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Bands
Grateful Dead
Today In History
June 15th
Years
1995
29.8k
PlaybackListensHours
48h1.4k169
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.7k254
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k238
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.7k363
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k357
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k718
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k268
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k137
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.4k545
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h86199
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.4k736
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.4k295
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h958121
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k163
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h1.9k241
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k455
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1k150
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k212
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.4k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h44046
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.1k400
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k527
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k314
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k165
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k148
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h77093
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12517
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h41925
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1984
Sources
Taper: Paul Scotton and Joani Walker
2:40:13
SBD
Rating:
10.00 / 1 rating
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1984-03-31.sbd.walker-scotton.miller.105821.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Transferred/Edited by Charlie Miller
2:39:47
SBD
Rating:
8.40 / 6 ratings
Taper:
Transferred/Edited by Charlie Miller
SHNID:
gd1984-03-31.sbd.walker-scotton.miller.32516.sbeok.flac16
Source:
SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View Notes-- Thanks to Paul Scotton and Joani Walker for the Cassettes. -- Seamless transition between discs 2 and 3.
Transferrer: MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT by Doug Nawrocki, via Vojo
2:28:02
SBD
Rating:
8.29 / 29 ratings
Transferrer:
MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT by Doug Nawrocki, via Vojo
SHNID:
gd84-03-31.sbd.nawrocki.14078.sbeok.shnf
Source:
SBD > MC
Taper Notes:
View NotesEAC'd/Pitch Corrected/SHN'd by Doug Nawrocki - missing Baby Blue encore * Cool Edit Pro notes: - Cut into Althea crossfaded - Used Sonic Foundry's Shift Pitch with the following settings: Semitones 0 Cents -80.0 Source kindly provided by Vojo
Source 4 of 12
2:15:02
SBD
Rating:
6.00 / 4 ratings
SHNID:
gd84-03-31.sbd.lai.2576.sbefail.shnf
Source:
Soundboard
Taper Notes:
View NotesSBD; via Mike Lai
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176249.senn421.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Bill Bradt
2:37:47
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-03-31.176248.senn421.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Nubar and D5scott for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "Althea", as well as a 0:12 patch in "He's Gone" - Rex Foundation Benefit - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Chris Hecht
2:35:21
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148340.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Chris Hecht
2:35:21
Rating:
9.00 / 2 ratings
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1984-03-31.148339.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the shnid78162 (FOB) Sony ECM220t source which supplies the first 0:11 of "Althea - Thanks to Nubar and D5scott for the shnid111289 Beyer M160/Sennheiser 421 source which supplies a 9:49 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Rango Keshavan
2:38:14
Rating:
9.60 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1984-03-31.sony220t.keshavan.miller.98823.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (shnid=79468) supplies: Althea (4:15 - 4:27) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: D5scott
2:39:41
Rating:
10.00 / 2 ratings
Transferrer:
D5scott
SHNID:
gd1984-03-31.111289.beyer-senn-nubar.d5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes-------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mike G. and Tony Suraci
2:24:33
Taper:
Mike G. and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1984-03-31.nak301.mikeg-suraci.79468.sbeok.flac16
Source:
Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet
Lineage:
Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notesthe ends of Althea and He's Gone are missing due to tape flips. Drums is completely missing
Taper: Andrew F.
2:40:51
Taper:
Andrew F.
SHNID:
gd1984-03-31.sonyecm.andrewf.29916.sbeok.flac16
Source:
Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck > MAC (TDK AD-X normal bias tape, with Dolby on) > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes-- First notes of Minglewood are clipped. -- I messed up the tape-flip in He's Gone and ended up with aprx fifty seconds of blank tape. The sbd provided 30 seconds that I was missing, and my source added about five seconds that the sbd was missing. At the tail end of the patch, both sources were blank, so it's not cross-faded. -- The ambient speakers affect the vocals on this show; you hear it during Dupree's, Deal, and every song in the second set except Baby Blue. -- The break between Drums and Space is seamless for re-assembly to longer media. The Dead silence you hear was as it was at the show... -- Taped & Transferred by Andrew F. June 2005, ENJOY ! ! !