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June 10th
7 shows
7 tapes
Years
2026
50.7k
PlaybackListensHours
48h2k348
7d5k895
30d50.7k9k
13 shows
13 tapes
2025
16.5k
PlaybackListensHours
48h1k184
7d2.4k425
30d16.5k3k
42 shows
42 tapes
2024
6.2k
PlaybackListensHours
48h38470
7d1.1k207
30d6.2k1.1k
39 shows
39 tapes
2023
4.1k
PlaybackListensHours
48h27342
7d718121
30d4.1k681
45 shows
45 tapes
2022
7.8k
PlaybackListensHours
48h26645
7d1.3k211
30d7.8k1.2k
47 shows
48 tapes
2021
3.7k
PlaybackListensHours
48h31552
7d591108
30d3.7k683
35 shows
35 tapes
2020
268
PlaybackListensHours
48h8412
7d132
30d26837
4 shows
4 tapes
2019
3k
PlaybackListensHours
48h32748
7d51674
30d3k435
39 shows
39 tapes
2018
4.1k
PlaybackListensHours
48h20730
7d43667
30d4.1k626
39 shows
39 tapes
2017
2.5k
PlaybackListensHours
48h23345
7d37165
30d2.5k422
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h21827
7d49968
30d2.2k295
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h16325
7d29042
30d1.8k286
31 shows
31 tapes
2014
1.7k
PlaybackListensHours
48h13118
7d31044
30d1.7k235
41 shows
41 tapes
2013
1.4k
PlaybackListensHours
48h7112
7d22035
30d1.4k223
41 shows
41 tapes
2012
3.5k
PlaybackListensHours
48h68584
7d1.7k234
30d3.5k476
37 shows
37 tapes
2011
8.8k
PlaybackListensHours
48h52471
7d1.9k260
30d8.8k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h18425
7d42460
30d2.5k326
50 shows
50 tapes
2009
5.1k
PlaybackListensHours
48h835118
7d1.6k214
30d5.1k712
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h7618
7d23749
30d1.7k342
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h21639
7d709139
30d5.2k993
45 shows
45 tapes
2002
265
PlaybackListensHours
48h424m
7d314
30d26539
3 shows
3 tapes
2000
14.8k
PlaybackListensHours
48h1.5k291
7d1.5k270
30d14.8k2.5k
56 shows
56 tapes
1999
17k
PlaybackListensHours
48h930173
7d2.4k428
30d17k3.2k
64 shows
64 tapes
1998
20.5k
PlaybackListensHours
48h1.3k228
7d3.1k504
30d20.5k3.4k
70 shows
70 tapes
1997
21.2k
PlaybackListensHours
48h1.5k271
7d3.5k594
30d21.2k3.8k
81 shows
81 tapes
1996
9.1k
PlaybackListensHours
48h44461
7d2.1k300
30d9.1k1.3k
71 shows
71 tapes
1995
12k
PlaybackListensHours
48h1.9k263
7d2.3k327
30d12k1.8k
82 shows
82 tapes
1994
27.2k
PlaybackListensHours
48h1.6k200
7d2.2k273
30d27.2k3.4k
124 shows
124 tapes
1993
12.2k
PlaybackListensHours
48h73590
7d1.5k182
30d12.2k1.4k
109 shows
109 tapes
1992
8.2k
PlaybackListensHours
48h25532
7d81097
30d8.2k934
109 shows
109 tapes
1991
5.9k
PlaybackListensHours
48h20624
7d78682
30d5.9k622
117 shows
119 tapes
1990
4.9k
PlaybackListensHours
48h40745
7d95899
30d4.9k558
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h18725
7d13116
30d1.9k250
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h14219
7d29837
30d2.7k344
44 shows
44 tapes
1987
580
PlaybackListensHours
48h141
7d283
30d58073
18 shows
18 tapes
1986
365
PlaybackListensHours
48h182
7d485
30d36539
7 shows
7 tapes
1985
257
PlaybackListensHours
48h82
7d417
30d25738
7 shows
7 tapes
1984
148
PlaybackListensHours
48h328m
7d101
30d14821
2 shows
2 tapes
1983
79
PlaybackListensHours
48h19m
7d122
30d7912
1 show
1 tape
1998
11/2/98
Set 1
1:17:52
Tube
14:18
Drowned
15:40
Jesus Just Left Chicago
11:28
Driver
4:38
Bittersweet Motel
4:53
Limb by Limb
15:31
Wading in the Velvet Sea
5:56
Sample in a Jar
5:28
Set 2
1:45:07
Down with Disease
9:16
The Mango Song
8:20
The Moma Dance
8:41
You Enjoy Myself
24:01
Harpua
6:00
Speak to Me > Breathe
2:47
On the Run
4:21
Time
7:11
The Great Gig in the Sky
4:39
Money
7:10
Us and Them
7:06
Any Colour You Like
3:31
Brain Damage
4:01
Eclipse
1:42
Harpua
6:21
Encore
6:02
Smells Like Teen Spirit
6:02
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.