lineage: Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48Khz WAV > Reaper v7.61 *DAW (for final audio editing and mastering (-14LUFS) > Audacity *DAW (for track labeling and conversion from 16bit/48khz single WAV file to FLAC 16bit/48khz multiple file set = 1 file for each track/song. TOTAL tracks= 19) (*DAW = Digital Audio Workstation)
Taper Notes:
View NotesNotes: There are a few awkward pauses between songs and a tragic tape flip near end of Birdsong (ouch!) at approx. 46:20 I faded in the end of Birdsong which continues for approx. another 45 seconds followed by an abrupt hard-start of Bucket. Otherwise generally smooth listening and very nice audio quality throughout. ***Just be sure to watch the low-mids and subs of your speakers, Phil and some Drums are very powerful on this recording! Mastered by Tom Strizak March 2026
Taper: Ted Carpenter
2:30:54
Taper:
Ted Carpenter
Transferrer:
Ted Carpenter
SHNID:
gd1984-04-13.157541.aud.carpenter.flac2448
Lineage:
Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums.
Taper Notes:
View NotesPatch Sources: Identifier: gd84-04-13.fob-eaton.21130.sbeok.shnf Special Thanks to Rob Eaton, and Charlie Miller for helping to complete these sets 1st set channels swapped to correct left right stereo. added intro to Bird Song from 00:00 to 00:22 Added Patch for tape flip in birdsong at 06:02 to 06:38 Added Crowd Connector end of birdsong to smooth song transition from 10:10 to 10:19 2nd set channels swapped to correct left right stereo. Patch Fire into Estimated set 2 track 2 from 00:00 to 00:44 connector between songs - crowd - reduced gain by 1 db. added estimated Patch at 09:08 to 10:28. (EQ Modified patch for timber. Timber change during patch ). patch intro to space from 00:00 to 00:33 reduced gain by 3 db. Encore: is entirely from Rob Eaton / Miller Copy ... EQ modified for sound continuity. Note : side B of Set 2 Frequency Response is 20hz to about 13 KHz. consequently that part of the show / tape has noticeable reduction of high end. * (see .png spectrograph ) entire 2nd set) Rest of the show is 20hz to 20 khz. patches EQ moded to help audio continuity.
Taper: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
2:27:49
Taper:
Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-13.149110.mke2002.kidwell.holbrook.flac2448
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# Mickey Hart on Djimbe This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several booklets. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there. $ "T right here in Norfolk or wherever we are" - Bobby * Brent scat singing with Bobby in middle of tune / = stopped deck between tunes to save tape/batteries. // Tape flip
Taper: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
2:27:50
Rating:
8.00 / 1 rating
Taper:
Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-13.149109.mke2002.kidwell.holbrook.flac1644
Source:
MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# Mickey Hart on Djimbe This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several booklets. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there. $ "T right here in Norfolk or wherever we are" - Bobby * Brent scat singing with Bobby in middle of tune / = stopped deck between tunes to save tape/batteries. // Tape flip
Taper: executive crew
2:57:49
Taper:
executive crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-13.132772.Sennheiser-holbrook.flac24
Source:
Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
Taper Notes:
View NotesNotes: # Mickey Hart on Djimbe This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there. Recording Notes: 1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. this will sound BEST through headphones; through a stereo you may choose to increase bass slightly. 2] First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums. + Tape flip ~41.05 3] First minute has recording level variations; the Sound crew doesn't get it set for levels until start of second song.
Taper: executive crew
2:27:08
Rating:
8.00 / 2 ratings
Taper:
executive crew
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-13.132771.Sennheiser-holbrook.flac16
Source:
Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.
Lineage:
Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
Taper Notes:
View NotesNotes: # Mickey Hart on Djimbe This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there. Recording Notes: 1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. this will sound BEST through headphones; through a stereo you may choose to increase bass slightly. 2] First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums. + Tape flip ~41.05 3] First minute has recording level variations; the Sound crew doesn't get it set for levels until start of second song.
Source 21 of 26
2:38:12
SHNID:
gd1984-04-13.126039.beyer_m160.scarletdog.flac16
Source:
Master: 2 Beter M-160s and Sony TC-D5m; 2nd deck in line after another D5;
Lineage:
Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
Taper: chasingwilma
2:23:40
Rating:
8.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1984-04-13.122974.chasingwilma.flac24
Source:
source: (3) audio technica atm 11 fob>tcm-d-5; conversion: sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit
Taper: Da Weez
2:29:20
Rating:
10.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-04-13.109288.beyer-senn.daweez.D5scott.flac16
Source:
source: 3 Beyer M160's (up front) > custom made blend box> Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Source 24 of 26
2:37:55
SHNID:
gd1984-04-13.fob.bandrofcheck.34469.sbeok.shnf
Taper Notes:
View NotesThis recording was done to capture as much as possible. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed.
Taper: Rob Eaton
2:31:55
Rating:
9.25 / 17 ratings
Taper:
Rob Eaton
SHNID:
gd84-04-13.fob-eaton.21130.sbeok.shnf
Source:
Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN
Taper Notes:
View NotesRob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN Comments: Static pops at 3:49.9 of Dire Wolf (d103)*, 7:52.9 of West LA (d105)*, 0:03.4 of Bird Song (d107), 24:38.4 of Scarlet-Fire (d201), 0:07.8 of Estimated (d202)* 0.35 sec buzz at 24:38.5 of Scarlet-Fire (d201) * These occur when the audience appears to be muted between songs
Source 26 of 26
2:24:04
Rating:
7.82 / 11 ratings
SHNID:
gd84-04-13.aud-neumann.pj.1521.sbeok.shnf
Source:
Neumann U-87 mics > Sony D6 cass > Dat > CDR
Taper Notes:
View NotesNeumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs