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Today In History
June 11th
5 shows
5 tapes
Years
2026
51.7k
PlaybackListensHours
48h1.9k348
7d6k1.1k
30d51.7k9.2k
13 shows
13 tapes
2025
17k
PlaybackListensHours
48h1.3k226
7d2.9k518
30d17k3k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h26451
7d1.4k250
30d6.4k1.2k
39 shows
39 tapes
2023
4.3k
PlaybackListensHours
48h24038
7d890147
30d4.3k707
45 shows
45 tapes
2022
7.9k
PlaybackListensHours
48h27244
7d1.5k235
30d7.9k1.3k
47 shows
48 tapes
2021
3.9k
PlaybackListensHours
48h34855
7d718132
30d3.9k706
35 shows
35 tapes
2020
322
PlaybackListensHours
48h335
7d679
30d32244
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h40359
7d67499
30d3.2k460
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h18328
7d57088
30d4.2k646
39 shows
39 tapes
2017
2.6k
PlaybackListensHours
48h20039
7d50489
30d2.6k446
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h24229
7d57378
30d2.3k305
45 shows
45 tapes
2015
1.9k
PlaybackListensHours
48h17026
7d38558
30d1.9k302
31 shows
31 tapes
2014
1.7k
PlaybackListensHours
48h13918
7d33549
30d1.7k240
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h12521
7d26642
30d1.5k231
41 shows
41 tapes
2012
3.8k
PlaybackListensHours
48h78796
7d2k269
30d3.8k511
37 shows
37 tapes
2011
9k
PlaybackListensHours
48h67590
7d2.1k289
30d9k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h33344
7d51573
30d2.5k339
50 shows
50 tapes
2009
5.6k
PlaybackListensHours
48h53274
7d2.1k290
30d5.6k788
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h5514
7d29060
30d1.8k353
20 shows
20 tapes
2003
5.3k
PlaybackListensHours
48h24244
7d838161
30d5.3k1k
45 shows
45 tapes
2002
265
PlaybackListensHours
48h416
7d314
30d26539
3 shows
3 tapes
2000
15.6k
PlaybackListensHours
48h1.3k250
7d2.3k426
30d15.6k2.6k
56 shows
56 tapes
1999
17.4k
PlaybackListensHours
48h933174
7d2.8k516
30d17.4k3.2k
64 shows
64 tapes
1998
21.2k
PlaybackListensHours
48h1.2k201
7d3.8k628
30d21.2k3.5k
70 shows
70 tapes
1997
21.9k
PlaybackListensHours
48h1.5k269
7d4.2k722
30d21.9k4k
81 shows
81 tapes
1996
9.4k
PlaybackListensHours
48h47967
7d2.4k335
30d9.4k1.3k
71 shows
71 tapes
1995
12.9k
PlaybackListensHours
48h1.7k250
7d3.1k440
30d12.9k1.9k
82 shows
82 tapes
1994
28k
PlaybackListensHours
48h2.4k315
7d3k368
30d28k3.5k
124 shows
124 tapes
1993
12.5k
PlaybackListensHours
48h74690
7d1.9k228
30d12.5k1.5k
109 shows
109 tapes
1992
8.3k
PlaybackListensHours
48h34641
7d911109
30d8.3k946
109 shows
109 tapes
1991
6k
PlaybackListensHours
48h25827
7d89794
30d6k634
117 shows
119 tapes
1990
5.2k
PlaybackListensHours
48h23426
7d1.3k131
30d5.2k590
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h21228
7d20526
30d2k259
66 shows
66 tapes
1988
2.8k
PlaybackListensHours
48h10213
7d37746
30d2.8k354
44 shows
44 tapes
1987
584
PlaybackListensHours
48h13216
7d323
30d58473
18 shows
18 tapes
1986
378
PlaybackListensHours
48h172
7d617
30d37840
7 shows
7 tapes
1985
264
PlaybackListensHours
48h115m
7d488
30d26439
7 shows
7 tapes
1984
150
PlaybackListensHours
48h19m
7d122
30d15021
2 shows
2 tapes
1983
80
PlaybackListensHours
48h00m
7d132
30d8012
1 show
1 tape
1998
11/2/98
Set 1
1:17:52
Tube
14:18
Drowned
15:40
Jesus Just Left Chicago
11:28
Driver
4:38
Bittersweet Motel
4:53
Limb by Limb
15:31
Wading in the Velvet Sea
5:56
Sample in a Jar
5:28
Set 2
1:45:07
Down with Disease
9:16
The Mango Song
8:20
The Moma Dance
8:41
You Enjoy Myself
24:01
Harpua
6:00
Speak to Me > Breathe
2:47
On the Run
4:21
Time
7:11
The Great Gig in the Sky
4:39
Money
7:10
Us and Them
7:06
Any Colour You Like
3:31
Brain Damage
4:01
Eclipse
1:42
Harpua
6:21
Encore
6:02
Smells Like Teen Spirit
6:02
FIN
View on phish.in
View on phish.net
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.