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Phish
Today In History
June 10th
7 shows
7 tapes
Years
2026
54.6k
PlaybackListensHours
48h2.1k360
7d6.3k1.1k
30d54.6k9.7k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.1k188
7d3.1k547
30d17.1k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h50987
7d1.4k256
30d6.3k1.2k
39 shows
39 tapes
2023
4.3k
PlaybackListensHours
48h28944
7d868148
30d4.3k720
45 shows
45 tapes
2022
7.9k
PlaybackListensHours
48h27743
7d2.3k369
30d7.9k1.3k
47 shows
48 tapes
2021
3.9k
PlaybackListensHours
48h30252
7d733135
30d3.9k706
35 shows
35 tapes
2020
268
PlaybackListensHours
48h8412
7d395
30d26837
4 shows
4 tapes
2019
3.1k
PlaybackListensHours
48h29645
7d60887
30d3.1k449
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h27841
7d52181
30d4.3k650
39 shows
39 tapes
2017
2.6k
PlaybackListensHours
48h22142
7d50688
30d2.6k434
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h25034
7d57578
30d2.3k311
45 shows
45 tapes
2015
1.9k
PlaybackListensHours
48h16224
7d40459
30d1.9k296
31 shows
31 tapes
2014
1.7k
PlaybackListensHours
48h8412
7d38555
30d1.7k240
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h8012
7d28644
30d1.5k230
41 shows
41 tapes
2012
3.5k
PlaybackListensHours
48h1.1k142
7d1.8k252
30d3.5k484
37 shows
37 tapes
2011
9k
PlaybackListensHours
48h52668
7d2.7k378
30d9k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h16223
7d50871
30d2.5k332
50 shows
50 tapes
2009
5.1k
PlaybackListensHours
48h752108
7d1.9k267
30d5.1k717
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h11523
7d30060
30d1.8k364
20 shows
20 tapes
2003
5.4k
PlaybackListensHours
48h23641
7d965184
30d5.4k1k
45 shows
45 tapes
2002
276
PlaybackListensHours
48h00m
7d466
30d27641
3 shows
3 tapes
2000
15k
PlaybackListensHours
48h1.3k241
7d1.9k334
30d15k2.5k
56 shows
56 tapes
1999
17.5k
PlaybackListensHours
48h1.1k196
7d3.1k557
30d17.5k3.3k
64 shows
64 tapes
1998
21.1k
PlaybackListensHours
48h1.4k233
7d3.8k624
30d21.1k3.5k
70 shows
70 tapes
1997
21.9k
PlaybackListensHours
48h1.3k235
7d4.2k724
30d21.9k4k
81 shows
81 tapes
1996
9.5k
PlaybackListensHours
48h51873
7d2.4k340
30d9.5k1.4k
71 shows
71 tapes
1995
12.4k
PlaybackListensHours
48h1.7k237
7d2.8k398
30d12.4k1.8k
82 shows
82 tapes
1994
28.5k
PlaybackListensHours
48h1.4k166
7d2.8k343
30d28.5k3.5k
124 shows
124 tapes
1993
12.7k
PlaybackListensHours
48h63680
7d1.9k226
30d12.7k1.5k
109 shows
109 tapes
1992
8.6k
PlaybackListensHours
48h27132
7d1k123
30d8.6k977
109 shows
109 tapes
1991
6.3k
PlaybackListensHours
48h23827
7d997103
30d6.3k669
117 shows
119 tapes
1990
5k
PlaybackListensHours
48h48954
7d1k108
30d5k571
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h17222
7d16020
30d2k254
66 shows
66 tapes
1988
2.8k
PlaybackListensHours
48h19824
7d32840
30d2.8k357
44 shows
44 tapes
1987
619
PlaybackListensHours
48h131
7d496
30d61977
18 shows
18 tapes
1986
371
PlaybackListensHours
48h233
7d748
30d37139
7 shows
7 tapes
1985
259
PlaybackListensHours
48h133
7d609
30d25938
7 shows
7 tapes
1984
152
PlaybackListensHours
48h438m
7d101
30d15221
2 shows
2 tapes
1983
82
PlaybackListensHours
48h219m
7d122
30d8212
1 show
1 tape
1998
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.