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June 5th
4 shows
4 tapes
Years
2026
66.4k
PlaybackListensHours
48h2.4k435
7d5.7k1k
30d66.4k11.8k
13 shows
13 tapes
2025
16.4k
PlaybackListensHours
48h1.2k221
7d2.1k376
30d16.4k2.9k
42 shows
42 tapes
2024
5.8k
PlaybackListensHours
48h53199
7d1k186
30d5.8k1.1k
39 shows
39 tapes
2023
4.1k
PlaybackListensHours
48h32056
7d708118
30d4.1k663
45 shows
45 tapes
2022
5.9k
PlaybackListensHours
48h1.7k275
7d2.4k370
30d5.9k947
47 shows
48 tapes
2021
3.6k
PlaybackListensHours
48h28050
7d618107
30d3.6k639
35 shows
35 tapes
2020
300
PlaybackListensHours
48h263
7d8612
30d30042
4 shows
4 tapes
2019
3.1k
PlaybackListensHours
48h19629
7d59590
30d3.1k440
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h19430
7d34653
30d4.2k641
39 shows
39 tapes
2017
2.3k
PlaybackListensHours
48h18930
7d52690
30d2.3k390
28 shows
28 tapes
2016
2.1k
PlaybackListensHours
48h21529
7d29842
30d2.1k279
45 shows
45 tapes
2015
1.7k
PlaybackListensHours
48h15022
7d27943
30d1.7k274
31 shows
31 tapes
2014
1.5k
PlaybackListensHours
48h14720
7d24534
30d1.5k214
41 shows
41 tapes
2013
1.4k
PlaybackListensHours
48h13821
7d14523
30d1.4k223
41 shows
41 tapes
2012
1.9k
PlaybackListensHours
48h27138
7d43258
30d1.9k255
37 shows
37 tapes
2011
6.4k
PlaybackListensHours
48h1.6k234
7d2.4k352
30d6.4k936
41 shows
41 tapes
2010
2.4k
PlaybackListensHours
48h20227
7d28338
30d2.4k313
50 shows
50 tapes
2009
3.5k
PlaybackListensHours
48h65290
7d1.5k201
30d3.5k497
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h10824
7d21142
30d1.7k337
20 shows
20 tapes
2003
4.9k
PlaybackListensHours
48h42979
7d752139
30d4.9k948
45 shows
45 tapes
2002
311
PlaybackListensHours
48h172
7d162
30d31146
3 shows
3 tapes
2000
14.3k
PlaybackListensHours
48h820145
7d1.3k235
30d14.3k2.4k
56 shows
56 tapes
1999
16.6k
PlaybackListensHours
48h1.2k217
7d2.5k472
30d16.6k3.1k
64 shows
64 tapes
1998
19.3k
PlaybackListensHours
48h1.5k239
7d3.2k514
30d19.3k3.2k
70 shows
70 tapes
1997
20.4k
PlaybackListensHours
48h1.4k255
7d3.3k593
30d20.4k3.7k
81 shows
81 tapes
1996
8.4k
PlaybackListensHours
48h49272
7d870127
30d8.4k1.2k
71 shows
71 tapes
1995
11k
PlaybackListensHours
48h920131
7d2.2k315
30d11k1.6k
82 shows
82 tapes
1994
28.6k
PlaybackListensHours
48h972123
7d2.6k326
30d28.6k3.6k
124 shows
124 tapes
1993
13.9k
PlaybackListensHours
48h65281
7d1.7k206
30d13.9k1.6k
109 shows
109 tapes
1992
9.5k
PlaybackListensHours
48h34544
7d79785
30d9.5k1.1k
109 shows
109 tapes
1991
6.6k
PlaybackListensHours
48h40442
7d69474
30d6.6k704
117 shows
119 tapes
1990
4.6k
PlaybackListensHours
48h48749
7d953116
30d4.6k533
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h517
7d10814
30d2k262
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h7210
7d29936
30d2.7k343
44 shows
44 tapes
1987
752
PlaybackListensHours
48h202
7d718
30d75291
18 shows
18 tapes
1986
372
PlaybackListensHours
48h495
7d324
30d37239
7 shows
7 tapes
1985
244
PlaybackListensHours
48h304
7d213
30d24436
7 shows
7 tapes
1984
184
PlaybackListensHours
48h534m
7d203
30d18426
2 shows
2 tapes
1983
78
PlaybackListensHours
48h00m
7d112
30d7811
1 show
1 tape
1998
11/2/98
Set 1
1:17:52
Tube
14:18
Drowned
15:40
Jesus Just Left Chicago
11:28
Driver
4:38
Bittersweet Motel
4:53
Limb by Limb
15:31
Wading in the Velvet Sea
5:56
Sample in a Jar
5:28
Set 2
1:45:07
Down with Disease
9:16
The Mango Song
8:20
The Moma Dance
8:41
You Enjoy Myself
24:01
Harpua
6:00
Speak to Me > Breathe
2:47
On the Run
4:21
Time
7:11
The Great Gig in the Sky
4:39
Money
7:10
Us and Them
7:06
Any Colour You Like
3:31
Brain Damage
4:01
Eclipse
1:42
Harpua
6:21
Encore
6:02
Smells Like Teen Spirit
6:02
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.