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Phish
Today In History
June 9th
5 shows
5 tapes
Years
2026
57.1k
PlaybackListensHours
48h2.2k383
7d6.7k1.2k
30d57.1k10.2k
13 shows
13 tapes
2025
17.2k
PlaybackListensHours
48h1.1k186
7d3.2k567
30d17.2k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h46283
7d1.4k249
30d6.3k1.2k
39 shows
39 tapes
2023
4.4k
PlaybackListensHours
48h27041
7d938163
30d4.4k721
45 shows
45 tapes
2022
7.8k
PlaybackListensHours
48h22736
7d3k484
30d7.8k1.3k
47 shows
48 tapes
2021
3.8k
PlaybackListensHours
48h28654
7d773141
30d3.8k689
35 shows
35 tapes
2020
308
PlaybackListensHours
48h111
7d405
30d30843
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h29743
7d64593
30d3.2k451
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h25139
7d42968
30d4.2k646
39 shows
39 tapes
2017
2.5k
PlaybackListensHours
48h16732
7d53191
30d2.5k426
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h21228
7d49167
30d2.2k293
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h13419
7d39559
30d1.8k292
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h9314
7d38654
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h10817
7d27542
30d1.5k230
41 shows
41 tapes
2012
2.8k
PlaybackListensHours
48h1.5k201
7d1.2k159
30d2.8k381
37 shows
37 tapes
2011
8.6k
PlaybackListensHours
48h70393
7d3.2k461
30d8.6k1.2k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h18126
7d45563
30d2.5k336
50 shows
50 tapes
2009
5k
PlaybackListensHours
48h689100
7d2.1k283
30d5k701
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h15227
7d26855
30d1.8k355
20 shows
20 tapes
2003
5.4k
PlaybackListensHours
48h31559
7d1k192
30d5.4k1k
45 shows
45 tapes
2002
282
PlaybackListensHours
48h284
7d517
30d28242
3 shows
3 tapes
2000
14.9k
PlaybackListensHours
48h666118
7d1.9k333
30d14.9k2.5k
56 shows
56 tapes
1999
17.5k
PlaybackListensHours
48h999178
7d3.2k584
30d17.5k3.3k
64 shows
64 tapes
1998
20.9k
PlaybackListensHours
48h1.3k215
7d3.7k614
30d20.9k3.4k
70 shows
70 tapes
1997
21.8k
PlaybackListensHours
48h1.5k267
7d4.3k734
30d21.8k3.9k
81 shows
81 tapes
1996
9.5k
PlaybackListensHours
48h787110
7d2.3k330
30d9.5k1.4k
71 shows
71 tapes
1995
11.9k
PlaybackListensHours
48h1.5k215
7d2.4k348
30d11.9k1.8k
82 shows
82 tapes
1994
28.5k
PlaybackListensHours
48h913110
7d2.8k350
30d28.5k3.5k
124 shows
124 tapes
1993
13.2k
PlaybackListensHours
48h61276
7d2.1k254
30d13.2k1.6k
109 shows
109 tapes
1992
8.6k
PlaybackListensHours
48h45553
7d1k119
30d8.6k983
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h29131
7d1k105
30d6.8k722
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h38242
7d968103
30d5.1k576
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h9011
7d11915
30d1.9k251
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h19524
7d23328
30d2.7k345
44 shows
44 tapes
1987
711
PlaybackListensHours
48h81
7d588
30d71186
18 shows
18 tapes
1986
398
PlaybackListensHours
48h152
7d8710
30d39842
7 shows
7 tapes
1985
272
PlaybackListensHours
48h285
7d589
30d27240
7 shows
7 tapes
1984
157
PlaybackListensHours
48h110m
7d111
30d15722
2 shows
2 tapes
1983
80
PlaybackListensHours
48h652m
7d152
30d8012
1 show
1 tape
1998
Sources
Source 1 of 1
3:09:01
Dot Net:
9.26 / 50 ratings
SHNID:
904
Taper Notes:
View NotesPhish November 2, 1998 The E-Center West Valley, Utah (Salt Lake City) Edited, etc. by Tenniru Uploaded November 1, 2008 (One day to ten years!) Source: FOB Neumann/Schoeps Matrix 1) Schoeps (shnid 25019) 2) Neumann (shnid 85992) Conversion: Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac --- Neumann: FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz Transfer: Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac tranferred from DAT clone received 11/1998 by Dave Schall --- Matrix: Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC Disc 1/Set 1 Tube, Tube Jam > Drowned > Jesus Just Left Chicago Driver Bittersweet Motel Limb by Limb Wading in the Velvet Sea Sample In A Jar Disc 2/Set 2 (pt. 1) Down With Disease Mango Song Moma Dance You Enjoy Myself Disc 3/Set 2 (pt. 2) + Encore Harpua > Speak To Me > Breathe > On The Run Time > The Great Gig In The Sky Money Us And Them > Any Colour You Like > Brain Damage > Eclipse > Harpua -Encore- Smells Like Teen Spirit ------ This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers. I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning. How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape. Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail. It was awesome, and so was the rest of the show. I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering. Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this. I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere. This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.