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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1984
Sources
Taper: Paul Scotton and Joani Walker
2:40:13
SBD
Rating:
10.00 / 1 rating
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-03-31.sbd.walker-scotton.miller.105821.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:39:47
SBD
Rating:
8.40 / 6 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-03-31.sbd.walker-scotton.miller.32516.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes. -- Seamless transition between discs 2 and 3.
Transferrer: MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT by Doug Nawrocki, via Vojo
2:28:02
SBD
Rating:
8.29 / 29 ratings
Transferrer:
MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT by Doug Nawrocki, via Vojo
SHNID:
gd84-03-31.sbd.nawrocki.14078.sbeok.shnf
Source:
SBD > MC
Taper Notes:
View NotesEAC'd/Pitch Corrected/SHN'd by Doug Nawrocki - missing Baby Blue encore * Cool Edit Pro notes: - Cut into Althea crossfaded - Used Sonic Foundry's Shift Pitch with the following settings: Semitones 0 Cents -80.0 Source kindly provided by Vojo
Source 4 of 12
2:15:02
SBD
Rating:
6.00 / 4 ratings
SHNID:
gd84-03-31.sbd.lai.2576.sbefail.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; via Mike Lai
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176249.senn421.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176248.senn421.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Chris Hecht
2:35:21
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148340.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:35:21
Rating:
9.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148339.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Rango Keshavan
2:38:14
Rating:
9.60 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1984-03-31.sony220t.keshavan.miller.98823.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (shnid=79468) supplies: Althea (4:15 - 4:27) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: D5scott
2:39:41
Rating:
10.00 / 2 ratings
Transferrer:
D5scott
SHNID:
gd1984-03-31.111289.beyer-senn-nubar.d5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes-------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mike G. and Tony Suraci
2:24:33
Taper:
Mike G. and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-03-31.nak301.mikeg-suraci.79468.sbeok.flac16
Source:
Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notesthe ends of Althea and He's Gone are missing due to tape flips. Drums is completely missing
Taper: Andrew F.
2:40:51
Taper:
Andrew F.
SHNID:
gd1984-03-31.sonyecm.andrewf.29916.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > MAC (TDK AD-X normal bias tape, with Dolby on) > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes-- First notes of Minglewood are clipped. -- I messed up the tape-flip in He's Gone and ended up with aprx fifty seconds of blank tape. The sbd provided 30 seconds that I was missing, and my source added about five seconds that the sbd was missing. At the tail end of the patch, both sources were blank, so it's not cross-faded. -- The ambient speakers affect the vocals on this show; you hear it during Dupree's, Deal, and every song in the second set except Baby Blue. -- The break between Drums and Space is seamless for re-assembly to longer media. The Dead silence you hear was as it was at the show... -- Taped & Transferred by Andrew F. June 2005, ENJOY ! ! !